"This insightful and informative work explores the Africanization of Catholic worship in Congo (Zaire) and its implications for the world Church. In his Foreword, noted liturgist David Power says that Celebrating Jesus Christ in Africa is important not only for "informing readers about churches of Africa, but in offering wisdom to other churches facing questions about possible developments in their own liturgies."" "Kabasele Lumbala asks challenging questions regarding the issues of rites and inculturation: Which society, culture, and theology are hormative in deciding the shape of liturgy? He shows how African Christians are forging a synthesis between the Christian mystery, the Roman form of celebration and their own culture. Celebrating Jesus Christ in Africa is must reading for missioners, liturgists, theologians and all those concerned with the expression of culture in the rituals of the church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

I would urge everyone to receive this book with openness and understanding. Written by an African Christian woman, it is a serious attempt to speak of the fullness of the Gospel to the specific African context. As one individual's struggle to give account of the hope that lies in her, it is a passionate and sincere work, and a welcome contribution to the growing genre of religious literature known as liberation theology. The author seeks not only to speak to us but also to move us and bring us to different ways of 'hearing and knowing.' She has succeeded with me. -Lamin Sanneh Center for the Study of World Religions, Harvard University This book is a remarkable synthesis of history, theology, and missions. It is one of the most important books of the decade because it is written by a Ghanian Christian woman who resides in Nigeria and has travelled the world-over demanding that we no longer allow traditional theological puzzles to go unexamined. Oduyoye's writings are like a breath of fresh air to women in ministry and in the church. -Katie G. Cannon Episcopal Divinity School Amber Oduyoye is Africa's leading woman theologian. In this book we meet a woman of faith reflecting in a scholarly and meditative way on Christianity in Africa. Learned in both the Western and African theological traditions, Professor Oduyoye brings constructive criticism to bear on each in the interest of promoting a wider community of wholeness. -Peter J. Paris Princeton Theological Seminary

"Essays in this volume come out of a conference on the social impact of Christianity in Africa held at the campus of Calvin College in the summer of 2009"--Introd.

This is a revised and updated edition of the comprehensive study of the role of art in the process of inculturation in Africa, first issued in 2000. The study is a substantial contribution toward a theology of inculcation in Africa, and enriches the debate on indigenous African and Christian artistic traditions. It represents the first systematic theology constructed in and from Malawi that establishes a theology of symbolic expression in Africa.

The Africa Study Bible brings together 350 contributors from over 50 countries, providing a unique African perspective. It's an all-in-one course in biblical content, theology, history, and culture, with special attention to the African context. Each feature was planned by African leaders to help readers grow strong in Jesus Christ by providing understanding and instruction on how to live a good and righteous life--Publisher.

We often regard the author of the Gospel of Mark as an obscure figure about whom we know little. Many would be surprised to learn how much fuller a picture of Mark exists within widespread African tradition, tradition that holds that Mark himself was from North Africa, that he founded the church in Alexandria, that he was an eyewitness to the Last Supper and Pentecost, that he was related not only to Barnabas but to Peter as well and accompanied him on many of his travels. In this provocative reassessment of early church tradition, Thomas C. Oden begins with the palette of New Testament evidence and adds to it the range of colors from traditional African sources, including synaxaries (compilations of short biographies of saints to be read on feast days), archaeological sites, non-Western historical documents and ancient churches. The result is a fresh and illuminating portrait of Mark, one that is deeply rooted in African memory and seldom viewed appreciatively in the West.