In a Spanglish-speaking land, Juanita disguises herself as a man to escape the wrath of her lover Ignacio's father. Masquerading as a "new" Don Juan, she careens through the city and seduces Alejandra, a wealthy art collector, Tomas, a leather bar patron and Beatriz, an innocent, society bride, who all fall instantly in love with him/her. Juanita's romp soon lands her squarely at the feet of Don Juan himself as she struggles to find true love. "The power of language creates worlds, realms and most importantly, relationships ... that power is evident as Juanita, a young woman living in a Spanglish-speaking land, tries on a different persona in order to escape from her lover's angry father and potential shame in her community." -Elaine Noble, Nevada Today "Throughout the play, 'Don Juanita' draws more and more attention to herself, attracting the love and care of a multitude of people along the way. The social aspects of the play are fascinating because Juanita basically tries to deconstruct what being a Don Juan is and strives to create a better version of him." -Juan Lopez, The Nevada Sagebrush"

A key way to view Latina plays today is through the foundational frame of playwright and teacher, Maria Irene Fornes, who has transformed American theatre. Considering Fornes's legacy, Anne García-Romero shows how five award-winning playwrights continue to contest and complicate Latina theatre.

Envisioning the Americas: Latina/o Theatre & Performance gathers five plays by five of the US' most daring Latina/o dramatists: Migdalia Cruz, John Jesurun, Oliver Mayer, Alejandro Morales, and Anne Garcia-Romero. With a preface by Academy Award-nominated screenwriter and multiple award-winning playwright Jose Rivera, edited with an introduction by Caridad Svich. A sensual, provocative collection destined to stir things up theatrically in American theatre. Cigarettes and Moby-Dick by Migdalia Cruz Liz One by John Jesurun Dias y Flores by Oliver Mayer Marea by Alejandro Morales and Land of Benjamin Franklin by Anne Garcia-Romero Introduced and Edited by Caridad Svich

The public library - a haven of calm, source of information, home to the student, the geek and the aging librarian. Or so you might think. Don Borchert's ten years as assistant librarian have taught him that a library is more than just a place to borrow books, it's also a place where people hide from the law, fall in love, fight, deal drugs, introduce their children to reading, look up porn and pursue their dreams. Borchett's hilarious memoir delves behind the bookshelves as he discovers the weird, dangerous and downright dirty world of a public library and the fearless civil servants who patrol its aisles.

These three plays by US Latina dramatist Anne Garcia Romero offer striking and sensual explorations of identity. A welcome addition to a growing body of US Latina literature for theatre and performance

Winner of the 2004 Middle Grade Fiction Award from the Association for Mormon Letters. It’s bad enough that Kevin’s mother is about to graduate from mortuary college, but when his parents tell him they’re moving to a small town in the Arkansas delta to run the Paramount Funeral Home, Kevin is certain it’s his life that’s over. After all, normal people don’t live in houses with dead bodies downstairs! Once in Armadillo, Arkansas, Kevin tries to adapt to the family business. When he’s targeted by the biggest bully in the seventh grade, Kevin begins to “hear” advice from an unlikely source—Cletus McCulley, an old Mormon fisherman and one of his mother’s dead customers. Cletus’s messages from beyond the grave lead Kevin to uncover not only the bully’s secrets, but the truth about a family tragedy that shattered his parents’ faith and led them away from God. It’s up to Kevin to find the courage to face the bully, and to find a way to help his family heal.

The sequel to Indigo Springs, "A psychologically astute, highly original debut—complex, eerie, and utterly believable." —Kirkus Reviews, Starred Review This powerful sequel to the A.M. Dellamonica's Sunburst Award–winning contemporary fantasy Indigo Springs starts in the small town in Oregon where Astrid Lethewood discovered an underground river of blue liquid—Vitagua—that is pure magic. Everything it touches is changed. The secret is out—and the world will never be the same. Astrid's best friend, Sahara, has been corrupted by the blue magic, and now leads a cult that seeks to rule the world. Astrid, on the other hand, tries to heal the world. Conflicting ambitions, star-crossed lovers, and those who fear and hate magic combine in a terrible conflagration, pitting friend against friend, magic against magic, and the power of nations against a small band of zealots, with the fate of the world at stake. Blue Magic is a powerful story of private lives changed by earthshaking events that will ensnare readers in its poignant tale of a world touched by magic and plagued by its consequences. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments. It considers prehistoric cave art and built temples, African trance dances, ancient Egyptian and Middle-Eastern ritual dramas, Greek and Roman theatres, Asian dance-dramas and puppetry, medieval European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the hyper-theatricality of today's mass and social media. Timelines and numbered paragraphs form an overall outline with distilled details of what students can learn, encouraging further explorations online and in the library. Questions suggest how students might reflect on present parallels, making their own maps of global theatre histories, regarding geo-political theatrics in the media, our performances in everyday life, and the theatres inside our brains.