Jamaican Sayings - Character is the second in a series of three books that capture Jamaican adages used to communicate ideas about human nature, behaviour, relationships, aspirations, health hope and survival. Jamaican Sayings - Life and Jamaican Sayings - Success complement the series. The adages represent an archive of the wit and wisdom of many generations and aim to trigger reflection and thought. In their use they are never fully explained but those to whom they are directed usually understand their meaning based on the context in which they are used. They utilise imagery and draw upon a variety of flora and fauna to enrich their content. They hold valuable lessons, inspiration and wisdom that link Jamaican culture to its African past. The sayings are presented in three parts: i) the original saying; ii) the literal English translation and iii) the meaning it aims to convey.

“A rich and compelling collection that will make a significant contribution to the study of Jamaican/West Indian/black folklore and culture” –Daryl Cumber Dance, Virginia Commonwealth University “A fantastic collection from the rich storehouse of Jamaican traditional oral literature” –Rex Nettleford, University of the West Indies, Kingston, Jamaica “A Wealth of Information…. The author carries the presentation of the proverbs/sayings to the level of socio-anthropological significance” –E. Valerie Smith, Florida A&M University In 1992, Jamaicans throughout the world celebrate the thirtieth anniversary of Jamaica’s formal independence from Britain this collection of Creole sayings contributes to the lively interest in cultural preservation which exists this year in anticipation of the event. The sayings, an archive of the wit and wisdom of many generations, aim to trigger reflection and thought. They are never fully explained, and, says the author, “in the most extreme situation one might well need an entire week to ponder and think seriously” about their meaning. They exert pressure to conform to community standards, and they influence conduct in much the same way as religion does. Strong in imagery and often poetic, the maxims draw upon a variety of well-known flora, fauna, and real or imaginary creatures the anansi, for example, famous for “playin’ de fool fe ketch wise” (playing foolish in order to catch the wise), is regarded as a favorite hero in folklore. Creole, initially constructed as a coded language, employs a number of West African linguistic traditions. These Creole sayings, a valuable addition to the literature and ethnography of the Caribbean region, link Jamaican culture to its African past. They offer delightful reading to Latin American scholars, to students of comparative sociology and anthropology, and to the general public. G. Llewellyn Watson is professor of sociology at the University of Prince Edward Island, Charlottetowwn, Canada.

Jamaican Sayings - Life is the first in a series of three books that capture Jamaican adages used to communicate ideas about human nature, behaviour, relationships, aspirations, health hope and survival. Jamaican Sayings - Character and Jamaican Sayings - Success complement the series. The adages represent an archive of the wit and wisdom of many generations and aim to trigger reflection and thought. In their use they are never fully explained but those to whom they are directed usually understand their meaning based on the context in which they are used. They utilise imagery and draw upon a variety of flora and fauna to enrich their content. They hold valuable lessons, inspiration and wisdom that link Jamaican culture to its African past. The sayings are presented in three parts: i) the original saying; ii) the literal English translation and iii) the meaning it aims to convey.

A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.

Jamaican Sayings - Success is the third in a series of three books that capture Jamaican adages used to communicate ideas about human nature, behaviour, relationships, aspirations, health hope and survival. Jamaican Sayings - Life and Jamaican Sayings - Character complement the series. The adages represent an archive of the wit and wisdom of many generations and aim to trigger reflection and thought. In their use they are never fully explained but those to whom they are directed usually understand their meaning based on the context in which they are used. They utilise imagery and draw upon a variety of flora and fauna to enrich their content. They hold valuable lessons, inspiration and wisdom that link Jamaican culture to its African past. The sayings are presented in three parts: i) the original saying; ii) the literal English translation and iii) the meaning it aims to convey.

After it was known that Jamaican natives failed interviews that were conducted in patois, the writer decided that it was time to awaken Patois. This book was written to inform readers that Patois is a written language which can be learned and spoken like any other language. The words and phrases in this book, originated from English, African, and Creole, and can be heard wherever Jamaican natives reside.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once. All of them convince and sing. All of them shine.”—Zadie Smith An O: The Oprah Magazine “Top 15 Best of the Year” • A Well-Read Black Girl Pick Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light-Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a couple leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors. Praise for How to Love a Jamaican “A sublime short-story collection from newcomer Alexia Arthurs that explores, through various characters, a specific strand of the immigrant experience.”—Entertainment Weekly “With its singular mix of psychological precision and sun-kissed lyricism, this dazzling debut marks the emergence of a knockout new voice.”—O: The Oprah Magazine “Gorgeous, tender, heartbreaking stories . . . Arthurs is a witty, perceptive, and generous writer, and this is a book that will last.”—Carmen Maria Machado, author of Her Body and Other Parties “Vivid and exciting . . . every story rings beautifully true.”—Marie Claire

Seminar paper from the year 2017 in the subject Cultural Studies - Caribbean Studies, grade: 1,1, , language: English, abstract: Our cultures are influenced by countless different factors, which vary greatly from country to country. From a young age, people are shaped entirely by their culture and by the people who raise them. One aspect that particularly influences young people in societies is folklore. Folklore is defined by the Oxford Dictionary as, “the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth”. This research paper will focus on various aspects of folklore of the Caribbean country of Jamaica, and the analysis of three different topics concerning Jamaican folklore, namely the Anansi stories, the Jamaican sayings, and a traditional witchcraft called Obeah. Furthermore, the character Anansi, who appears in the majority of these stories, will be examined and analyzed. The methods employed in researching this topic include a personal interview, well documented stories mentioned in books, and internet research to gather background information about these topics.

11 April 1982: a smell is coming down John Golding Road right alongside the boy-child, something attached to him, like a spirit but not quite. Ma Taffy is growing worried. She knows that something is going to happen. Something terrible is going to pour out into the world. But if she can hold it off for just a little bit longer, she will. So she asks a question that surprises herself even as she asks it, "Kaia, I ever tell you bout the flying preacherman?" Set in the backlands of Jamaica, Augustown is a magical and haunting novel of one woman’s struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth.

The method and plan of this dictionary of Jamaican English are basically the same as those of the Oxford English Dictionary, but oral sources have been extensively tapped in addition to detailed coverage of literature published in or about Jamaica since 1655. It contains information about the Caribbean and its dialects, and about Creole languages and general linguistic processes. Entries give the pronounciation, part-of-speach and usage of labels, spelling variants, etymologies and dated citations, as well as definitions. Systematic indexing indicates the extent to which the lexis is shared with other Caribbean countries.