INTRODUCTION. By the Editor THE EXCURSION. By Edwina Stanton Babcock (From The Pictorial Review) ONNIE. By Thomas Beer (From The Century Magazine) A CUP OF TEA. By Maxwell Struthers Burt(From Scribner's Magazine) LONELY PLACES. By Francis Buzzell (From The Pictorial Review) BOYS WILL BE BOYS. By Irvin S. Cobb (From The Saturday Evening Post) LAUGHTER. By Charles Caldwell Dobie (From Harper's Magazine) THE EMPEROR OF ELAM. By H. G. Dwight (From The Century Magazine) THE GAY OLD DOG. By Edna Ferber (From The Metropolitan Magazine) THE KNIGHT'S MOVE. By Katharine Fullerton Gerould (From The Atlantic Monthly) A JURY OF HER PEERS. By Susan Glaspell(From Every Week) THE BUNKER MOUSE. By Frederick Stuart Greene (From The Century Magazine) RAINBOW PETE. By Richard Matthews Hallet (From The Pictorial Review) GET READY THE WREATHS. By Fannie Hurst (From The Cosmopolitan Magazine) THE STRANGE-LOOKING MAN. By Fanny Kemble Johnson (From The Pagan) THE CALLER IN THE NIGHT. By Burton Kline (From The Stratford Journal) THE INTERVAL. By Vincent O'Sullivan (From The Boston Evening Transcript) A CERTAIN RICH MAN—." By Lawrence Perry (From Scribner's Magazine) THE PATH OF GLORY. By Mary Brecht Pulver (From The Saturday Evening Post) CHING, CHING, CHINAMAN. By Wilbur Daniel Steele (From The Pictorial Review) NONE SO BLIND. By Mary Synon (From Harper's Magazine) THE YEARBOOK OF THE AMERICAN SHORT STORY FOR 1917The Biographical Roll of Honor of American Short Stories for 1917 The Roll of Honor of Foreign Short Stories in American Magazines for 1917 The Best Books of Short Stories of 1917: A Critical Summary Volumes of Short Stories Published During 1917: An Index The Best Sixty-three American Short Stories of 1917: A Critical Summary Magazine Averages for 1917

The Best Short Stories of 1918, and the Yearbook of the American Short Story encapsulates a pivotal moment in literary history, celebrating a diversity of narrative forms and thematic explorations. This anthology brings together a pantheon of voices that showcase the vibrancy and complexity of early 20th-century American literature. From the intricate psychological narratives of Sinclair Lewis to the lyrical prose of Wilbur Daniel Steele, the collection traverses the realms of realism, early modernism, and the nascent phases of experimental storytelling, making it an invaluable reflection of the literary zeitgeist. Each story stands as a beacon of the creativity and transition within American letters, capturing the socio-political and cultural undercurrents of its time. The contributing authors, heralded for their own unique contributions to literature, bring forth a collective heritage that spans various facets of American life and letters. Their backgrounds, ranging from journalism and literary criticism to fiction writing, offer a rich mosaic of perspectives that are emblematic of the periods literary and cultural movements. The anthology, therefore, not only serves as a showcase of individual mastery but also as a cohesive study of the interplay between historical context and literary innovation. To the discerning reader, The Best Short Stories of 1918, and the Yearbook of the American Short Story represents an unparalleled journey through the landscape of early 20th-century American fiction. It offers not just a literary exploration but a historical immersion, inviting readers to engage with each narrative as a dialogue among diverse yet interconnected voices. This collection not only educates but enriches, urging readers to appreciate the depth and breadth of the art of storytelling as practiced in a pivotal era of American literature. It is an essential anthology for those wishing to delve deeper into the evolution of short stories and their profound impact on the trajectory of American literary tradition.

Embark on a journey through the literary landscape of 1919 with "The Best Short Stories of 1919 and the Yearbook of the American Short Story" edited by Various, a captivating anthology that showcases the finest examples of storytelling from a pivotal moment in American literature. This esteemed collection offers readers a glimpse into the cultural, social, and artistic currents of the time, while celebrating the timeless art of the short story. Join the esteemed editors and contributors as they curate a selection of stories that capture the essence of the era, from the post-war disillusionment to the Roaring Twenties' burgeoning spirit of rebellion and innovation. With each tale, readers are transported to different worlds and perspectives, experiencing the joys, sorrows, and complexities of the human experience. With its diverse range of voices and styles, "The Best Short Stories of 1919 and the Yearbook of the American Short Story" offers something for every reader, whether you're drawn to tales of romance, mystery, adventure, or introspection. From the poignant to the humorous, these stories reflect the rich tapestry of American life and culture at the dawn of a new decade. Since its publication, this anthology has been celebrated for its literary excellence and cultural significance, earning praise from critics and readers alike. Its enduring appeal lies in its ability to transport readers to another time and place, while also offering timeless insights into the human condition. As you immerse yourself in the pages of "The Best Short Stories of 1919 and the Yearbook of the American Short Story," you'll be captivated by the depth of emotion, the richness of detail, and the sheer diversity of voices represented within its pages. Whether you're a seasoned literary aficionado or a curious newcomer, this anthology promises to entertain, enlighten, and inspire. In conclusion, "The Best Short Stories of 1919 and the Yearbook of the American Short Story" is more than just a collection of tales—it's a window into a bygone era, a celebration of the art of storytelling, and a testament to the enduring power of literature to captivate, challenge, and enrich our lives. Don't miss your chance to experience the magic of "The Best Short Stories of 1919 and the Yearbook of the American Short Story." Order your copy today and journey back in time to discover a treasure trove of literary gems that continue to shine bright a century later.

"The Best Short Stories of 1921, and the Yearbook of the American Short Story" is an early edition of the most famous short stories of the time picked up and arranged into a collection by Edward Joseph Harrington O'Brien. The selection of O'Brien's stories was trendy among the readers. This issue includes the stores by Sherwood Anderson, Charles J. Finger, Frances Noyes Hart, and others.

This book examines over ninety short stories as rhetorical artifacts of nearly a century of American history, from the early days of the Great War to the ongoing conflict in Iraq and Afghanistan. Each story features a type of rhetorical depiction that enables the audience to experience the tale vicariously.

I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me a remarkable question, and the answer which I gave him suggested certain contrasts which seemed to me of basic importance for us all. He said: "I have been reading books by Sherwood Anderson, Waldo Frank and Ben Hecht and Konrad Bercovici and Joseph Hergesheimer, and I can see that they are important books, but I feel that the essential point to which all this newly awakened literary consciousness is tending has somehow subtly eluded me. American and English writers both use the same language, and so do Scotch and Irish writers, but I am not puzzled when I read Scotch and Irish books as I am when I read these new American books. Why is it?"

As one can guess from the title, the following book is an anthology of the stories published in 1920, considered to be the best by the editor of the book, Edward J. O'Brien. Featured titles include the following: 'The Other Woman (Sherwood Anderson)', 'Gargoyle (Edwina Stanton Babock)', and 'Ghitza (Konrad Bercovici)'.