The book is inspired by my own experiences. Sometimes in school, we are not so nice to one another. The book teaches everyone to be the bigger person. Lots of things that makes us happy cost us, but things like opening a door, smiling at a stranger, or picking up trash brings just as much joy and happiness and its free. Its free to be nice. Try it. Your life will be so much happier.

What does it mean to be nice? Some days it takes practice, or even courage. Sometimes being nice means being patient with your little brother who doesn't know how to treat your favorite things. Being nice can mean going to your sister’s boring dance recital. Or tasting a tuna noodle casserole your grandma made—when you can’t stand tuna noodle casserole. Being nice takes practice, and that’s okay. You just keep trying, and soon you discover how GREAT it feels...to be nice!

A thoughtful picture book illustrating the power of small acts of kindness, from the award-winning author of Sophie's Squash.

Feisty and confidant Liberty Belle--(Libby for short) is back in It's Nice to Be Nice. This time she helps her friends gain confidence and stand up to their not so nice classmate named Wyatt. Wyatt bullies the other kids at school, and Libby has no tolerance for Wyatt's behavior. Inspired by her father's words of wisdom, "It's nice to be nice," Libby helps to teach her friends how to stand up for themselves. Together, they show Wyatt how to be kind to others.

Issue for Oct. 1894 has features articles on Mount Holyoke College and Millinery as an employment for women.

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.