The team of nurses that Tilda Shalof found herself working with in the intensive care unit (ICU) of a big-city hospital was known as “Laura’s Line.” They were a bit wild: smart, funny, disrespectful of authority, but also caring and incredibly committed to their jobs. Laura set the tone with her quick remarks. Frances, from Newfoundland, was famous for her improvised recipes. Justine, the union rep, wore t-shirts emblazoned with defiant slogans, like “Nurses Care But It’s Not in the Budget.” Shalof was the one who had been to university. The others accused her of being “sooo sensitive.” They depended upon one another. Working in the ICU was both emotionally grueling and physically exhausting. Many patients, quite simply, were dying, and the staff strove mightily to prolong their lives. With their skill, dedication, and the resources of modern science, they sometimes were almost too successful. Doctors and nurses alike wondered if what they did for terminally-ill patients was not, in some cases, too extreme. A number of patients were admitted when it was too late even for heroic measures. A boy struck down by a cerebral aneurysm in the middle of a little-league hockey game. A woman rescued – too late – from a burning house. It all took its toll on the staff. And yet, on good days, they thrived on what they did. Shalof describes a colleague who is managing a “crashing” patient: “I looked at her. Nicky was flushed with excitement. She was doing five different things at the same time, planning ahead for another five. She was totally focused, in her element, in control, completely at home with the chaos. There was a huge smile on her face. Nurses like to fix things. If they can.” Shalof, a veteran ICU nurse, reveals what it is really like to work behind the closed hospital curtains. The drama, the sardonic humour, the grinding workload, the cheerful camaraderie, the big issues and the small, all are brought vividly to life in this remarkable book.

This is a nurse's story unlike any other, because Echo Heron is a very special nurse. Dedicated to healing and helping in the harshest environments, she spent ten years in emergency rooms and intensive care units. Her story is unique, penetrating, and unforgettable. Her story is real. "Compelling reading." NEW YORK DAILY NEWS

CONDITON CRITICAL: The Story of a Nurse (Revised 2024) is the compelling sequel to the New York Times bestselling INTENSIVE CARE: The Story of a Nurse.With her trademark wit and razor-sharp sensibilities, critical care nurse Echo Heron gives readers an intimate view into the emotional and often shocking world behind the closed doors of a hospital.Sidestepping antiquated bureaucratic rules, Heron chronicles her second decade in the battlefields of critical care detailing her patients' often heartbreaking (and sometimes humorous) stories in ways that will stay entrenched in the reader's memory. As the struggle to protect and care for her patients grows more stressful due to increasing budget cuts and understaffing, Heron must face the toll it is taking on her own life.Whether dealing with the schizophrenic Death Row inmate who must recover in time for his scheduled execution, coping with haunted hospital rooms or tackling the daily Emergency Room fare of freak accidents, overdoses, suicides, and the myriad victims of man's brutal inhumanity to man, CONDITION CRITICAL is an unforgettable fast paced read you won't want to miss.

A critical-care nurse in coronary and emergency medicine for eighteen years, Echo Heron has seen and heard it all. Here she recounts narratives of real-life medical dramas experienced by nurses across the country, sharing with us the inspiring, the tragic, and the outrageously funny: a penitentiary nurse who wasresponsible for orchestrating a murderer's execution; a stroke victim who rose out of his depression when his nurses began telling him jokes; and, perhaps the most riveting testimony, moment-by-moment memories of several nurses who served in the aftermath of the Oklahoma City bombing. Filled with both tears and laughter and charged with the issues that afflict nursing care today, TENDING LIVES is a gripping, moving, inspiring book, a fitting tribute to a noble profession.

In Intensive Care: More Poetry and Prose by Nurses, sixty-five nurses from places as diverse as California and Alaska, South America and Europe, tell us in tough, revealing poems and prose what it's like to be on the front lines of health care. These nurses, both men and women, speak to us from intensive care units and operating rooms, from patients' homes and storefront clinics, from hospitals with the latest technology to small clinics in the steamy jungles of Nicaragua. They tell us what it's like to walk in their shoes and see the drama of illness and healing unfold before their eyes.

"A comprehensive, multifaceted book of astounding scope."--Bulletin of the History of Medicine

"There is no night in the ICU. There is day, lesser day, then day again. There are rhythms. Every twelve hours: shift change. Report: first all together in the big room, then at the bedside, nurse to nurse. Morning rounds. A group of doctors moves slowly through the unit like a harrow through a field. At each room, like a game, a different one rotates into the center. They leave behind a trail of new orders. Wean, extubate, titrate, start this, stop that, scan, film, scope. The steep hill the patient is asked to climb. Can you breathe on your own? Can you wake up? Can you live?"—Where Night Is Day Where Night Is Day is a nonfiction narrative grounded in the day-by-day, hour-by-hour rhythms of an ICU in a teaching hospital in the heart of New Mexico. It takes place over a thirteen-week period, the time of the average rotation of residents through the ICU. It begins in September and ends at Christmas. It is the story of patients and families, suddenly faced with critical illness, who find themselves in the ICU. It describes how they navigate through it and find their way. James Kelly is a sensitive witness to the quiet courage and resourcefulness of ordinary people. Kelly leads the reader into a parallel world: the world of illness. This world, invisible but not hidden, not articulated by but known by the ill, does not readily offer itself to our understanding. In this context, Kelly reflects on the nature of medicine and nursing, on how doctors and nurses see themselves and how they see each other. Drawing on the words of medical historians, doctor-writers, and nursing scholars, Kelly examines the relationship of professional and lay observers to the meaning of illness, empathy, caring, and the silence of suffering. Kelly offers up an intimate portrait of the ICU and its inhabitants.

With uncompromising honesty, Carol Gino strips the TV image to reveal the gritty truths of a nurse's life.

Moving, honest and inspiring – this is a nurse’s true story of life in a busy A&E department during the Covid-19 crisis. Working in A&E is a challenging job but nurse Louise Curtis loves it. She was newly qualified as an advanced clinical practitioner, responsible for life or death decisions about the patients she saw, when the unthinkable happened and the country was hit by the Covid-19 pandemic. The stress on the NHS was huge and for the first time in her life, the job was going to take a toll on Louise herself. In A Nurse’s Story she describes what happened next, as the trickle of Covid patients became a flood. And just as tragically, staff in A&E were faced with the effects of lockdown on society. They worried about their regulars, now missing, and saw an increase in domestic abuse victims and suicide attempts as loneliness hit people hard. By turns heartbreaking and heartwarming, this book shines a light on the compassion and dedication of hospital staff during such dark times. 'An important memoir that we all need to read right now.' – Closer

Paintings and reflections that share a nurse's personal experience of illness In the summer of 2013, Cortney Davis, a nurse practitioner and author who often writes about her interactions with patients, underwent routine one-day surgery. A surgical mishap led to a series of life-altering and life-threatening complications, resulting in two prolonged hospital stays and a lengthy recovery. During twenty-six days in the hospital, Davis experienced how suddenly a caregiver can become a care receiver and what it's like to be "on the other side of the sickbed." As a nurse, she was accustomed to suffering and to the empathy such witnessing can evoke, but as a patient she learned new and transforming lessons in pain, fear, loneliness, abandonment, and dependency; in the fragility of health and life; in the necessity of family support; and, ultimately, in the importance of gratitude. Once at home, Davis wanted to respond to her illness creatively through her writing, but the details seemed too intense, too raw for words. As her recovery progressed, she found release in painting, discovering an immediate connection between heart and hand, between memory and canvas. In a series of twelve paintings, she reenvisioned episodes of her illness, moments that remained and replayed in her consciousness, ultimately providing an education in health care more resonant and more authentic than what she had found in nursing textbooks. Before, serving as a nurse in intensive care, oncology, and women's health, Davis believed that she understood what hospitalized patients might be experiencing and how they might be coping. Her own illness taught her how little she truly knew and how important it is that all caregivers--professionals and family members alike--become aware of the physical and the inner emotional needs of their seriously ill patients. After the twelve paintings were completed, Davis wrote brief commentaries for each image. She used her remembrances to clarify and expand on her artwork, thereby making her personal story accessible to others. While every patient's journey and every caregiver's challenges are unique, these intimate and revealing paintings and reflections offer a glimpse into the universal aspects of illness and recovery.