"This insightful and informative work explores the Africanization of Catholic worship in Congo (Zaire) and its implications for the world Church. In his Foreword, noted liturgist David Power says that Celebrating Jesus Christ in Africa is important not only for "informing readers about churches of Africa, but in offering wisdom to other churches facing questions about possible developments in their own liturgies."" "Kabasele Lumbala asks challenging questions regarding the issues of rites and inculturation: Which society, culture, and theology are hormative in deciding the shape of liturgy? He shows how African Christians are forging a synthesis between the Christian mystery, the Roman form of celebration and their own culture. Celebrating Jesus Christ in Africa is must reading for missioners, liturgists, theologians and all those concerned with the expression of culture in the rituals of the church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Thomas C. Oden surveys the decisive role of African Christians and theologians in shaping the doctrines and practices of the church of the first five centuries, and makes an impassioned plea for the rediscovery of that heritage. Christians throughout the world will benefit from this reclaiming of an important heritage.

I would urge everyone to receive this book with openness and understanding. Written by an African Christian woman, it is a serious attempt to speak of the fullness of the Gospel to the specific African context. As one individual's struggle to give account of the hope that lies in her, it is a passionate and sincere work, and a welcome contribution to the growing genre of religious literature known as liberation theology. The author seeks not only to speak to us but also to move us and bring us to different ways of 'hearing and knowing.' She has succeeded with me. -Lamin Sanneh Center for the Study of World Religions, Harvard University This book is a remarkable synthesis of history, theology, and missions. It is one of the most important books of the decade because it is written by a Ghanian Christian woman who resides in Nigeria and has travelled the world-over demanding that we no longer allow traditional theological puzzles to go unexamined. Oduyoye's writings are like a breath of fresh air to women in ministry and in the church. -Katie G. Cannon Episcopal Divinity School Amber Oduyoye is Africa's leading woman theologian. In this book we meet a woman of faith reflecting in a scholarly and meditative way on Christianity in Africa. Learned in both the Western and African theological traditions, Professor Oduyoye brings constructive criticism to bear on each in the interest of promoting a wider community of wholeness. -Peter J. Paris Princeton Theological Seminary

"Essays in this volume come out of a conference on the social impact of Christianity in Africa held at the campus of Calvin College in the summer of 2009"--Introd.

In seventeen inspiring narratives Mark Noll and Carolyn Nystrom introduce a new and robust company of saints that has left a lasting imprint on the new Christian heartlands of Africa and Asia. Spanning a century, from the 1880s to the 1980s, their stories demonstrate the vitality of the Christian faith in a diversity of contexts.

The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26). This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?