A fascinating trip into colonial history, the result of collaboration between family historians, genealogists and social historians

Irish immigrants – although despised as inferior on racial and religious grounds and feared as a threat to national security – were one of modern Australia’s most influential founding peoples. In his landmark 1986 book The Irish in Australia, Patrick O’Farrell argued that the Irish were central to the evolution of Australia’s national character through their refusal to accept a British identity. A New History of the Irish in Australia takes a fresh approach. It draws on source materials not used until now and focuses on topics previously neglected, such as race, stereotypes, gender, popular culture, employment discrimination, immigration restriction, eugenics, crime and mental health. This important book also considers the Irish in Australia within the worldwide Irish diaspora. Elizabeth Malcolm and Dianne Hall reveal what Irish Australians shared with Irish communities elsewhere, while reminding us that the Irish–Australian experience was – and is – unique. ‘A necessary corrective to the false unity of the term “Anglo-Celtic”, this beautifully controlled and clear-sighted intervention is timely and welcome. It gives us not just a history of the Irish in Australia, but a skilful account of how identity is formed relationally, often through sectarian, class, ethnic and racial divisions. A masterful book.’ — Professor Rónán McDonald, University of Melbourne

The luck of the Irish was chronic bad luck, as their sad history attests. That's how it looked for 250 Irish convicts when their ship, the 'Hive', sank ignominiously off the NSW coast in 1835. Miraculously all survived, guided to safety by local Aboriginal people...They landed at a time when the so-called slave colony was at its height, ruled by the lash and the chain gang. Yet as Babette Smith tracked the lives of the people aboard the 'Hive', she discovered a very different story. Most were assigned to work on farms or in businesses, building a better life than they possibly could have experienced in Ireland. Surprisingly, in the workforce they found power, which gave rise to the characteristic Australian culture later described by DH Lawrence: 'Nobody felt better than anybody else, or higher.'..'The Luck of the Irish' is a fascinating portrait of colonial life in the mid-19th century, which reveals how the Irish helped lay the foundations of the Australia we know today...'Deeply researched and vividly written, it's a terrific new and up-to-date account of the convict experience, mainly from the bottom up' - 'Emeritus Professor Alan Atkinson FAHA, University of Sydney'..'Brings the convict era to life through personal stories and insightful analysis.' - 'Lindsay Tanner'

The convict women who built a continent..."A moving and fascinating story." --Adam Hochschild, author of King Leopold's Ghost Historian Deborah J. Swiss tells the heartbreaking, horrifying, and ultimately triumphant story of the women exiled from the British Isles and forced into slavery and savagery-who created the most liberated society of their time. The Tin Ticket takes us to the dawn of the nineteenth century and into the lives of Agnes McMillan, whose defiance and resilience carried her to a far more dramatic rebellion; Agnes's best friend Janet Houston, who rescued her from the Glasgow wynds and was also transported to Van Diemen's Land; Ludlow Tedder, forced to choose just one of her four children to accompany her to the other side of the world; Bridget Mulligan, who gave birth to a line of powerful women stretching to the present day. It also tells the tale of Elizabeth Gurney Fry, a Quaker reformer who touched all their lives. Ultimately, it is the story of women discarded by their homeland and forgotten by history-who, by sheer force of will, become the heart and soul of a new nation.

This analysis of female transports to Australia reveals their significant contribution to the new economy.

My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.

The women of Ireland, bond or free, have left a distinctive mark on Australia's population and culture. Irish Women in Colonial Australia provides an intriguing picture of the richness and variety of the Irish experience in the making of a new nation. Ireland provided the majority of female convicts for the first forty years of the penal colony, and Irish women made up a significant proportion of assisted and free immigrants throughout the nineteenth century. Through nine lively essays, a rare collaboration between family historians and professional historians enables the reader to range across the lives of murderers and orphans, workers and the new rich, country maids and slum dwellers. Who were these women? Why did they come here? What did they bring with them? And what did they make of their lives in the raw, new world so different from the world they left behind ?

Convict women - Irish women - The "frontier woman.frontier woman.__

Shame and the Anti-Feminist Backlash examines how women opposed to the feminist campaign for the vote in early twentieth-century Britain, Ireland, and Australia used shame as a political tool. It demonstrates just how proficient women were in employing a diverse vocabulary of emotions – drawing on concepts like embarrassment, humiliation, honour, courage, and chivalry – in the attempt to achieve their political goals. It looks at how far nationalist contexts informed each gendered emotional community at a time when British imperial networks were under extreme duress. The book presents a unique history of gender and shame which demonstrates just how versatile and ever-present this social emotion was in the feminist politics of the British Empire in the early decades of the twentieth century. It employs a fascinating new thematic lens to histories of anti-feminist/feminist entanglements by tracing national and transnational uses of emotions by women to police their own political communities. It also challenges the common notion that shame had little place in a modernizing world by revealing how far groups of patriotic womanhood, globally, deployed shame to combat the effects of feminist activism.

Its capital is named after German-born Queen Adelaide, its main street after her English husband, King William IV, so it is not surprising that little is known about South Australia's Irish background. However, the first European to discover Adelaide's River Torrens in 1836 was Cork-born and educated George Kingston, who was deputy surveyor to Colonel Light; the river was named in turn for Derryman Colonel Torrens, Chairman of the South Australian Colonisation Commission. Adelaide's first judge and first police commissioner were immigrants from Kerry and Limerick. Irish South Australia charts Irish settlement from as far north as Pekina, to the state's south-east and Mount Gambier. It follows the diverse fortunes of the Irish-born elite such as George Kingston and Charles Harvey Bagot, as well as doctors, farmers, lawyers, orphans, parliamentarians, pastoralists and publicans who made South Australia their home, with various shades of political and religious beliefs: Anglicans, Catholics, Dissenters, Federationalists, Freemasons, Home Rulers, nationalists, and Orangemen. Irish markers can be found in South Australian archaeology, architecture, geography and history. Some of these are visible in the hundreds of Irish place names that dot the South Australian landscape, such as Clare, Donnybrook, Dublin, Kilkenny, Navan, Rostrevor, Tipperary, and Tralee (as Tarlee). The book's editors are twentieth-century Irish immigrants from Dublin (Dymphna Lonergan), Portadown (Fidelma Breen), Trim (Susan Arthure), and by descent from eight Irish-born (Stephanie James).