This book is the first volume in a series designed to help the student of jazz piano learn and apply jazz scales by mastering each scale and its uses in improvisation. Volume 1 focuses on the major scale, illustrating the scale in all twelve keys with complete fingerings. Chords and left hand voicings, exercises and etudes to help apply the material to improvising, ideas for further study and listening, and detailed instructions and suggestions on how to practice the material are also provided. Volume 1 also includes primers on note-reading, theory basics from intervals through seventh chords, and rhythmic notation.

The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.

This is an excellent learning tool for both the beginner who has no knowledge of music theory, and the advanced student looking for the typical chord voicings a professional guitarist should know. Includes an extensive chord progressions section. (Music)

Have you ever wished you could better understand the guitar s fretboard, so that you could: See it as a interconnected map in your minds eye ... Instantly apply that roadmap to great solos improvised not by accident, but totally by YOUR design ... Understand chords and without hesitation, construct both simple and complex chords on the fly starting anywhere on the fretboard ... Can you imagine what such abilities could do for your confidence and your playing? Music Theory Workbook for Guitar Volume One creates just this type of seamless marriage between your visual knowledge of the guitar fretboard and your understanding of the music theory behind what you are playing ... Both guitar fretboard diagrams and traditional music notation are used to help you learn music theory. You can SEE, COMPARE and UNDERSTAND how notes look on your guitar fretboard and on a music staff at the same time. This crucial combination will be your secret weapon to learning music theory quickly and easily AND retaining it with no problems. The unique approach of this book has been used by thousands of guitarists to conquer the intricacies of the guitar fretboard. With time and application, the mystery disappears and you can not only understand music theory but also see it and know how to use it on your guitar. This ability will revolutionize your playing ... With only a few minutes a day working with the Music Theory Workbook for Guitar Volume One, you will master the ability to: * Pick up what others are playing on the guitar by sight more rapidly ... * See all intervals and chords by sight on the guitar ... * Understand music theory and be IN SYNC with your fellow musicians ... * Make music theory a natural process as you see it on your guitar ... * Build a solid foundation for great solos, comping and great composing ... * See, understand and build countless chord combinations, from simple to complex, starting anywhere on your guitar fretboard ... * Understand how the notes on the guitar fretboard relate to notes found on a music staff ... * Understand key signatures ... * Understand the names of all intervals ... You will also have access to the Muse-eek.com member's area where you will find free PDFs to help you learn and apply music theory. You ll have access to additional materials that: * Show all the notes found on the guitar and their related positions on the musical staff ... * Help you further understand the two different ways to figure out the notes found in any chord type ... * Provide exercises to apply music theory to your instrument ... * Further your understanding of the correct method for building intervals, and naming intervals with the correct spelling ... * Explain diatonic chords and their importance in the music you play ... Plus you ll receive videos showing how to apply the information learned in Music Theory Workbook for Guitar Volume One to the guitar fretboard and help files for learning to read music. In addition, all possible alternate answers to the exercises are provided. It's not uncommon to find guitarists who have worked through this book skipping past multiple levels of college based theory, and going into advanced placement. You will have a black belt in music theory in no time and remember it forever because it will be part of you when you play your guitar. The Theory section of this book uses extremely simple language to explain the basics of music theory. The exercises require the student to write out the problem or example using staff notation, and then to find those notes on a guitar fretboard diagram.

Contemporary Rhythms Volume Two develops your knowledge of highly syncopated rhythms written with contemporary notation. A serious musician must not only be able to recognize, read and play rhythms fluidly but be aware of alternate notation used especially in contemporary classical music but found more and more in all styles of music. This volume concentrates on sixteenth note rhythms and the rhythmic patterns often associated with that rhythmic level. Each exercise uses one pitch which allows the student to focus completely on time and rhythm. Exercises use modern innovations common to twentieth century notation, thereby familiarizing the student with the most sophisticated systems likely to be encountered in the course of a musical career. Midifiles for all exercises can be downloaded from the the muse-eek.com "Member's Area" to facilitate learning.

In order to be prepared to read through any piece of music, the serious musician must be able to recognize, read and play rhythms fluidly. Unlike other books of this kind, the exercises given contain complex syncopations which approximate the experience of reading through a sophisticated jazz composition or a contemporary classical piece. This 100 page book will prepare the serious musician for a life of sight-reading rhythmically complex charts. This book applies both eighth and sixteenth note rhythms to odd meter combinations. All examples use one pitch, allowing the student to focus completely on time and rhythm on the instrument of their choice. All exercises can be downloaded from the internet to facilitate correct practice, and aid internalization. This book is a required text at New York Universities and Princeton University Music department.

No matter what your instrument, a thorough understanding of rhythmic notation is essential. In order to be prepared to read through any piece of music, the serious musician must be able to recognize, read and play rhythms fluidly. Rhythms Volume Two is a further investigation of rhythms, this time using the sixteenth note as the unit of measure. There are 108 pages of rhythm patterns structured in this way. All examples use one pitch, allowing the student to focus completely on time and rhythm on the instrument of their choice. All exercises can be downloaded from the internet to facilitate correct practice, enhance clarity and aid internalization. This book is a required text at New York Universities and Princeton University Music department.

Rhythms Volume Four is one of the most in-depth studies of highly syncopated eighth note rhythms within a 3/4 time signature you can get. Downloadable midifiles from Muse Eek Publishing's "Member's Area" make this a really smart way to master hard rhythms within the 3/4 meter.

This book concentrates on eighth, sixteenth and thirty second note rhythms without ties or rests. All examples in this workbook use one pitch, allowing total concentration on rhythm and time. Free audio flies for each exercise are available in the "Member's Area" of the muse-eek.com website.