Jean-Luc Nancy and the Thinking of Otherness is the first book in English to provide a sustained account of the relationship between Nancy, Levinas and Heidegger. It investigates Jean-Luc Nancy's reading of Heidegger, focusing on the question of Being-with, and starting with the problem of otherness in Heidegger, the book goes on to establish a dialogue between Nancy and the philosophy of Emmanuel Levinas. With intellectual agility and command of cinema, literature and visual art, Daniele Rugo insists on the critical significance of Nancy's project for any future philosophy attempting to define itself beyond foundational acts, and according to the continuous crossings at the heart of existence. By discussing Nancy alongside Heidegger and Levinas, Rugo underlines the essential indecision between philosophy-as-literature and philosophy as the re-appropriation of the question of Being. Rugo offers unexpected associations which return thinking to the play of specificity, rather than restricting it to the passage of abstract formulations.

This book presents contemporary analyses of interpretation by some of the most prominent figures in contemporary philosophy and literary criticism. These essays question and transform traditional statements on the aims, methods, and techniques of interpretation. The essays demonstrate how contemporary discussions of interpretation are necessarily sent back to the hermeneutic tradition. Emphasizing the importance of Friedrich Nietzsche’s influence on the contemporary debates concerning current interpretive practices, this volume traces the differences in interpretive perspectives generated in the writings of Michel Foucault, Eric Blondel, Julia Kristeva, Jacques Derrida, Manfred Frank, Werner Hamacher, and Jean-Luc Nancy. The essays by Foucault, Blondel, Frank, Hamacher, and Nancy appear here for the first time in English.

Jean-Luc Nancy and Christian Thought explores Nancy’s deconstruction of Christianity via the various bodies of Christ that accumulate in Christian doctrine, specifically the incarnated body, the resurrected body, and the body of Christ the church. The work ties Nancy’s deconstruction to the writings of the early church, demonstrating that the seeds of auto-deconstruction are indeed sown in the doctrines of Western Christianity. It then provides brief sketches of current theological works that touch upon similar deconstructive themes. Thus, the work aims to flesh out Nancy’s deconstruction for the non-theologian, tying his complex scans of Christian thought to early patristics, and also aims to help theologians unfamiliar with deconstruction or with Nancy’s work recognize the value of the deconstructive method for unpacking Christian doctrine and practice. This book will be of interest to philosophers of religion, hermeneutics, and post-Frankfort School critical theory, and theologians interested in current French philosophy of religion.

How have we thought “the body”? How can we think it anew? The body of mortal creatures, the body politic, the body of letters and of laws, the “mystical body of Christ”—all these (and others) are incorporated in the word Corpus, the title and topic of Jean-Luc Nancy’s masterwork. Corpus is a work of literary force at once phenomenological, sociological, theological, and philosophical in its multiple orientations and approaches. In thirty-six brief sections, Nancy offers us at once an encyclopedia and a polemical program—reviewing classical takes on the “corpus” from Plato, Aristotle, and Saint Paul to Descartes, Hegel, Husserl, and Freud, while demonstrating that the mutations (technological, biological, and political) of our own culture have given rise to the need for a new understanding of the body. He not only tells the story of this cultural change but also explores the promise and responsibilities that such a new understanding entails. The long-awaited English translation is a bold, bravura rendering. To the title essay are added five closely related recent pieces—including a commentary by Antonia Birnbaum—dedicated in large part to the legacy of the “mind-body problem” formulated by Descartes and the challenge it poses to rethinking the ancient problems of the corpus. The last and most poignant of these essays is “The Intruder,” Nancy’s philosophical meditation on his heart transplant. The book also serves as the opening move in Nancy’s larger project called “The deconstruction of Christianity.”

William C. Hackett’s English translation of Jean Wahl’s Existence humaine et transcendence (1944) brings back to life an all-but-forgotten book that provocatively explores the philosophical concept of transcendence. Based on what Emmanuel Levinas called “Wahl’s famous lecture” from 1937, Existence humaine et transcendence captured a watershed moment of European philosophy. Included in the book are Wahl's remarkable original lecture and the debate that ensued, with significant contributions by Gabriel Marcel and Nicolai Berdyaev, as well as letters submitted on the occasion by Heidegger, Levinas, Jaspers, and other famous figures from that era. Concerned above all with the ineradicable felt value of human experience by which any philosophical thesis is measured, Wahl makes a daring clarification of the concept of transcendence and explores its repercussions through a masterly appeal to many (often surprising) places within the entire history of Western thought. Apart from its intrinsic philosophical significance as a discussion of the concepts of being, the absolute, and transcendence, Wahl's work is valuable insofar as it became a focal point for a great many other European intellectuals. Hackett has provided an annotated introduction to orient readers to this influential work of twentieth-century French philosophy and to one of its key figures.

This book remedies a gap in the on-going debate on community by a transparent and thorough analysis of the work of French philosopher Jean-Luc Nancy.

Using an interdisciplinary approach to the problem of the self, this study focuses on a gap left by previous philosophers. This shortcoming is related to the nature of the self to commit errors that become part of the identity of the self. These errors stain the self and make "I" what it is. This study shines light on the self that will give the reader a more balanced understanding of it. Fictional literature will be invoked to illustrate features of the self associated with errors. The book is divided into two parts: a review of selected theories of the self and a reconsideration of the self and errors producing being.

This book explores how contemporary art can alter the ways in which we visualise and conceptualise the world and the social relations that shape it. Drawing from the writings of philosopher Jean-Luc Nancy, it spotlights the concept of ‘world-forming’ and the political significance of art-making and viewing. The central theme of ‘world-forming’ focuses attention on the processes of globalisation. The book explores how artists can facilitate shared creative spaces within and beyond the apparatuses of global capitalism. The book traces a philosophical progression from ontology to the political through a series of participatory practices. It forwards Jean-Luc Nancy’s idea of ‘world-forming’ in order to show how contemporary art sustains critical and creative engagement with social practices. The overall objective of the book is to show, through participatory practices, how contemporary art can facilitate social change. The book will be of interest to scholars working in art history, contemporary art, philosophy and politics.

Traber reexamines the practice of self-marginalization in Euro-American literature and popular culture that depict whites adopting varied markers of otherness to disengage from the dominant culture. He draws on critical theory, whiteness and cultural studies to counter an eager correlation between marginality and agency. The nonconformist cultural politics of these border crossings implode since the transgressive identity the protagonists desire relies upon, is built from, the center's values and definitions. An orthodox notion of individualism underpins each act of sovereignty as it rationalizes exploiting stereotypes of an Other constructed by the center. The work closes by positing a theory of identity based on Jean-Luc Nancy's concept of the emptied self. In recognizing the already mixed quality of being, identity is made a vacuous concept as the standards for determining self and difference become too slippery to hold.

This book, by one of the most innovative and challenging contemporary thinkers, rethinks community and the very idea of the social. Nancy's fundamental argument is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence.