Seminar paper from the year 2017 in the subject Cultural Studies - Caribbean Studies, grade: 1,1, , language: English, abstract: Our cultures are influenced by countless different factors, which vary greatly from country to country. From a young age, people are shaped entirely by their culture and by the people who raise them. One aspect that particularly influences young people in societies is folklore. Folklore is defined by the Oxford Dictionary as, “the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth”. This research paper will focus on various aspects of folklore of the Caribbean country of Jamaica, and the analysis of three different topics concerning Jamaican folklore, namely the Anansi stories, the Jamaican sayings, and a traditional witchcraft called Obeah. Furthermore, the character Anansi, who appears in the majority of these stories, will be examined and analyzed. The methods employed in researching this topic include a personal interview, well documented stories mentioned in books, and internet research to gather background information about these topics.

This pioneering work is multi-disciplinary in approach as it examines the rich folk medicine of Jamaica. Payne-Jackson and Alleyne analyse the historical and linguistic aspects of folk medicine, based on their research, which included extensive fieldwork and interviews. They explore the sociological and ethnological dimensions of common healing and health-preserving practices which rely on Jamaica's rich biodiversity in medicinal and nutritional flora. As is the case with other aspects of Jamaican traditional culture, Jamaican folk medicine is largely misunderstood and subject to negative pejorative attitudes. This comprehensively study challenges some of the myths and misinformation. Particular attention is paid to cultural transference from Africa and the use of herbs in African-Jamaican religions. The work has an appendix and a glossary as well as a detailed bibliography.

DIVAn ethnographic study of cultural policy in Jamaica as seen from above and below in relation to race, class, and nation./div

The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once. All of them convince and sing. All of them shine.”—Zadie Smith An O: The Oprah Magazine “Top 15 Best of the Year” • A Well-Read Black Girl Pick Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light-Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a couple leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors. Praise for How to Love a Jamaican “A sublime short-story collection from newcomer Alexia Arthurs that explores, through various characters, a specific strand of the immigrant experience.”—Entertainment Weekly “With its singular mix of psychological precision and sun-kissed lyricism, this dazzling debut marks the emergence of a knockout new voice.”—O: The Oprah Magazine “Gorgeous, tender, heartbreaking stories . . . Arthurs is a witty, perceptive, and generous writer, and this is a book that will last.”—Carmen Maria Machado, author of Her Body and Other Parties “Vivid and exciting . . . every story rings beautifully true.”—Marie Claire

The preeminent sociologist and National Book Award–winning author of Freedom in the Making of Western Culture grapples with the paradox of his homeland: its remarkable achievements amid continuing struggles since independence. There are few places more puzzling than Jamaica. Jamaicans claim their home has more churches per square mile than any other country, yet it is one of the most murderous nations in the world. Its reggae superstars and celebrity sprinters outshine musicians and athletes in countries hundreds of times its size. Jamaica’s economy is anemic and too many of its people impoverished, yet they are, according to international surveys, some of the happiest on earth. In The Confounding Island, Orlando Patterson returns to the place of his birth to reckon with its history and culture. Patterson investigates the failures of Jamaica’s postcolonial democracy, exploring why the country has been unable to achieve broad economic growth and why its free elections and stable government have been unable to address violence and poverty. He takes us inside the island’s passion for cricket and the unparalleled international success of its local musical traditions. He offers a fresh answer to a question that has bedeviled sports fans: Why are Jamaican runners so fast? Jamaica’s successes and struggles expose something fundamental about the world we live in. If we look closely at the Jamaican example, we see the central dilemmas of globalization, economic development, poverty reduction, and postcolonial politics thrown into stark relief.

Originally published in various sources between 1907 and 1999.

A history of the Jamaican people from an Afro-Caribbean rather than a European perspective. Africa is at the centre of the story; for by claiming Africa as homeland, Jamaicans gain a sense of historical continuity, of identity, and of roots.