A historically significant major work containing over 140 songs from 44 countries (417 pages!) in their original languages with singable English translations. Arranged for voice and piano with guitar chords. Historical photos and anecdotal commentary are included.

A historically significant major work containing over 140 songs from 44 countries (417 pages!) in their original languages with singable English translations. Arranged for voice and piano with guitar chords. Historical photos and anecdotal commentary are included.

Songs of the Finnish Migration presents music and lyrics for more than eighty Finnish-language immigrant songs, alongside singable English translations and detailed notes on migration history and music in the New World. These songs provide a vivid and imaginative portrayal of momentous migration that forever changed Finnish and Finnish American society.

Talkin' 'Bout A Revolution Is The Most Comprehensive Guide Yet to the fascinating relationship between American music, culture, and politics. Music expert Dick Weissman dares to take on this massive topic and presents it with ease. From the early days of the U. S. to the twenty-first century, Weissman draws upon and explains a vast amount of music, including songs by and about Native Americans, African Americans, women, and Latinos and spanning pop, punk, folk, "music of hate," music of war, and beyond. Unprecedented in its approach, this book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events.

New perspectives on Anglo-Jewish history via the poetry and song of Yiddish-speaking immigrants in London from 1884 to 1914. Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular texts came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores how themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution; and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noiseoffers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.

On June 2, 1916, forty mostly immigrant mineworkers at the St. James Mine in Aurora, Minnesota, walked off the job. This seemingly small labor disturbance would mushroom into one of the region’s, if not the nation’s, most contentious and significant battles between organized labor and management in the early twentieth century. Flames of Discontent tells the story of this pivotal moment and what it meant for workers and immigrants, mining and labor relations in Minnesota and beyond. Drawing on previously untapped accounts from immigrant press newspapers, company letters, personal journals, and oral histories, historian Gary Kaunonen gives voice to the strike’s organizers and working-class participants. In depth and in dramatic detail, his book describes the events leading up to the strike, and the violence that made it one of the most contentious in Minnesota history. Against the background of the physical and cultural landscape of Minnesota’s Iron Range, Kaunonen’s history brings the lives of working-class Finnish immigrants into sharp relief, documenting the conditions and circumstances behind the emergence of leftist politics and union organization in their ranks. At the same time, it shows how the region’s South Slavic immigrants went from “scabs” during a 1907 strike to full-fledged striking members of the labor revolt of 1916. A look at the media of the time reveals how the three main contenders for working-class allegiances—mine owners, Progressive reformers, and a revolutionary union—communicated with their mostly immigrant audience. Meanwhile, documents from mining company officials provide a strong argument for corruption reaching as far as the state’s then governor, Joseph A. A. Burnquist, whose strike-busting was undertaken in the interests of billion dollar corporations. Ultimately, anti-syndicalist laws were put in place to thwart the growing influence of organizations that sought to represent immigrant workers. Flames of Discontent raises the voices of those workers, and of history, against an injustice that reverberates to this day.

Publisher Description

“Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star Few people in recent memory have dedicated themselves as devotedly to the story of twentieth- century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life through the songs and stories of eight of the twentieth century’s most treasured American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim. Hardly confi ning himself to celebrating what makes these catchy melodies so unforgettable, Kapilow delves deeply into how issues of race, immigration, sexuality, and appropriation intertwine in masterpieces like Show Boat and West Side Story. A book not just about musical theater but about America itself, Listening for America is equally for the devotee, the singer, the music student, or for anyone intrigued by how popular music has shaped the larger culture, and promises to be the ideal gift book for years to come.

The life and times of Moony Shapiro, a songwriter who survived 69 years of whatever the 20th century might throw at him. This fictitious songwriter and his music provide an ideal spoof of musical revues.