The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

Have you ever wondered how guitarists like Joe Pass, Jim Hall and Wes Montgomery find such full, luscious voicings for their chord melody playing? Well, much of that sound is based on the "Drop 2" principle of chord voicings. In this book, veteran guitarist Randy Vincent explains exactly how you can get that same sound too. Endorsed by Julian Lage, John Stowell, Larry Koonse, etc.

There's nothing like the feeling you get when you add a new guitar lick to your musical vocabulary. An encyclopedia of hip lines, Guitar Lick Factory helps beginning and intermediate guitarists build their lick repertoires. In addition, it opens the door to jazz for blues and rock players of all levels, gives jazzers the key to authentic blues and rock, and shows the important connections among all three genres. It contains hundreds of ready-to-play licks presented as short melodic modules. Using Jesse Gress's ingenious grid system, players will learn how to extract dozens of melodic, harmonic and rhythmic variations from each module.

(Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists.

The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering. If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical​growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.

The Rosetta Stone is a large stone tablet (ca. 196 BCE) discovered in Egypt in 1799. It is important because it allowed researchers to translate ancient Egyptian hieroglyphic writing for the first time. This book is a Rosetta Stone for the jazz guitarist who is ready to take a leap. Within these pages are found the tips, tools, and techniques to transform your playing and understanding of what is possible. This book is my personal masterclass with you. Alex Levine has carefully and precisely isolated and organized 58 of the most advanced and evolutionary ideas played on the guitar. Each idea is explained, mechanics given, and the means to make it your own are offered. This book includes audio examples of me playing each line. As a special bonus, each line is looped ten times so you can play along, learn, and absorb the information. This book is like coming to my studio, sitting down with me, and listening as I turn decades of study, practice, and artistry into 58 lines. These lines are just for you. Open your ears and heart and practice these lines and ideas. You will never be the same again.

Learn to Play Neo Soul Guitar With Mark Lettieri

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.

Rock Guitar for the Young Beginner was written with the young student in mind. This book provides information and etudes covering the basic essentials of rock guitar. the hip songs and etudes make the learning fun. Subjects such as Open Chords, Power Chords, Barre Chords, Rock Scales, Arpeggios, and Slash Chords are all presented with fun songs and graded learning. the accompanying CD, featuring a great rhythm section, is fun to jam with and allows students to hear how the etudes should be played.

Johnny Rector has been recognized for years as one ofAmerica's top jazz guitar writers. Here, for the first time, he presents an analysis of modern chord progressions, extensions, alternations, substitutions and a hands-on series of exercises designed to utilize and apply theseimportant concepts to the guitar fingerboard. This book was written as a self-study guide to the intermediate, advanced and professional guitarist who has not had the opportunity to study material of this kind with a first-class competent teacher-artist, although such a teacher can be of greatassistance in learning to apply the material. It shows unusual chord forms and progressions beyond the basics.Written in standard notation