"Bibliography of Italian studies in America" in each number, 1924-48.

A major contribution to the study of language acquisition and language development inspired by theoretical linguistics has been made by research on the acquisition of Italian syntax. This book offers an updated overview of results from theory-driven experimental and corpus-based research on the acquisition of Italian in different modes (monolingual, early and late L2, SLI, etc.), as well as exploring possible developments for future research. The book focuses on experimental studies which address research questions generated by linguistic theory, providing a detailed illustration of the fruitful interaction between linguistic theorizing and developmental studies. The authors are leading figures in theoretical linguistics and language acquisition; their own work is featured in the research presented here. Students and advanced researchers will benefit from the systematic review offered by this book and the critical assessment of the field that it provides.

The Romance languages offer a particularly fertile ground for the exploration of the relationship between language and society in different social contexts and communities. Focusing on a wide range of Romance languages – from national languages to minoritised varieties – this volume explores questions concerning linguistic diversity and multilingualism, language contact, medium and genre, variation and change. It will interest researchers and policy-makers alike.

In many European languages the National Standard Variety is converging with spoken, informal, and socially marked varieties. In Italian this process is giving rise to a new standard variety called Neo-standard Italian, which partly consists of regional features. This book contributes to current research on standardization in Europe by offering a comprehensive overview of the re-standardization dynamics in Italian. Each chapter investigates a specific dynamic shaping the emergence of Neo-standard Italian and Regional Standard Varieties, such as the acceptance of previously non-standard features, the reception of Old Italian features excluded from the standard variety, the changing standard language ideology, the retention of features from Italo-Romance dialects, the standardization of patterns borrowed from English, and the developmental tendencies of standard Italian in Switzerland. The contributions investigate phonetic/phonological, prosodic, morphosyntactic, and lexical phenomena, addressed by several empirical methodologies and theoretical vantage points. This work is of interest to scholars and students working on language variation and change, especially those focusing on standard languages and standardization dynamics.

The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon.

This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.

This 2002 book is a guide to Italian usage for students who have already acquired the basics of the language and wish to extend their knowledge. Unlike conventional grammars, it gives special attention to those areas of vocabulary and grammar which cause most difficulty to English-speakers. Careful consideration is given throughout to questions of style, register, and politeness which are essential to achieving an appropriate level of formality or informality in writing and speech. It surveys the contemporary linguistic scene in Italy and gives ample space to the new varieties of Italian that are emerging in modern Italy. The influence of the dialects in shaping the development of Italian is also acknowledged. Clear, readable and easy to consult via its two indexes, this is an essential reference for learners seeking access to the finer nuances of the Italian language.

In the course of our everyday lives, we generally take our knowledge of language for granted. Occasionally, we may become aware of its great practical importance, but we rarely pay any attention to the formal properties that language has. Yet these properties are remarkably complex. So complex that the question immediately arises as to how we could know so much. The facts that will be considered in this book should serve well to illustrate this point. We will see for example that verbs like arrivare 'arrive' and others like telefonare 'telephone', which are superficially similar, actually differ in a large number of respects, some fairly well known, others not. Why should there be such differencces. we may ask. And why should it be that if a verb behaves like arrivare and unlike tetefonare in one respect. it will do so in all others consistently, and how could everyone know it? To take another case, Italian has two series of pronouns: stressed and unstressed. Thus, for example, alongside of reflexive se stesso 'himself which is the stressed form. one finds si which is unstressed but otherwise synonymous. Yet we will see that the differences between the two could not simply be stress versus lack of stress, as their behavior is radically different under a variety of syntactic conditions.

Giovanni Molino’s Dittionario Della Lingua Italiana, Turchesca (1641), is the first extensive Turkish dictionary of its kind, with nearly 8000 lexical head entries excerpted, not from the Ottoman literature, but the everyday Turkish language, the vernacular for at least a part of the population of 17th century Constantinople. Molino, born Armenus Turcicus Yovhannēs of Ankara, was exposed to the Turkish language from childhood, unlike other authors of the known ‘texts in transcription”. In Armenian cultural history, he is remembered as a man of letters, a publisher and the translator of religious texts, whose services to the history of the Turkish language and the corresponding contribution to Ottoman Turkish culture were to this date unknown. The editor has reversed and reorganised the material of the lexicon from Italian-Turkish to Turkish-Italian. The lexical entries of Molino’s dictionary are presented according to morphological and phonological principles, with their orthographic variants side by side, revealing information on the morpho-phonological patterns of Ottoman-Turkish at that time. The language Molino recorded sounds almost like contemporary Turkish and can be considered a bridge to the modern Turkish language.