Contemporary Rhythms Volume Two develops your knowledge of highly syncopated rhythms written with contemporary notation. A serious musician must not only be able to recognize, read and play rhythms fluidly but be aware of alternate notation used especially in contemporary classical music but found more and more in all styles of music. This volume concentrates on sixteenth note rhythms and the rhythmic patterns often associated with that rhythmic level. Each exercise uses one pitch which allows the student to focus completely on time and rhythm. Exercises use modern innovations common to twentieth century notation, thereby familiarizing the student with the most sophisticated systems likely to be encountered in the course of a musical career. Midifiles for all exercises can be downloaded from the the muse-eek.com "Member's Area" to facilitate learning.

No matter what your instrument, a thorough understanding of rhythmic notation is essential. In order to be prepared to read through any piece of music, the serious musician must be able to recognize, read and play rhythms fluidly. Rhythms Volume Two is a further investigation of rhythms, this time using the sixteenth note as the unit of measure. There are 108 pages of rhythm patterns structured in this way. All examples use one pitch, allowing the student to focus completely on time and rhythm on the instrument of their choice. All exercises can be downloaded from the internet to facilitate correct practice, enhance clarity and aid internalization. This book is a required text at New York Universities and Princeton University Music department.

This book provides real hands-on application for 22 different scale types. A theory section written in easy-to-understand language prepares the student for all exercises. Answers are supplied and audio files are available for free online.

This book is unique in that it has all the possible chord voicings on the top four strings of the guitar. These are the voicings that are used in funk, rock, R&B, and jazz. A chord progression section is also included and allows the student to use the common progressions of a blues and minor blues. The information presented in Volume Two builds on the theoretical material presented in Volume One, but also introduces highly advanced reharmonization concepts. Intermediate students will find the progressions challenging, while the reharmonization section will be a most rewarding exercise for the advanced student. This book is the required text at both New York University and Princeton University. TOC Music theory and chord construction Triad Inversions 7th Chords and Inversions Chord progressions for practice 7th Chords and Inversions continued Chord progressions for practice Inversions of Major 7th chords with available tensions Chord progressions for practice Inversions of Minor 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7sus4 chords with available tensions Chord progressions for practice Inversions of Minor 7b5 chords with available tensions Inversions of Diminished 7th chords with available tensions Inversions of Minor Major 7th chords with available tensions Chord progressions for practice Inversions of Major 7#5 chords with available tensions Chord Reharmonization Chord Scales and Available tensions 12 12 Bar Blues chord progressions 12 Minor Blues chord progressions

This book is for both the beginning guitarist or the more experienced guitarist who wishes to improve their technique. All aspects of the physical act of playing the guitar are covered, from how to hold a guitar, to the specific way each hand is involved in the playing process. Pictures are provided within the book to help clarify each technique. More valuable explanatory pictures and videos can be downloaded for free at www.muse-eek.com This book is excerpted from "1st Steps for a Beginning Guitarist Volume One."

Using extremely simple language, Arnold explains the basics of music theory. The exercises require students to write out examples using staff notation. Other exercises include simple interval to highly complex chords. This book is excellent for any high school student preparing to go to college and major in music performance or composition.

The exercises included here require students to write out examples using staff notation and then to find these notes on the guitar fretboard. Other exercises include simple interval to highly complex chords.

The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.

Arnold's workbook contains sight reading and sight singing exercises for one to four voices. Learn part singing or use for multiple voice sight reading. Audio files of all exercises can be downloaded for free on the Internet.