Through examples, writing assignments, and clear expository text, this landmark book teaches the novice or professional musician to create solo arrangements for fingerstyle jazz guitar. the book is divided in three main sections: Beginning fingerstyle guitar, Creating fingerstyle jazz solos, and Professional fingerstyle guitar. Kent Murdick systematically presents clear explanations of fingerstyle technique, blues basics, harmonized scales, advanced jazz harmony, various arranging and accompaniment concepts, a discussion of the expressive devices used in jazz, and several full-length solos. Futhermore, the author communicates this information with an engaging off-the-wall, self-deprecating sense of humor. Written in standard notation and tablature.

Jazz Guitar virtuoso Martin Taylor teaches his secret walking bassline techniques

The Changes: Guide Tones for Jazz Chords, Lines, and Comping is offered for beginning to advanced players as a way to visualize guide tones on the fretboard. from these shapes lines can be created for soloing and voicings can be built for comping and chord melody. Most importantly, the changes of the progression being played can be heard with only a few notes. the simple approach is always best; guide tones are easy to play and are how the ear identifies a chord progression. Embellishing guide tones is what improvising musicians from baroque to bebop to beyond have been doing to make the changes. Companion CD includes all exercises.

The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

Blues-guitarskole.

One of the world's great jazz guitarists, Vic Juris shares his insight into the wonderful world of harmony in this book. Not for the fainthearted, Vic teaches polychords and intervallic structures derived from the major, minor, harmonic minor, melodic minor and harmonic major scales in this must have jazz guitar book. Each section has etudes that will help students integrate each concept into their own playing. Includes access to online audio that gives students the opportunity to hear and play along with these cutting edge concepts

For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.

The art of improvising chord-style solos is an important part of any musician's resources. This book has been written to improve that art for guitar, vibes and all keyboard instruments. A careful study of these solos will give you a thorough understanding of chordal playing and substitutions. It is great for voicing as well as improvisation.

This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.