This second volume in Nancy's The Deconstruction of Christianity explores the stance or bearing that would be appropriate for us now, in the wake of the dis-enclosure of religion and the retreat of God: that of adoration. Adoration is stretched out toward things, but without phenomenological intention. In our present historical time, we have come to see relation itself as the divine. The address and exclamation--the salut!--that constitutes adoration celebrates this relation: both the relation among all beings that the world is and what is beyond relation, the outside of the world that opens us in the midst of the world. A major contribution to the contemporary philosophy of religion, Adoration clarifies and builds upon not only Dis-Enclosure, the first volume in this project, but also Nancy's other previous writings on sense, the world, and the singular plurality of being.

Jean-Luc Nancy and Christian Thought explores Nancy’s deconstruction of Christianity via the various bodies of Christ that accumulate in Christian doctrine, specifically the incarnated body, the resurrected body, and the body of Christ the church. The work ties Nancy’s deconstruction to the writings of the early church, demonstrating that the seeds of auto-deconstruction are indeed sown in the doctrines of Western Christianity. It then provides brief sketches of current theological works that touch upon similar deconstructive themes. Thus, the work aims to flesh out Nancy’s deconstruction for the non-theologian, tying his complex scans of Christian thought to early patristics, and also aims to help theologians unfamiliar with deconstruction or with Nancy’s work recognize the value of the deconstructive method for unpacking Christian doctrine and practice. This book will be of interest to philosophers of religion, hermeneutics, and post-Frankfort School critical theory, and theologians interested in current French philosophy of religion.

From one of France’s leading contemporary thinkers, “an astutely reasoned philosophical text, offering a revolutionary analysis of theistic religion” (The Midwest Book Review). This book is a profound and eagerly anticipated investigation into what is left of a monotheistic religious spirit—notably, a minimalist faith that is neither confessional nor credulous. Articulating this faith as works and as an objectless hope, Nancy deconstructs Christianity in search of the historical and reflective conditions that provided its initial energy. Working through Blanchot and Nietzsche, re-reading Heidegger and Derrida, Nancy turns to the Epistle of Saint James rather than those of Saint Paul, discerning in it the primitive essence of Christianity as hope. The “religion that provided the exit from religion,” as he terms Christianity, consists in the announcement of an end. It is the announcement that counts, however, rather than any finality. In this announcement there is a proximity to others and to what was once called parousia. But parousia is no longer presence; it is no longer the return of the Messiah. Rather, it is what is near us and does not cease to open and to close, a presence deferred yet imminent. In a demystified age where we are left with a vision of a self-enclosed world—in which humans are no longer mortals facing an immortal being, but entities whose lives are accompanied by the time of their own decline—parousia stands as a question. Can we venture the risk of a decentered perspective, such that the meaning of the world can be found both inside and outside, within and without our so-immanent world?

Drawing primarily on the work of Alain Badiou and Jean-Luc Nancy, plus Quentin Meillassoux and Slavoj Zizek, Watkin explores the theme of atheism through the ideas of the death of God and nihilism in contemporary French philosophy.

Christian parables have retained their force well beyond the sphere of religion; indeed, they share with much of modern literature their status as a form of address: Who hath ears to hear, let him hear.There is no message without there first being-or, more subtly, without there also being in the message itself-an address to a capacity or an aptitude for listening. This is not an exhortation of the kind Pay attention!Rather, it is a warning: if you do not understand, the message will go away.The scene in the Gospel of John in which the newly risen Christ enjoins the Magdalene, Noli me tangere,a key moment in the general parable made up of his life, is a particularly good example of this sudden appearance in which a vanishing plays itself out. Resurrected, he speaks, makes an appeal, and leaves.Do not touch me.Beyond the Christ story, this everyday phrase says something important about touching in general. It points to the place where touching must not touch in order to carry out its touch (its art, its tact, its grace). The title essay of this volume is both a contribution to Nancy's project of a deconstruction of Christianityand an exemplum of his remarkable writings on art, in analyses of Noli me tangerepaintings by such painters as Rembrandt, Drer, Titian, Pontormo, Bronzino, and Correggio. It is also in tacit dialogue with Jacques Derrida's monumental tribute to Nancy's work in Le toucher-Jean-Luc Nancy.For the English-language edition, Nancy has added an unpublished essay on the Magdalene and the English translation of In Heaven and on the Earth,a remarkable lecture he gave in a series designed to address children between six and twelve years of age. Closely aligned with his entire project of the deconstruction of Christianity,'this lecture may give the most accesible account of his ideas about God.

A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places. A paper edition (1924-7) is available for $14.95. Annotation copyrighted by Book News, Inc., Portland, OR

This book is a rich collection of philosophical essays radically interrogating key notions and preoccupations of the phenomenological tradition. While using Heidegger’s Being and Time as its permanent point of reference and dispute, this collection also confronts other important philosophers, such as Kant, Nietzsche, and Derrida. The projects of these pivotal thinkers of finitude are relentlessly pushed to their extreme, with respect both to their unexpected horizons and to their as yet unexplored analytical potential. A Finite Thinking shows that, paradoxically, where the thought of finitude comes into its own it frees itself, not only to reaffirm a certain transformed and transformative presence, but also for a non-religious reconsideration and reaffirmation of certain theologemes, as well as of the body, heart, and love. This book shows the literary dimension of philosophical discourse, providing important enabling ideas for scholars of literature, cultural theory, and philosophy.

This book, by one of the most innovative and challenging contemporary thinkers, rethinks community and the very idea of the social. Nancy's fundamental argument is that being is always "being with," that "I" is not prior to "we," that existence is essentially co-existence.

Speaking of God in terms of Being has become one of the most hotly contested topics in the philosophy of religion of the last twenty years. Pattison offers a response that takes into account the insights of postmodern thinking whilst attempting to provide a new basis for religious language and life.

If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces. What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.