This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.

This volume presents current work on a topic in Romance linguistics that still informs linguistic theory to this day: metaphony in the languages of Italy. Papers discuss fundamental research topics such as phonological opacity in the light of chain shifts, post-tonic harmony and consonant transparency, the role of morphosyntax in the typology of metaphony, the explanatory adequacy of feature-based versus element-based analyses, and the locus of metaphony in grammar. Other chapters present new experimental data, thus building a more accurate empirical foundation for the study of metaphony. We envision the volume to become a reference book not only for an updated descriptive survey of metaphonic patterns in Italy but also a thorough discussion of the challenges that metaphony poses for different (morpho)phonological theories. The book bridges the gap between descriptive works and theoretical thinking in the study of metaphony.

The term ‘Maya’, in Indian traditions, refers to our sensory perception of the world and, as such, to a superficial reality (or ‘un–reality’) that we must look beyond to find the inner reality of things. Applied to the study of language, we perceive sounds, a superficial reality, and then we seek structures, the underlying reality in what we call phonology, morphology, and syntax. This volume starts with an introduction by the editors, which shows how the various papers contained in the volume reflect the spectrum of research interests of Andrea Calabrese, as well as his influence on the work of colleagues and his students. Contributors, united in their search for the abstract structures that underlie the appearances of languages include linguists such as Adriana Belletti, Paola Benincà, Jonathan Bobaljik, Gugliemo Cinque, David Embick, Mirko Grimaldi, Harry van der Hulst, Michael Kenstowicz, Maria Rita Manzini, Andrew Nevins, Elizabeth Pyatt, Luigi Rizzi, Leonardo Savoia, Laura Vanelli, Bert Vaux, Susi Wurmbrand, as well as a few junior researchers including Mariachiara Berizzi, Giuliano Bocci, Stefano Canalis, Silvio Cruschina, Irina Monich, Beata Moskal, Diego Pescarini, Joseph Perry, Roberto Petrosino, and Kobey Schwayder.

Current theoretical approaches to language devote great attention to macro- and micro-variation and show an ever-increasing interest in minority languages. In this respect, few empirical domains are as rich and lively as the Italo-Romance languages, which together with Albanian were the main research domain of Leonardo M. Savoia. The volume covers areas as different as phonology, morphology, syntax and the lexicon. A broad range of Romance languages is considered, as well as Albanian, Greek and Hungarian, shedding new light on many classical topics. The first section focuses on morphosyntax, both in the narrow sense and with regard to its interfaces. The second section focuses on clitics and pronouns. The third section deals with a number of issues in phonology and syntax-phonology interface. The last section turns the reader’s attention beyond formal linguistics itself and examines variation in the light of neurosciences, pathology, historical linguistics and political discourse.

This volume is a collection of grammar sketches from several Italo-Romance varieties. The contributions cover various areas of linguistics (phonology, morphology, syntax) and are organized in sections according to the customary geolinguistic classification. Each chapter provides the description of a salient phenomenon for a given language, based on novel data, as well as the state-of-the-art knowledge on that phenomenon. The articles are in-depth studies carried out by prominent experts as well as promising young scholars. The theoretical apparatus is kept to a minimum in order to make the book accessible to scholars without specific expertise. For the same reason, hypotheses and formalisms are introduced gradually, only if necessary for the description of the data.

This handbook is structured in two parts: it provides, on the one hand, a comprehensive (synchronic) overview of the phonetics and phonology (including prosody) of a breadth of Romance languages and focuses, on the other hand, on central topics of research in Romance segmental and suprasegmental phonology, including comparative and diachronic perspectives. Phonetics and phonology have always been a core discipline in Romance linguistics: the wide synchronic variety of languages and dialects derived from spoken Latin is extensively explored in numerous corpus and atlas projects, and for quite a few of these varieties there is also more or less ample documentation of at least some of their diachronic stages. This rich empirical database offers excellent testing grounds for different theoretical approaches and allows for substantial insights into phonological structuring as well as into (incipient, ongoing, or concluded) processes of phonological change. The volume can be read both as a state-of-the-art report of research in the field and as a manual of Romance languages with special emphasis on the key topics of phonetics and phonology.

This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inventories, the interaction of vowel harmony and morphological structure, and locality. The chapters in Part III provide an overview of the various theoretical accounts of the phenomenon, as well as bringing in insights from language acquisition and psycholinguistics, while Part IV focuses on the historical life cycle of vowel harmony, looking at topics such as phonetic factors and the effect of language contact. The final part contains 31 chapters that present data and analysis of vowel harmony across all major language families as well as several isolates, constituting the broadest coverage of the phenomenon to date.

This book deals with Albanian, including the dialects spoken in Southern Italy, and with the Aromanian spoken in Southern Albania. These languages are set in the context of current generative research on syntax, morphology, language variation and contact – yielding insights into key morphosyntactic notions of case, agreement, complementation, and into phenomena such as Differential Object Marking, the Person Case Constraint, linkers and control.

This book deals with the phenomenon of vowel harmony, a phonological process whereby all the vowels in a word are required to share a specific phonological property, such as front or back articulation. Vowel harmony occurs in the majority of languages of the world, though only in very few European languages, and has been a central concern in phonological theory for many years. In this volume, Harry van der Hulst puts forward a new theory of vowel harmony, which accounts for the patterns of and exceptions to this phenomenon in the widest range of languages ever considered. The book begins with an overview of the general causes of asymmetries in vowel harmony systems. The two following chapters provide a detailed account of a new theory of vowel harmony based on unary elements and licensing, which is embedded in a general dependency-based theory of phonological structure. In the remaining chapters, this theory is applied to a variety of vowel harmony phenomena from typologically diverse languages, including palatal harmony in languages such as Finnish and Hungarian, labial harmony in Turkic languages, and tongue root systems in Niger-Congo, Nilo-Saharan, and Tungusic languages. The volume provides a valuable overview of the diversity of vowel harmony in the languages of the world and is essential reading for phonologists of all theoretical persuasions.

This book investigates the phenomenon of morphological length manipulation: changes in segmental length that cannot be explained by phonological means alone but crucially rely on morphological information. Eva Zimmermann provides a unified theoretical account of these phenomena by taking into account all possible prosodically defective morpheme representations and their potential effects on the resulting surface structure. Data are drawn from a wide range of the world's languages, including Aymara, Yine, Upriver Halkomelem, Wolof, Hungarian, Tohono O'odham, and Southern Sierra Miwok, providing a through representative database of morphological length manipulation patterns in the languages of the world. The author demonstrates that alternative accounts suffer from significant problems of both under- and over-generation when tested against the full range of attested phenomena. The volume will be of interest to all researchers and graduate students working in theoretical phonology and morphology.