“Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star Few people in recent memory have dedicated themselves as devotedly to the story of twentieth- century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life through the songs and stories of eight of the twentieth century’s most treasured American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim. Hardly confi ning himself to celebrating what makes these catchy melodies so unforgettable, Kapilow delves deeply into how issues of race, immigration, sexuality, and appropriation intertwine in masterpieces like Show Boat and West Side Story. A book not just about musical theater but about America itself, Listening for America is equally for the devotee, the singer, the music student, or for anyone intrigued by how popular music has shaped the larger culture, and promises to be the ideal gift book for years to come.

Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.

This book provides a unique chronicle and analysis of the work of Richard Maltby, Jr. and David Shire, an extraordinary Broadway songwriting team whose work is revered by musical theater aficionados. Anyone interested in Broadway musicals will enjoy this book, which covers other well-known figures who feature prominently in the Maltby/Shire story, including Stephen Sondheim, Harold Prince, Francis Ford Coppola, Craig Lucas, Mike Ockrent, Susan Stroman, Garth Drabinsky, and Jonathan Tunick. The book includes enlightening, entertaining interviews with the subjects as well as illuminating analyses of some of Maltby and Shire's greatest songs.

Harold Arlen's songs like "Over the Rainbow" and "Stormy Weather" form a crucial part of the American soundscape of the twentieth century. From their origins at the Cotton Club of Harlem, the Broadway stage, and Hollywood film studios, they capture an extraordinary range of emotions and styles. Harold Arlen and His Songs is the first book to look at Arlen's music across his long career and through his collaborations with the top lyric writers of his time, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin. The book also discusses Arlen's activities as a singer of his music, as well as the performances of vocalists with a strong affinity for it, like Ethel Waters, Judy Garland, Ella Fitzgerald, and Barbra Streisand.

When people imagine 1920s Chicago, they usually (and justifiably) think of Al Capone, speakeasies, gang wars, flappers and flivvers. Yet this narrative overlooks the crucial role the Windy City played in the modernization of America. The city's incredible ethnic variety and massive building boom gave it unparalleled creative space, as design trends from Art Deco skyscrapers to streamlined household appliances reflected Chicago's unmistakable style. The emergence of mass media in the 1920s helped make professional sports a national obsession, even as Chicago radio stations were inventing the sitcom and the soap opera. Join Joseph Gustaitis as he chases the beat of America's Jazz Age back to its jazz capital.

(Piano/Vocal/Guitar Songbook). From Gershwin and Rodgers & Hammerstein to Stephen Schwartz & Stephen Sondheim, 100 timeless hits from the Great White Way are showcased in this book of classics in arrangements for piano, voice and guitar. Songs include: And All That Jazz * Beauty and the Beast * Can't Take My Eyes off of You * Don't Rain on My Parade * Edelweiss * Footloose * I Whistle a Happy Tune * If I Only Had a Brain * The Impossible Dream (The Quest) * Luck Be a Lady * Maria * New York, New York * One * Popular * Puttin' on the Ritz * Seasons of Love * Send in the Clowns * Seventy Six Trombones * Singin' in the Rain * Someone to Watch over Me * Sunrise, Sunset * The Surrey with the Fringe on Top * This Is the Moment * Tomorrow * Whatever Lola Wants (Lola Gets) * You're the Top * and more.

Rob Kapilow has been helping audiences hear more in great music for almost twenty years with his What Makes It Great? series on NPR, at Lincoln Center, and in concert halls throughout the US and Canada. In this book, he gives you a set of tools you can use when listening to any piece of music in order to hear its “plot”—its story told in notes. The musical examples are available free for download to help you hear the ideas presented. Whether you are an experienced concertgoer or a newcomer to classical music, the listening principles Kapilow shares will help you "get" music in an exciting, fresh new way. "Kapilow gets audiences in tune with classical music at a deeper and more immediate level than many of them thought possible." —Los Angeles Times "Rob Kapilow is awfully good at what he does. We need him." —The Boston Globe "A wonderful guy who brings music alive!" —Katie Couric "Rob Kapilow leaps into the void dividing music analysis from appreciation and fills it with exhilarating details and sensations." —The New York Times "You could practically see the light bulbs going on above people's heads. . . . The audience could decipher the music in a new, deeper way. It was the total opposite of passive listening." —The Philadelphia Inquirer

A fresh guide to classical music from the acclaimed creator of NPR's "What Makes It Great"™ Rob Kapilow has been helping audiences hear more in great music for two decades with his What Makes It Great? series on NPR's Performance Today, at Lincoln Center, and in concert halls throughout the US and Canada. In this book, he focuses on short masterpieces by major composers to help you understand the essence of each composer's genius and how each piece—which can be heard on the book's web site—transformed the musical language of its time. Kapilow's down-to-earth approach makes music history easy to grasp no matter what your musical background. Explores the musical styles and genius of great classical composers, including Vivaldi, Handel, J.S. Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Brahms, Chopin, Puccini, Wagner, Dvorak, Tchaikovsky, and Debussy Features an accompanying web site where you can see, hear, and download each short masterpiece and all of the book's musical examples Introduces you in depth to popular pieces from the classical repertoire, including "Spring" from the Four Seasons (Vivaldi), "Dove Sono" from The Marriage of Figaro (Mozart), the Prelude to Tristan and Isolde (Wagner), and "Trepak" from The Nutcracker Suite (Tchaikovsky) Written by acclaimed composer, conductor, and pianist Rob Kapilow: "You could practically see the light bulbs going on above people's heads" (The Philadelphia Inquirer); "Rob Kapilow is awfully good at what he does" (The Boston Globe); "A wonderful guy who brings music alive!" (Katie Couric) This book, along with the music on the companion web site, is an ideal starting point for anyone interested in classical music, whether first-time listener, experienced concertgoer or performing musician, offering an entree into the world of eighteen great composers and a collection of individual masterpieces spanning almost two hundred years.

From Irving Berlin to Cy Coleman, from “Alexander’s Ragtime Band” to “Big Spender,” from Tin Pan Alley to the MGM soundstages, the Golden Age of the American song embodied all that was cool, sexy, and sophisticated in popular culture. For four glittering decades, geniuses like Jerome Kern, George Gershwin, Cole Porter, and Harold Arlen ran their fingers over piano keys, enticing unforgettable melodies out of thin air. Critically acclaimed writer Wilfrid Sheed uncovered the legends, mingled with the greats, and gossiped with the insiders. Now he’s crafted a dazzling, authoritative history of the era that “tripled the world’s total supply of singable tunes.” It began when immigrants in New York’s Lower East Side heard black jazz and blues–and it surged into an artistic torrent nothing short of miraculous. Broke but eager, Izzy Baline transformed himself into Irving Berlin, married an heiress, and embarked on a string of hits from “Always” to “Cheek to Cheek.” Berlin’s spiritual godson George Gershwin, in his brief but incandescent career, straddled Tin Pan Alley and Carnegie Hall, charming everyone in his orbit. Possessed of a world-class ego, Gershwin was also generous, exciting, and utterly original. Half a century later, Gershwin love songs like “Someone to Watch Over Me,” “The Man I Love,” and “Love Is Here to Stay” are as tender and moving as ever. Sheed also illuminates the unique gifts of the great jazz songsters Hoagy Carmichael and Duke Ellington, conjuring up the circumstances of their creativity and bringing back the thrill of what it was like to hear “Georgia on My Mind” or “Mood Indigo” for the first time. The Golden Age of song sparked creative breakthroughs in both Broadway musicals and splashy Hollywood extravaganzas. Sheed vividly recounts how Cole Porter, Richard Rodgers, Jerome Kern, and Johnny Mercer spread the melodic wealth to stage and screen. Popular music was, writes Sheed, “far and away our greatest contribution to the world’s art supply in the so-called American Century.” Sheed hung out with some of the great artists while they were still writing–and better than anyone, he knows great music, its shimmer, bite, and exuberance. Sparkling with wit, insight, and the grace notes of wonderful songs, The House That George Built is a heartfelt, intensely personal portrait of an unforgettable era. A delightfully charming, funny, and most illuminating portrait of songwriters and the Golden Age of American Popular Song. Mr. Sheed’s carefully chosen depictions and anecdotes recapture that amazingly creative period, a moment in time in which I was so fortunate to be surrounded by all that magic.” –Margaret Whiting