DigiCat Publishing presents to you this special edition of "Joseph in Egypt (Vol. 1)" by Thomas Mann. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Joseph is brought into Egypt by the traders, and he is sold to Potiphar, and in this new environment, he establishes himself as a trusted, and, later, a high-ranking member of Potiphar's extensive household. The story of Joseph and Potiphar's wife is too well-known to be retold here, but Mann fills his account with the most precise and intricate psychological details: the tension comes not from "what happens next?"--Since we all know what happens next -- but in the painstaking depiction of the development of various characters' psychologies. Rarely, if ever, has sexual desire been presented in more convincing detail than in the depiction of the wife of Potiphar, proud and aloof, lusting after the mere slave Joseph. And in this volume, another theme begins, I think, to develop: it is that word that Potiphar's wife could barely bring herself to say, even after hundreds of pages of agonising over it -- "love". Not necessarily love in a sexual sense, of course -- although that's part of it -- but the love that humanity, despite everything, persists in feeling for one another. The chapter depicting the death of the overseer, Mont-kaw, who had become as another father to Joseph, is among the most moving things I have read in any novel. For all the various complexities and layers of irony, Mann could at times be almost disconcertingly direct. - Himadri Chatterjee.

Within the context of the Torah, the Joseph story can be read as a transition that explains why Jacob and his family came to Egypt. However, if one looks at other texts of the Hebrew Bible, there is no mention of the Joseph story; instead, the arrival of the Israelites is said to be the result of the decision of a "father" or of "fathers" to go down do Egypt. Indeed, there are very few references to Joseph at all in the whole Hebrew Bible. Apparently, the Joseph story is not necessary for explaining why the Israelites found themselves in Egypt. The question therefore arises: Why was this story written, when, and for what audience? This volume offers an overview of the current discussion on the origins, composition, and historical contexts behind the Joseph narrative. There is a tendency to date the story (or its original version) to the Persian period, but this volume includes divergent voices about this issue. The volume also shows that scholarly discussion about the historical location of the Joseph story requires to bring together Egyptologists and biblical scholars.

The Ages in Alignment series seeks to resolve contradictions in accepted theories of history, and concludes that all the ancient civilizations arose simultaneously around 1100 BC. This, Volume 1, examines the archaeological evidence for the Flood and the rise of the first literate cultures in the wake of the catastrophe and traces the story of the great migration which led groups of early Mesopotamians westward toward Egypt. A few generations later Imhotep is shown to be the same person as Joseph, son of Jacob.

This book marks the publication of the first, full translation of the so-called Joseph Smith Egyptian papyri translated into English. These papyri comprise “The Breathing Permit of Hor,” “The Book of the Dead of Ta-Sherit-Min,” “The Book of the Dead Chapter 125 of Nefer-ir-nebu,” “The Book of the Dead of Amenhotep,” and “The Hypocephalus of Sheshonq,” as well as some loose fragments and patches. The papyri were acquired by members of the LDS Church in the 1830s in Kirtland, Ohio, and rediscovered in the mid-1960s in the Metropolitan Museum of Art in New York. They served as the basis for Joseph Smith’s “Book of Abraham,” published in Nauvoo, Illinois, in 1842 and later canonized. As Robert K. Ritner, Professor of Egyptology at the Oriental Institute, University of Chicago, explains: “The translation and publication of the Smith papyri must be accessible not merely to Egyptologists but to non-specialists within and outside of the LDS religious community for whom the Book of Abraham was produced.” Dr. Ritner provides not only his own original translations but gives variant translations by other researchers to demonstrate better the “evolving process” of decipherment. He also includes specialized transliterations and his own informed commentary on the accuracy of past readings. “These assessments,” he notes, “are neither equivocal nor muted.” At the same time, they do not have a “partisan basis originating in any religious camp.” The present volume includes insightful introductory essays by noted scholars Christopher Woods, Associate Professor of Sumerology, University of Chicago (“The Practice of Egyptian Religion at ‘Ur of the Chaldees’”), Marc Coenen, Egyptian Studies Ph. D., University of Leuven, Belgium (“The Ownership and Dating of Certain Joseph Smith Papyri”), and H. Michael Marquardt, author of The Revelations of Joseph Smith: Text and Commentary (“Joseph Smith’s Egyptian Papers: A History”). It contains twenty-eight photographic plates, including color images of the primary papyri (with corrected alignment for Papyrus Joseph Smith 2) and other relevant items.

THE BOOK: As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range: its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .

The composition, which the editors entitle the "Book of Thoth", is preserved on over forty Graeco-Roman Period papyri from collections in Berlin, Copenhagen, Florence, New Haven, Paris, and Vienna. The central witness is a papyrus of fifteen columns in the Berlin Museum. Written almost entirely in the Demotic script, the Book of Thoth is probably the product of scribes of the "House of Life", the temple scriptorium. It comprises largely a dialogue between a deity, usually called "He-who-praises-knowledge" (presumably Thoth himself) and a mortal, "He-who-loves-knowledge". The work covers such topics as the scribal craft, sacred geography, the underworld, wisdom, prophecy, animal knowledge, and temple ritual. Particularly remarkable is one section (the "Vulture Text") in which each of the 42 nomes of Egypt is identified with a vulture. The language is poetic; the lines are often clearly organized into verses. The subject-matter, dialogue structure, and striking phraseology raise many issues of scholarly interest; especially intriguing are the possible connections between this Egyptian work, in which Thoth is called "thrice-great", and the classical Hermetic Corpus, in which Hermes Trismegistos plays the key role. The first volume comprises interpretative essays, discussion of specific points such as the manuscript tradition, script, and language. The core of the publication is the transliteration of the Demotic text, translation, and commentary. A consecutive translation, glossary, bibliography, and indices conclude the first volume. The second volume contains photographs of the papyri, almost all of which reproduce their original size.

The Story of Joseph and Judah is Volume 1 of The Masterpiece Study Series, which will teach you to see the Word of God with new eyes, revealing the beauty and complexity of the Scripture. Each volume is adaptable for individual or group study. Using the latest insights from the original language text, you will examine the Bible like a great work of art, created by God Himself. You will be changed as you discover the beauty of this masterpiece, and will be drawn closer to the heart of the Master Artist behind it.

Provides never before known corrections to translating Egyptian hieroglyphs.