These short stories contain circumstances, wishes or dreams that all of us have. You may find them very close to your own personal life and easy to relate to. Maybe it was a relative or friend who it happened to or just a dream you woke up from on your pillow. It the emotional content that I pour from my heart to reach yours. Whether it is real or not is just a fine line that we need not distinguish.

Ideal for those new to the genre or for anyone who wishes to improve their technique, Ailsa Cox’s guide will help readers achieve their full potential as a short story writer. The book encourages you to be inventive, to break writing habits and to try something new, by showing the diversity of the short story genre, from cyberpunk to social observation. Each chapter of the book: introduces key aspects of the craft of short story writing, including structure, dialogue, characterization, viewpoint, narrative voice and more shows how a wide variety of published writers have approached the short story genre, in order to deepen the insights you gain from your own work gets you writing, with a series of original, sometimes challenging but always rewarding exercises, which can be tackled alone or adapted for use in a group includes activities at the end of each chapter. Ailsa Cox draws on her experience as a writer to provide essential information on drafting and editing, as well as a rich Resources section, which lists print and online journals that accept the work of new writers. Whether you’re writing as part of a course, in a workshop group or at home alone, this book will equip and inspire you to write better short stories, and make you a more skilled, enthusiastic and motivated writer of short stories.

Edgar Rice Burroughs only entered The Science Fiction Hall of Fame in 2003 - more than 50 years after his death - but at this point he had a place of honor in the hearts and minds of science fiction, adventure and fantasy lovers. Its iconic characters, such as Tarzan and John Carter, became icons of pop culture and influenced all who came after. This selection specially chosen by the literary critic August Nemo, contains the following stories: Tarzan's First Love A Jungle Joke Tarzan Rescues the Moon John Carter and the Giant Of Mars The Ancient Dead Beyond Thirty Skeleton Men of Jupiter

This unique collection of the greatest French classics is meticulously formatted for your eReader:_x000D_ A History of French Literature_x000D_ François Rabelais:_x000D_ Gargantua and Pantagruel_x000D_ Molière:_x000D_ Tartuffe or the Hypocrite_x000D_ The Misanthrope_x000D_ The Miser_x000D_ The Imaginary Invalid_x000D_ The Impostures of Scapin…_x000D_ Jean Racine:_x000D_ Phaedra_x000D_ Pierre Corneille:_x000D_ The Cid_x000D_ Voltaire:_x000D_ Candide_x000D_ Zadig_x000D_ Micromegas_x000D_ The Huron_x000D_ A Philosophical Dictionary…_x000D_ Jean-Jacques Rousseau:_x000D_ Confessions_x000D_ Emile_x000D_ The Social Contract_x000D_ De Laclos:_x000D_ Dangerous Liaisons _x000D_ Stendhal

This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.

INTRODUCTION. By the Editor THE EXCURSION. By Edwina Stanton Babcock (From The Pictorial Review) ONNIE. By Thomas Beer (From The Century Magazine) A CUP OF TEA. By Maxwell Struthers Burt(From Scribner's Magazine) LONELY PLACES. By Francis Buzzell (From The Pictorial Review) BOYS WILL BE BOYS. By Irvin S. Cobb (From The Saturday Evening Post) LAUGHTER. By Charles Caldwell Dobie (From Harper's Magazine) THE EMPEROR OF ELAM. By H. G. Dwight (From The Century Magazine) THE GAY OLD DOG. By Edna Ferber (From The Metropolitan Magazine) THE KNIGHT'S MOVE. By Katharine Fullerton Gerould (From The Atlantic Monthly) A JURY OF HER PEERS. By Susan Glaspell(From Every Week) THE BUNKER MOUSE. By Frederick Stuart Greene (From The Century Magazine) RAINBOW PETE. By Richard Matthews Hallet (From The Pictorial Review) GET READY THE WREATHS. By Fannie Hurst (From The Cosmopolitan Magazine) THE STRANGE-LOOKING MAN. By Fanny Kemble Johnson (From The Pagan) THE CALLER IN THE NIGHT. By Burton Kline (From The Stratford Journal) THE INTERVAL. By Vincent O'Sullivan (From The Boston Evening Transcript) A CERTAIN RICH MAN—." By Lawrence Perry (From Scribner's Magazine) THE PATH OF GLORY. By Mary Brecht Pulver (From The Saturday Evening Post) CHING, CHING, CHINAMAN. By Wilbur Daniel Steele (From The Pictorial Review) NONE SO BLIND. By Mary Synon (From Harper's Magazine) THE YEARBOOK OF THE AMERICAN SHORT STORY FOR 1917The Biographical Roll of Honor of American Short Stories for 1917 The Roll of Honor of Foreign Short Stories in American Magazines for 1917 The Best Books of Short Stories of 1917: A Critical Summary Volumes of Short Stories Published During 1917: An Index The Best Sixty-three American Short Stories of 1917: A Critical Summary Magazine Averages for 1917