The purpose of the present anthology is to bring together, select, and organize the publishing work that has been done in the last two decades. The idea is to highlight current state of the art essays and point to an evolutionary trajectory from the earlier pioneering essays to the voices that define the field today.

Simona Sharoni’s innovative approach to the conflict in the Middle East stresses the relationship between gender and politics by illuminating the daily experiences of women in Israel and in the occupied West Bank and Gaza Strip. Among the issues explored are the connections between the violence of the conflict and the escalation of violence against women; the link between militarism and sexism; and the role of nationalism in building individual and collective identities. Sharoni also shows the impact of Intifada (the Palestinian uprising in December, 1987) on the Palestinian and Israeli women’s movements. While women’s coalitions such as these are critical subjects in and of themselves, the actions of marginalized women are rarely, if ever, given serious treatment in the study of international relations. With this book, Sharoni creates an aperture for the emergence of new perspectives and alternative methods in the development of a new vision in global politics and gender equality. The interdisciplinary scope of the book will make it valuable to scholars of political science, women’s studies, conflict resolution, and Middle East studies.

The Oxford Handbook of Jewish Studies reflects the current state of scholarship in the field as analyzed by an international team of experts in the different and varied areas represented within contemporary Jewish Studies. Unlike recent attempts to encapsulate the current state of Jewish Studies, the Oxford Handbook is more than a mere compendium of agreed facts; rather, it is an exhaustive survey of current interests and directions in the field.

A critical look at the history and culture of women of the Yishuv and a call for a new national discourse

Women in Israel provides a fresh, gendered analysis of citizenship in Israel. Working from a framework of Israel as a settler-colonial regime, this important, insightful book presents historical and contemporary comparative approaches to the lives and experiences of Ashkenazi, Mizrahi and Palestinian Arab women citizens. Nahla Abdo shows that no solution to the problems of the region can be found without changing existing racial and gender boundaries to citizenship.

Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.

The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Israeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published essays that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women's roles as mothers, citizens and activists, and soldiers. Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, luminary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo's study of the New Hebrew Woman, sociologist Ronit Lentin's analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch's examination of womanhood as constructed in Israeli legal discourse. Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.

This book deals with the experience and action of Jewish women in the new Jewish settlement in Palestine (the Yishuv) during the period of Zionist immigration to Palestine, from the last two decades of the nineteenth century until 1948. The wide range of topics concern the experience of East European immigrant women as well as that of traditional Yemenite women, the creative and radical action of the socialist pioneers of the labor movement as well as the liberal feminism of the middle-class women. Though based on scholarly research, this book brings forth women's voices through their private and public writing.

As the crisis in Israel does not show any signs of abating this remarkable collection, edited by an Israeli and a Palestinian scholar and with contributions by Palestinian and Israeli women, offers a vivid and harrowing picture of the conflict and of its impact on daily life, especially as it affects women's experiences that differ significantly from those of men. The (auto)biographical narratives in this volume focus on some of the most disturbing effects of the Israeli-Palestinian conflict: a sense of dislocation that goes well beyond the geographical meaning of the word; it involves social, cultural, national and gender dislocation, including alienation from one's own home, family, community, and society. The accounts become even more poignant if seen against the backdrop of the roots of the conflict, the real or imaginary construct of a state to save and shelter particularly European Jews from the horrors of Nazism in parallel to the other side of the coin: Israel as a settler-colonial state responsible for the displacement of the Palestinian nation. Nahla Abdo is Professor of Sociology at Carleton University, Ottawa. She has published extensively on women and the state in the Middle East with special focus on Palestinian women. She contributed to the establishment of the Women's Studies Institute at Birzeit University and has found the Gender Research Unit at the Women's Empowerment Project/Gaza Community Mental Health Program in Gaza. Ronit Lentin was born in Haifa prior to the establishment of the State of Israel and has lived in Ireland since 1969. She is a well known writer of fiction and non-fiction books and is course co-ordinator of the MPhil in Ethnic Studies at the Department of Sociology, Trinity College Dublin. She has published extensively on the genedered link between Israel and the Shoah, feminist research methodologies, Israeli and Palestinian women's peace activism, gender and racism in Ireland.

This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.