The Forty Three Stories From Twenty One Languages Anthologised Here Reflect The Diversity And Complexity Of Life Lived In India. From The Violence And Mass Hysteria Of The Partition To The Supressed Rage And The Gnawing Self-Pity Of Individuals Trapped In Broken HomesýThese Stories Capture The Outer And The Inner Lives Of Indian Society. The Sacred And The Profane, The Elite And Subaltern Meet In Many-Layered Narratives In These Stories, Providing Us Metaphors To Visualize Ourselves. These Stories Map An Eventful Century During Which Our Country Emerged Into A Nation. The Images Gathered Here From The Haunted Interiors Of The Twentieth Century Are Both Disquieting And Illuminating.

This collection pulls together a wide range of perspectives to explore the possibilities and the boundaries of the paradigm of English studies in India. It examines national identity and the legacy of colonialism through a study of comparative and multi ethnic literature, education, English language studies and the role ICT now plays in all of these fields. Contributors look at how the issue of identity can be addressed and understood through food studies, linking food, culture and identity. The volume also considers the timely and very relevant question of gender in Indian society, of the role of the woman, the family and the community in patriarchal contemporary Indian society. Through the lens of literature, culture, gender, politics, this exciting volume pulls together the threads which constitute modern Indian identity.

On the completion of fiftieth year of Sahitya Akademi.

Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.

The short story is moving from relative neglect to a central position in the curriculum; as a teaching tool, it offers students a route into many complex areas, including critical theory, gender studies, postcolonialism and genre. This book offers a practical guide to the short story in the classroom, covering all these fields and more.

Independent India is an exploration of India’s national history from independence in 1947 to the end of the twentieth century. Wendy Singer charts the rapid development of this emerging world power by following a series of different narratives crucial to the history of post-independence India: national integrations, the ongoing development of arts and culture, social movements, and political change. In telling the broader history of political movements and cultural transformations from different perspectives, this book provides key examples that demonstrate the experiences of women and men from the many classes and cultures that comprise modern India. In keeping with the series as a whole, this text also provides a range of primary source documents both to illuminate that history and to show the rich resources and unique challenges involved in writing contemporary history. Key features include: Thematic chapters within a chronological structure, incorporating different approaches to the study of history A varied range of primary sources, demonstrating the diversity of material available In-depth social, cultural and political analysis, including the study of regional identities, film, literature, gender, politics and economic change Investigating India’s recent national history from a range of angles, this new Seminar Studies volume is an essential introduction for anyone who wishes to learn more about the important place that India, the world’s largest democracy, has in our global age. .

This volume of ten collected articles stands out, at one level, as a contribution to Marginality studies. Its overarching concern is to identity the main contours of the representation of Muslim woman in post-Independence Indian Writings in English (1950-2000). So doing, it examines also whether this representation replicates or modifies the image of Muslim woman as ingrained in Western literary tradition. Among the writers discussed are Anita Desai, Shashi Deshpande, Shashi Tharoor, Manohar Malgonakr, Attia Hossain, Balwant Gargi, Rokeya Sakhawat Hossain, Amitav Kumar, Ruskin Bond, Qurratulain Hyder and a host of story writers of Indian regional languages. Besides, the Volume is an extensive Bibliography covering the discourse on Representation and Gender issues, with pointed reference to Muslim woman. New Book

Jammu and Kashmir's rich culture contains a history of writers and poets who climbed to popularity and earned international acclaim. Their literary contributions are notable, and several of them have played critical roles in depicting Kashmir to readers all over the world. Many of them have garnered important accolades and are well-known. Here are some facts about prominent poets from Jammu and Kashmir. Kashmir is a region blessed with extraordinary beauty and plagued with what appears to be endless unrest. Both of these factors typically offer a rich setting for outstanding literature. Furthermore, Kashmir has a long literary tradition dating back centuries. Kashmir produced a huge literature in Sanskrit, including possibly the best and most scholarly work of history that ancient India saw, Kalahana's Rajatarangini. However, excellent literature in the valley was not restricted to the ancient period or even Sanskrit. A fresh and magnificent literature bloomed as the Kashmiri language flourished and evolved. This literature was initially fostered by the two major spiritual streams that flowed through Kashmir, Shaivism and Sufism. You must have been in awe of this stunning location, which is renowned for some legendary literary figures in addition to its scenic splendor, after reading about some of the most well-known poets from Jammu and Kashmir. The pride of Kashmir undoubtedly lies in these renowned poets.

Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.

This volume explores the reception of Premchand’s works and his influence in the perception of India among Western cultures, especially Russian, German, French, Spanish and English. The essays in the collection also take a critical look at multiple translations of the same work (and examine how each new translation expands the work’s textuality and annexes new readership for the author) as well as representations of celluloid adaptations of Premchand’s works. An important intervention in the field of translation studies, this book will interest scholars and researchers of comparative literature, cultural studies and film studies.