"Todd Robert Petersen is crazy–talented, and the wild, weird, hilarious stories of It Needs to Look Like We Tried are just what’s called for in these bizarre, frightening times." —Richard Russo, author of Empire Falls and Trajectory A domino chain of failures draws Todd Robert Petersen's characters together in these interconnected stories, despite hopes, dreams, and their best–laid plans Everyone has a dream, an idea, a goal. But what happens when those desires are thwarted, when dreams and goals fall apart? In It Needs to Look Like We Tried, Todd Robert Petersen explores the ways in which our failures work on the lives of others, weaving an intricate web of interconnected stories. A fastidious man takes a detour on the way to his father’s wedding and kicks off a series of events that ricochets from the bride to her real estate clients; to a crazed former homeowner and his sister–in–law’s reality TV lover; to a hoarding family whose lives are wrecked by their appearance on the second–rate show. Their daughter decides to escape the gravity of her tiny town with the help of her boyfriend who has a not–quite–legal plan to scrape together enough money to fund their departure. On their way across the country, these star–crossed lovers encounter our fastidious man, and the Rube Goldberg machine of life continues. Their fling has petered out, and they are driving home, whatever home is left after walking away from everything they abandoned months before.

"Dave is fourteen years old, living with his family in a cabin on Oregon's Mount Hood (or as Dave prefers to call it, like the Native Americans once did, Wy'east). He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on his own as well"--

A framework for overcoming the six types of innovation killers Everybody wants innovation—or do they? Creative People Must Be Stopped shows how individuals and organizations sabotage their own best intentions to encourage "outside the box" thinking. It shows that the antidote to this self-defeating behavior is to identify which of the six major types of constraints are hindering innovation: individual, group, organizational, industry-wide, societal, or technological. Once innovators and other leaders understand exactly which constraints are working against them and how to overcome them, they can create conditions that foster innovation instead of stopping it in its tracks. The author's model of constraints on innovation integrates insights from the vast literature on innovation with his own observations of hundreds of organizations. The book is filled with assessments, tools, and real-world examples. The author's research has been featured in the New York Times, Wall Street Journal, London Guardian and San Jose Mercury News, as well as on Fox News and on NPR's Marketplace Includes illustrative examples from leading organizations Offers a practical guide for bringing new ideas to fruition even within a previously rigid organizational culture This book gives people in organizations the conceptual framework and practical information they need to innovate successfully.

AN INSTANT NEW YORK TIMES BESTSELLER "Provocative and appealing . . . well worth your extremely limited time." —Barbara Spindel, The Wall Street Journal The average human lifespan is absurdly, insultingly brief. Assuming you live to be eighty, you have just over four thousand weeks. Nobody needs telling there isn’t enough time. We’re obsessed with our lengthening to-do lists, our overfilled inboxes, work-life balance, and the ceaseless battle against distraction; and we’re deluged with advice on becoming more productive and efficient, and “life hacks” to optimize our days. But such techniques often end up making things worse. The sense of anxious hurry grows more intense, and still the most meaningful parts of life seem to lie just beyond the horizon. Still, we rarely make the connection between our daily struggles with time and the ultimate time management problem: the challenge of how best to use our four thousand weeks. Drawing on the insights of both ancient and contemporary philosophers, psychologists, and spiritual teachers, Oliver Burkeman delivers an entertaining, humorous, practical, and ultimately profound guide to time and time management. Rejecting the futile modern fixation on “getting everything done,” Four Thousand Weeks introduces readers to tools for constructing a meaningful life by embracing finitude, showing how many of the unhelpful ways we’ve come to think about time aren’t inescapable, unchanging truths, but choices we’ve made as individuals and as a society—and that we could do things differently.

In this rhyming story, Kiara learns how to keep going even when things get too hard. Through colorful illustrations and rhythmic rhymes, Kiara reflects on her mistakes and realizes that mistakes help her grow. Instead of avoiding them, she learns from them so she can improve. Do you want your child to learn about perseverance and diligence? Your child will learn how easy it is to get back up after failing. "I Choose to Try Again" is a story with social emotional learning (SEL) in mind. It has been praised by teachers and therapists worldwide. This story told from Kiara's point of view will help open your child's mind to what it feels like to fail, and then try again. Kiara will teach your child how to be mentally strong. With Kiara in real life examples, your child will learn to develop their understanding of their own emotions. Throughout the story, Kiara will show you what perseverance looks like. Teacher and Therapist Toolbox: I Choose is an empowering series curated to empower young children to become aware of big emotions. A new book series developed in tandem with teachers and therapists to help children cope with a range of emotions and teach them that they indeed hold the power to choose their actions and reactions. Try not to say 'never.'. That brainwashes you to fail. It means that you won't have the chance To raise the victory sail. "I Choose to Try Again" was developed alongside counselors and parents to be used as a resource in a social emotional curriculum.

The visionary behind the million-strong IF:Gathering challenges Christian women to discover what it means to do life with God rather than always striving to impress him, in this trade paperback edition of her perspective-shifting work, which now includes bonus material to enhance your book club experience, including discussion questions and easy-to-create recipes. All too many of us struggle under the weight of life, convinced we need to work harder to prove to ourselves, to others, and to God that we are good enough, smart enough, and spiritual enough to do the things we believe we should. Author and Bible teacher Jennie Allen invites us into a different experience, one in which our souls overflow with contentment and joy. In Nothing to Prove she calls us to… * Find freedom from self-induced pressure by admitting we’re not enough—but Jesus is. * Admit our greatest needs and watch them be filled by the only One who can meet them. * Make it our goal to know and love Jesus, then watch what He does in and through us. As you wade into the refreshing truth of the more-than-enough life Jesus offers, you’ll experience the joyous freedom that comes to those who are determined to discover what God can do through a soul completely in love with Him. * * * * * “These pages are what your soul is begging for" —Ann Voskamp “Nothing to Prove takes us on a journey toward freedom from the need to measure up.” —Mark Batterson We love this glorious and universally resounding message.” —Louie and Shelley Giglio “This book will help you take your eyes off your problems and put them back on God’s promises.” —Christine Caine

By the time women reach their fifties, they've seen a lot of life. Many say it's the best time of their lives, filled with inner peace and contentment. For some, it's a jarring realization that their past is longer than their future. This leads them to think differently about the time they have left and what they want to do with it. In If No One's Looking, Do We Have to Try as Hard?, author Mary Hemlepp provides a snapshot of how some women over fifty think, what they look forward to, what advice they'd give to younger women, and how happy they are at this stage of life. It also includes life stories of women who've blazed trails, overcome adversity, and raised the bar. She explores issues relating to female health and fitness, relationships, finance, work life, and well-being. Based on interviews and informal discussions with hundreds of women, If No One's Looking, Do We Have to Try as Hard? communicates that getting older doesn't have to slow women down. Women over fifty are vibrant, busy women who enjoy life to the fullest.

As a bored, moody teenager, Emma Beddington came across a copy of French ELLE in the library of her austere Yorkshire school. As she turned the pages, full of philosophy, sex and lipstick, she realized that her life had one purpose and one purpose only: she needed to be French. Instead of skulking in her bedroom listening to The Smiths or trudging to Betty's Tea Room to buy fondant fancies, she would be free and solitary, sitting outside the Café de Flore with a Scottie dog at her feet, a Moleskine on the table and a Gauloise trembling on her lower lip. And so she set about becoming French: she did a French exchange, albeit in Casablanca; she studied French history at university, and spent the holidays in France with her French boyfriend. Eventually, after a family tragedy, she found herself living in Paris, with the same French boyfriend and two half-French children. Her dream had come true, but how would reality match up? Gradually Emma realized that she might have found Paris, but what she really needed to find was home. Written with enormous wit and warmth, We'll Always Have Paris is a memoir for anyone who has ever worn a Breton T-shirt and wondered, however fleetingly, if they could pass for une vraie Parisienne.

Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.

Named Best Mystery Thriller in the 2021 New Mexico-Arizona Book Awards "Part mystery; part quirky, darkly funny, mayhem-filled thriller; and part meditation on what it means to 'own' land, artifacts, and the narrative of history in the West . . . A fast-paced, highly entertaining hybrid of Tony Hillerman and Edward Abbey." --Kirkus Reviews Anthropologist Sophia Shepard is researching the impact of tourism on cultural sites in a remote national monument on the Utah-Arizona border when she crosses paths with two small-time criminals. The Ashdown brothers were hired to steal maps from a "collector" of Native American artifacts, but their ineptitude has alerted the local sheriff to their presence. Their employer, a former lobbyist seeking lucrative monument land that may soon be open to energy exploration, sends a fixer to clean up their mess. Suddenly, Sophia must put her theories to the test in the real world, and the stakes are higher than she could have ever imagined. What begins as a madcap caper across the RV-strewn vacation lands of southern Utah becomes a meditation on mythology, authenticity, the ethics of preservation, and one nagging question: Who owns the past?