A critical look at the history and culture of women of the Yishuv and a call for a new national discourse

This book deals with the experience and action of Jewish women in the new Jewish settlement in Palestine (the Yishuv) during the period of Zionist immigration to Palestine, from the last two decades of the nineteenth century until 1948. The wide range of topics concern the experience of East European immigrant women as well as that of traditional Yemenite women, the creative and radical action of the socialist pioneers of the labor movement as well as the liberal feminism of the middle-class women. Though based on scholarly research, this book brings forth women's voices through their private and public writing.

The first and only complete exploration of the role of American women in the creation and support of the State of Israel from pre-State years through the struggles of Israel's first decades.

This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.

Feminist reading of women’s representation and activism in Israeli cinema. Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues. This section demonstrates how feminists use film (and work within the film industry) in order to position women in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have affected the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera and in the stories they tell. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.

A groundbreaking history of how Jewish women maintained their identity and influenced social activism as they wrote themselves into American history. What does it mean to be a Jewish woman in America? In a gripping historical narrative, Pamela S. Nadell weaves together the stories of a diverse group of extraordinary people—from the colonial-era matriarch Grace Nathan and her great-granddaughter, poet Emma Lazarus, to labor organizer Bessie Hillman and the great justice Ruth Bader Ginsburg, to scores of other activists, workers, wives, and mothers who helped carve out a Jewish American identity. The twin threads binding these women together, she argues, are a strong sense of self and a resolute commitment to making the world a better place. Nadell recounts how Jewish women have been at the forefront of causes for centuries, fighting for suffrage, trade unions, civil rights, and feminism, and hoisting banners for Jewish rights around the world. Informed by shared values of America’s founding and Jewish identity, these women’s lives have left deep footprints in the history of the nation they call home.

Gershon Shafir challenges the heroic myths about the foundation of the State of Israel by investigating the struggle to control land and labor during the early Zionist enterprise. He argues that it was not the imported Zionist ideas that were responsible for the character of the Israeli state, but the particular conditions of the local conflict between the European "settlers" and the Palestinian Arab population.

The story of Zionist women's struggle for suffrage within the complex political and religious context of the Yishuv

This book scrutinizes the interrelationships between Jewish spatial organization and social structure and change in Palestine/Israel. Kellerman analyzes the development of nationwide and regional settlements, and reasons for spatial and territorial choices, such as cooperative villages. He uncovers the extreme differences between the old and the new in Jewish settlement patterns, and discusses the implications for cultural development, economic functions, urban spirit, and international status in evolving Israeli society.

Explores Jewish emigration from Palestine and Israel during the critical period between 1945 and the late 1950s by weaving together the perspectives of governments, aid organizations, Jewish communities and the personal stories of individual migrants.