"Occasionally I read a book and say to myself that this is a book that I wished I had written. This is such a book! It is a delightful, practical, interesting, and inspiring book! Danai has written a soon-to-be classic in the field! Her writing is excellent! Her use of theories, concepts, history, and models are wonderful!"--Illness, Crisis and Loss "Danai PapadatouÖ[presents] an approach of Relational Care, care based on an understanding of relationships, that should be essential readingÖ.[S]he writes in an engaging and non-technical language, and manages to convey complex ideas in a manner that is accessible to all." --Colin Murray Parkes, OBE, MD, FRCPsych President, Cruse: Bereavement Care (From the Foreword) ì[A] wonderful contribution to the literature on caregiving and her well thought out ideas about relational caregiving are on the cutting edge. Congratulations.î -- Lynne Ann DeSpelder CoAuthor, The Last Dance: Encountering Death and Dying, 8th edition "This is no ordinary academic textbook. It is nothing short of a masterpiece in which Papadatou provides the field of death, dying and bereavement with invaluable and constructive insights into the world of caring for the dying and bereaved."--Grief Matters "This is a fascinating book, applying important theoretical modelsÖin order to describe and speculate about how professionals manage to work in an environment where suffering and grief are constantly present. This is an important and substantial addition to the mostly self-help literature about self-care for caregivers."--Doody's Medical Reviews In the Face of Death explores the experiences of health care professionals who care for the seriously ill, the dying, and the bereaved. In this book, Danai Papadatou offers a practical approach to caregiving, as well as a breadth and depth of insight into both the patient's and the caregiver's responses to death. The author discusses the issues and challenges health care professionals face when treating dying and bereaved patients. Topics include: compassion fatigue, the inevitability of suffering and the potential for growth, suffering in the workplace, team functioning in death situations, and team resilience. The main themes are: The Caring Relationship focuses on the relationship between the care provider and the person who is dying or grieving, and proposes a new, relationship-based model of care The Care Provider in Death Situations addresses the health professional's personal responses to death, using a model that illustrates the grieving process of the health professional The Team in the Face of Death provides recommendations for effective, interdisciplinary care services that support dying or bereaved patients as well as the health care provider

"Those who know me call me Old He, and they also know that I've worked in a crematorium for my entire life." Here begins Mu Cao's novel In the Face of Death We Are Equal, an unrelentingly realistic portrait of working-class gay men in the underbelly of Chinese society. He Donghai is days away from his sixtieth birthday and long-awaited retirement from his job as a corpse burner at a Beijing crematorium. As he approaches the momentous day, he reflects on his life and his relationship with a special group of young men who live and love on the margins of Chinese society. One of them is Ah Qing, a young migrant worker who leaves his village in Henan Province to earn a living in cities--and who has an unexpected personal connection to He. Through a disrupted and nonlinear narrative technique, and alternating between first, second, and third person, In the Face of Death We Are Equal tells the story of Ah and other young men like him. Sometimes enraging, often humorous, but always powerful, this novel explores the economic and sexual exploitation of young men and women from China's impoverished countryside who seek survival in the shadow of China's economic "miracle." Deftly translated by Scott E. Myers, it is the first title in Seagull's new Pride List, which showcases important queer writing from around the world. Written in Mu Cao's trademark earthy, sometimes graphic, idiom, In the Face of Death We Are Equal will be a valuable addition to queer and Chinese literature in translation.

Whereas Western society views death as the last taboo, the Tibetan tradition incorporates meditation on death into everyday life. Tibetan Buddhists believe that a conscious awareness of one's own impermanence allows a person to live a happy, fulfilled life. Over the centuries, the Tibetans have developed a wide-ranging literature on death, including inspirational poetry and prose, prayers, and practical works on caring for the dying. This fascinating book presents nine short Tibetan texts. Important writings by the Second, Seventh, and Thirteenth Dalai Lamas and by Karma Lingpa, author of The Tibetan Book of the Dead, are included. It covers topics such as meditation techniques to prepare for death, inspirational accounts of the deaths of saints and yogis, and methods for training the mind in the transference of consciousness at the time of death.

This volume, written by eleven first-class scholars, brings into focus the Resurrection message of the New Testament. Much more than just biblical exposition, these essays demonstrate how the resurrection both provides the basis for joyful living now despite the shadow of death and undergirds the Christian belief in a future after death.

The church does not cope very well with dying. Instead of using its own resources to mount a positive end-of-life ministry for the terminally ill, it outsources care to secular models, providers, and services. A terminal diagnosis typically triggers denial of impending death and placing faith in the techniques and resources of modern medicine. If a cure is not forthcoming, the patient and his or her loved ones experience a sense of failure and bitter disappointment. This book offers a critical analysis of the church's failure to communicate constructively about dying, reminding the church of its considerable liturgical, scriptural, and pastoral resources when it ministers to the terminally ill. The authors, who have all been personally and professionally involved in end-of-life issues, suggest practical, theological bases for speaking about dying, communicating with those facing death, and preaching about dying. They explore how dying--in baptism--begins and informs the Christian's life story. They also emphasize that the narrative of faith embraces dying, and they remind readers of scriptural and christological resources that can lead toward a "good dying." In addition, they present current best practices from health professionals for communication among caregivers and those facing death. The book includes a foreword by Stanley Hauerwas.

“A MASTERPIECE OF THRILLER AND MYSTERY. Blake Pierce did a magnificent job developing characters with a psychological side so well described that we feel inside their minds, follow their fears and cheer for their success. Full of twists, this book will keep you awake until the turn of the last page.” --Books and Movie Reviews, Roberto Mattos (re Once Gone) FACE OF DEATH is book #1 in a new FBI thriller series by USA Today bestselling author Blake Pierce, whose #1 bestseller Once Gone (Book #1) (a free download) has received over 1,000 five star reviews. FBI Special Agent Zoe Prime suffers from a rare condition which also gives her a unique talent—she views the world through a lens of numbers. The numbers torment her, make her unable to relate to people, and give her a failed romantic life—yet they also allow her to see patterns that no other FBI agent can see. Zoe keeps her condition a secret, ashamed, in fear her colleagues may find out. Yet when a serial killer strikes across the Midwest, strangling women in remote places and seemingly at random, Zoe, for the first time, is stumped. Is there a pattern? Can there be no pattern at all? Or is this killer as obsessed with numbers as she is? In a mad race against time, Zoe must enter the diabolical mind of a killer who always seems to be one step ahead of her, and stop him from claiming his next victim before it’s too late. At the same time, she must keep at bay her own demons, which may ultimately prove to be even more threatening. An action-packed thriller with heart-pounding suspense, FACE OF DEATH is book #1 in a riveting new series that will leave you turning pages late into the night. Books #2 and #3 in the series—FACE OF MURDER and FACE OF FEAR—are also available!

Why did he leave her alive? They find the girl in the master bedroom, the bodies of the family around her. She's holding a gun to her head. And she will only talk to Smoky Barrett. Smoky is just starting to pick up the pieces of her own life. She knows what it's like to lose everyone you love. But her tragedy is nothing compared with this case. Because this isn't the first time it's happened. Sixteen-year-old Sarah Kingsley has lost her family before. Not once, but twice. Someone out there wants her to stare death in the face - again and again . . .

This book is base on a killer who is disguising themselves to create havoc on halloween night do to an incident that took place a couple of years back. By introducing the faces of death masks to create the following gimmicks of the horror movies to indicate the artificial true behind the killer's schemes. Which is the mystery that set the stage of who is the one that is doing all of the killing. That involves around a group of students that is attending college for the first time.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

There was a time in screen culture when the facial close-up was a spectacular and mysterious image... The constant bombardment of the super-enlarged, computer-enhanced faces of advertising, the endless 'talking heads' of television and the ever-changing array of film stars' faces have reduced the face to a banal image, while the dream of early film theorists that the 'giant severed heads' of the screen could reveal 'the soul of man' to the masses is long since dead. And yet the end of this dream opens up the possibility for a different view of the face on the screen. The aim of the book is to seize this opportunity to rethink the facial close-up in terms other than subjectivity and identity by shifting the focus to questions of death and recognition. In doing so, the book proposes a dialectical reversal or about-face. It suggests that we focus our attention on the places in contemporary media where the face becomes unrecognisable, for it is here that the facial close-up expresses the powers of death. Using Walter Benjamin's theory of the dialectical image as a critical tool, the book provides detailed studies of a wide range of media spectacles of faces becoming unrecognisable. It shows how the mode of recognition enabled by these faces is a shock experience that can open our eyes to the underside of the mask of self - the unrecognisable mortal face of self we spend our lives trying not to see. Turning on itself, so to speak, the face exposes the fragile relationship between social recognition and facial recognizability in the images-cultures of contemporary media.