My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women’s poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.

My book traces the significant poetic and political contributions made by non-canonical women poets, situating women's poetry both in colonial Australian print culture and in wider imperial and transnational contexts. Women poets in colonial Australia have tended to be represented as marginal and isolated figures or absent. This study intervenes by demonstrating an alternative networked tradition of transnational feminist poetics and politics beyond and around emergent masculine nationalism, particularly within newspapers and periodical print culture. Without the inclusion of periodical literature, women's poetry in Australia during the colonial period would appear to have been fairly limited. When periodical literature is taken into account, this picture is radically altered, and poets emerge as consistent contributors, often across a variety of newspapers and journals, who were well-known, influential and connected with political figures and literary circles. In examining this poetry in the original context of the newspapers and journals, the political intervention and the reception of that poetry is made much more apparent.

Seminar paper from the year 2019 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Cologne, language: English, abstract: This paper will examine the works of some Australian female colonial poets, who, in contrast to male authors, have critically examined their situation in their writings and in this way offered a realistic view on life in Australia at the time. To begin with, the culturally specific concepts of femininity and masculinity in literature are to be inspected and how the male myth is embodied in the bush legend. The essay examines the contemporary Australian literary production and analyses the role of women authors. Secondly, the function and role of poetry for the feminist movement in literature will be demonstrated. Although women’s prose has received more attention than their poetry has, and prose writers were central to literary culture, I chose to focus on poetry, since it has been suggested that poetry tended to exhibit the clearest record of the feminist movement. Since many female writers turned to fiction, as poetry was considered men’s territory, women poets had to struggle against male attitudes. The essay will research the circumstances of female productions, how they were reviewed by fellow writers and which obstacles women poets had encountered. Although journals do not relate directly to this topic, I feel motivated – due to the fact that poetry was especially dependent on periodical publications – to call attention especially to the significance of The Dawn, opposed to the Bulletin. Furthermore, the main aim of this paper is to illustrate the thematic range that was relevant to female poetry. The question of which themes and motifs had preoccupied their verse will be discussed. Main themes such as marriage, love, independence, loneliness, religion and the potential for future female influence will be illustrated in poems by authors such as Louisa Lawson, Ada Cambridge, Emma Anderson, Caroline Leakey, Mary Hannay Foott and Emily Manning.

This volume explores the subterfuges, strategies, and choices that Australian women writers have navigated in order to challenge patriarchal stereotypes and assert themselves as writers of substance. Contextualized within the pioneering efforts of white, Aboriginal, and immigrant Australian women in initiating an alternative literary tradition, the text captures a wide range of multiracial Australian women authors’ insightful reflections on crucial issues such as war and silent mourning, emergence of a Australian national heroine, racial purity and Aboriginal motherhood, communism and activism, feminist rivalry, sexual transgressions, autobiography and art of letter writing, city space and female subjectivity, lesbianism, gender implications of spatial categories, placement and displacement, dwelling and travel, location and dislocation and female body politics. Claiming Space for Australian Women’s Writing tracks Australian women authors’ varied journeys across cultural, political and racial borders in the canter of contemporary political discourse.

Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.

Shortlisted for the ALS Gold Medal 2019 ‘A gentle whisper from the past Visits me in my dreams Or is it the future that I see ... ’ From well-known poets John Kinsella and Charmaine Papertalk-Green comes a tête-à-tête that is powerful, thought provoking, and challenges what we think we know about our country, colonisation, and how we understand our land. Striking conversations surrounding childhood, life, love, mining, death, respect, and diversity; imbued by silken Yamatji sensibility and sublimely responded to by the son of a foreman from South Champion Mine. This extraordinary publication weaves two differing points of view together as Papertalk-Green and Kinsella’s words traverse this land and reflect back to us all, our many identities and quiet voices.

An invaluable resource for staff and students in literary studies and Australian studies, this volume is the first major critical survey on Australian poetry. It investigates poetry's central role in engaging with issues of colonialism, nationalism, war and crisis, diaspora, gender and sexuality, and the environment. Individual chapters examine Aboriginal writing and the archive, poetry and activism, print culture, and practices of internationally renowned poets such as Lionel Fogarty, Gwen Harwood, John Kinsella, Les Murray, and Judith Wright. The Companion considers Australian leadership in the diversification of poetry in terms of performance, the verse novel, and digital poetries. It also considers Antipodean engagements with Romanticism and Modernism.

Draws on scholarship from leading figures in the field and spans Australian literary history from colonial origins, indigenous and migrant literatures, as well as representations of Asia and the Pacific and the role of literary culture in modern Australian society.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

Knitting together two fascinating but entirely distinct lives, this ingeniously structured braided biography tells the story of the lives and work of two women, each a cultural icon in her own country yet lesser known in the other's. Australian poet Judith Wright and Canadian painter Emily Carr broke new ground for female artists in the British colonies and influenced the political and social debates about environment and indigenous rights that have shaped Australia and Canada in the 21st century. In telling their story/ies, this book charts the battle for recognition of their modernist art and vision, pointing out significant moments of similarity in their lives and work. Although separated by thousands of miles, their experience of colonial modernity was startlingly analogous, as white settler women bent on forging artistic careers in a male-dominated world and sphere rigged against them. Through all this, though, their cultural importance endures; two remarkable women whose poetry and painting still speak to us today of their passionate belief in the transformative power of art.