When Marie-Therese, daughter of Marie Antoinette, slips into the streets of Paris at the height of the French Revolution, she finds a world much darker than what she's ever known. When Marie-Thérèse Charlotte of France learns of the powerful rebellion sweeping her country, the sheltered princess is determined to see the revolution for herself. Switching places with a chambermaid, the princess sneaks out of the safety of the royal palace and into the heart of a city in strife. Soon the princess is brushing shoulders with revolutionaries and activists. One boy in particular, Henri, befriends her and has her questioning the only life she's known. When the princess returns to the palace one night to find an angry mob storming its walls, she's forced into hiding in Paris. Henri brings her to the workshop of one Mademoiselle Grosholtz, whose wax figures seem to bring the famous back from the dead, and who looks at Marie-Thérèse as if she can see all of her secrets. There, the princess quickly discovers there's much more to the outside world - and to the mysterious woman's wax figures - than meets the eye.

This book is base on a killer who is disguising themselves to create havoc on halloween night do to an incident that took place a couple of years back. By introducing the faces of death masks to create the following gimmicks of the horror movies to indicate the artificial true behind the killer's schemes. Which is the mystery that set the stage of who is the one that is doing all of the killing. That involves around a group of students that is attending college for the first time.

Seven deaths..Seven lessons on life..One person to see them through..All that Mitch Jordan wants to do after his girlfriend's death is to die himself. Only that the Grim Reaper, Death Incarnate, won't let him. Appearing in front of him, the skeleton gives him one choice: either, he can continue to try killing himself and spend the next decades of his life locked up in a psychiatry. Or... Mitch agrees to see the sites of seven deaths, seven tragedies, and to meet seven people - and get back the love of his life. But simply going through loss is not enough - Mitch has to understand the lessons he's taught about what really matters in life. And if he refuses to, he'll lose everything..A story about what makes life worthwhile, human resilience, love, and coming back from Hell. For stable and mature individuals age 18+ only.

The plot thickens as Jill and her friends must collect evidence in order to reveal the true concept behind the mystery of the Faces of Death murders, which will put a spin on things as the mystery unfolds.

Seven deaths. . Seven lessons on life. . One person to see them through. . All that Mitch Jordan wants to do after his girlfriend’s death is to die himself.Only that the Grim Reaper, Death Incarnate, won’t let him. Appearing in front of him, the skeleton gives him one choice: either, he can continue to try killing himself and spend the next decades of his life locked up in a psychiatry. Or... Mitch agrees to see the sites of seven deaths, seven tragedies, and to meet seven people – and get back the love of his life. But simply going through loss is not enough – Mitch has to understand the lessons he's taught about what really matters in life. And if he refuses to, he’ll lose everything.

Some people are born gifted, just as little Jimmie was, but the gift he was born with wasn’t the kind of gift Jimmie was hoping for. His gift was knowing when someone was going to die, just by looking into their eyes. It all started when Jimmie was five years old and had just moved into a new home. His gift came to him in a dream, so he thought. Jimmie’s bed was sitting in the very spot where a pentagram was drawn in blood from a human sacrifice that was held just months before his family moved in. The previous owners were getting too many complaints about hearing screams in the night, so they decided if they were going to continue with these human sacrifices, they might want to move out to the country so the screams would go unnoticed. The owner laid new carpet in the room to cover up the pentagram so the new owners wouldn’t be suspicious. As Jimmie’s family was unpacking boxes, a neighbor came by and welcomed them to the neighborhood. Jimmie looked at the man’s face and he ran over to his mother, throwing his arms around her leg. Jimmie’s mother said, “Jimmie, what are doing?” Jimmie said in a crying voice, “That man is going to die!”

There was a time in screen culture when the facial close-up was a spectacular and mysterious image... The constant bombardment of the super-enlarged, computer-enhanced faces of advertising, the endless 'talking heads' of television and the ever-changing array of film stars' faces have reduced the face to a banal image, while the dream of early film theorists that the 'giant severed heads' of the screen could reveal 'the soul of man' to the masses is long since dead. And yet the end of this dream opens up the possibility for a different view of the face on the screen. The aim of the book is to seize this opportunity to rethink the facial close-up in terms other than subjectivity and identity by shifting the focus to questions of death and recognition. In doing so, the book proposes a dialectical reversal or about-face. It suggests that we focus our attention on the places in contemporary media where the face becomes unrecognisable, for it is here that the facial close-up expresses the powers of death. Using Walter Benjamin's theory of the dialectical image as a critical tool, the book provides detailed studies of a wide range of media spectacles of faces becoming unrecognisable. It shows how the mode of recognition enabled by these faces is a shock experience that can open our eyes to the underside of the mask of self - the unrecognisable mortal face of self we spend our lives trying not to see. Turning on itself, so to speak, the face exposes the fragile relationship between social recognition and facial recognizability in the images-cultures of contemporary media.

Kreeft ponders the meaning of a terminal illness we all have: death. The three vital questions of Life, Death, and God are approached through a variety of human experiences. Kreeft's book is a statement of the Christian vision: the meaning of our existence, and of death, is the fulfillment of our deepest desire for the infinite joy and love of God. --From publisher's description.

**THE MILLION COPY BESTSELLER** 'Rattling. Heartbreaking. Beautiful,' Atul Gawande, bestselling author of Being Mortal What makes life worth living in the face of death? At the age of thirty-six, on the verge of completing a decade's training as a neurosurgeon, Paul Kalanithi was diagnosed with inoperable lung cancer. One day he was a doctor treating the dying, the next he was a patient struggling to live. When Breath Becomes Air chronicles Kalanithi's transformation from a medical student asking what makes a virtuous and meaningful life into a neurosurgeon working in the core of human identity - the brain - and finally into a patient and a new father. Paul Kalanithi died while working on this profoundly moving book, yet his words live on as a guide to us all. When Breath Becomes Air is a life-affirming reflection on facing our mortality and on the relationship between doctor and patient, from a gifted writer who became both. 'A vital book about dying. Awe-inspiring and exquisite. Obligatory reading for the living' Nigella Lawson