A rare glimpse into North Korean propaganda—in parades, posters, murals, theater, and films

Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim—melodramas, big-budget action blockbusters, and youth films—the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities. Committed to approaching Korean cinema within its cultural contexts, the contributors analyze feature-length films and documentaries as well as industry structures and governmental policies in relation to transnational reception, marketing, modes of production, aesthetics, and other forms of popular culture. An interdisciplinary text, Seoul Searching provides an original contribution to film studies and expands the developing area of Korean studies.

North Korea’s human rights violations are unparalleled in the contemporary world. In Dying for Rights, Sandra Fahy provides the definitive account of the abuses committed by the North Korean state, domestically and internationally, from its founding to the present. Dying for Rights scrutinizes North Korea’s treatment of its own people as well as foreign nationals, how violations committed by the state spread into the international realm, and how North Korea uses its state media and presence at the United Nations. Fahy meticulously documents the extent of arbitrary detention, torture, executions, and the network of prison camps throughout the country. The book details systematic and widespread violations of freedom of speech and of movement, freedom from discrimination, and the rights to food and to life. Fahy weaves together public and private testimonies from North Koreans resettled abroad, as well as NGO reports, the stories and facts brought to light by the United Nations Commission of Inquiry into North Korea, and North Korea’s own state media, to share powerful personal narratives of human rights abuses. A compassionate yet objective investigation into the factors that sustain and perpetuate the flouting of basic rights, Dying for Rights reveals the profound culpability of the North Korean state in the systematic denial of human dignity.

This book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities.

Examines media treatment of power couples and celebrity relationships.

The legitimacy of the North Korean state is based solely on the leaders’ personal legitimacy, and is maintained by the indoctrination of people with leader symbols and the enactment of leadership cults in daily life. It can thus be dubbed a "leader state". The frequency of leader symbols and the richness and scale of leader-symbol-making in North Korea are simply unrivalled. Furthermore, the personality cults of North Korean leaders are central to people’s daily activity, critically affecting their minds and emotions. Both leader symbols and cult activities are profoundly entrenched in the institutions and daily life, and if separated and cancelled, the North Korean state would be transformed. This book analyses North Korea as a "leader state", focusing on two elements, leader symbols and cult activities. It argues that these elements have been, and continue to be, the backbone of North Korea, shaping North Korean culture. To reveal the "leader state" character, the book specifically examines North Korea’s leadership cults, its use of leader symbols in these cults, and the nature of the symbolism involved. How has the North Korean state developed the cult of the Kim Il Sung family? How does the state use leader symbols to perpetuate this cult? How has the state developed myths and rituals that sustain the cult in daily life? What leader images has state propaganda manufactured? How does the state’s manipulation of leader symbols affect the symbolism that is assigned to the leader’s actions? In answering these questions, this book sheds new light on the strength and resilience of the North Korean state, and shows how it has been able to survive even the most difficult economic period of the mid-1990s. Leader Symbols and Personality Cult in North Korea will be essential reading for students and scholars of North Korea, Korean politics, Asian politics, political sociology and visual politics.

In Kim Jong-un’s Strategy for Survival, David W. Shin contends that Kim Jong-un's consolidation of power at home and the leveraging of Beijing, Moscow, Seoul, and Washington, and others abroad show that he is not a madman and, like the two earlier Kims, has consistently been underestimated. Shin presents an alternative framework for Kim Jong-un’s behavior through his analysis of Kim's background and his development as the successor to his father, Kim Jong-il; the evolution of the totalitarian system Kim inherited from his grandfather, Kim Il-sung; and the security environment after Kim Jong-il’s death in 2011. This book is recommended for scholars and students of political science, Asian studies, international relations, and history.

Exiled Pilgrims contains thirty-two personal accounts by people who, as teenagers, went to rural China in 1964 and 1965. Barred from high school or college by political discrimination, the authors left the cities for the countryside in hopes of redeeming their “original sin” while making a difference in rural China with their hard work, only to find out that their idealism was futile in a mundane world and absurd time. Thus their pilgrimage to an illusory utopia turned into a painful search for truth and a tough struggle to liberate themselves against enormous odds. The book is the first and only collection of stories by members of a once marginalized and heretofore largely unheard-of group in contemporary China. "The stories of these young 'exiled pilgrims' bring the reader uplifting examples of the resilience of the human spirit. Their stories are heart-breaking, but the voice is never cynical, and hope is a constant. Exiled Pilgrims is a treasure." Carole Head, High Point University "The stories compiled here detail the daily life of a strange and fascinating period, always with emotion, often with humor, showing that one can speak about serious things without being dry. Reading this book is an excellent and pleasant way to understand the real China under Mao." Michel Bonnin, School for Advanced Studies in Social Sciences, Paris "These individualized accounts reflect the shining—and somewhat sad—lives of pre-Cultural Revolution zhiqing. In their stories, the authors not only record their personal experiences, but also provide insightful explanation for the origins, evolution, and impact of such phenomena as the implementation of the class line at schools and the utopian orientation among the Chinese youth in the early and mid-1960s. Together with the valuable photos and rare documents, stories in Exiled Pilgrims give us a fairly comprehensive portrayal of the collective journey of pre-Cultural Revolution zhiqing." Liu Xiaomeng, Chinese Academy of Social Sciences, Beijing

Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.

Text & Presentation, 2013 gathers some of the best work presented at the 2013 Comparative Drama Conference in Baltimore. Subjects ranging from Ancient Greece to 21st century America are covered with a variety of approaches and formats. Celebrated playwright Edward Albee's presentation is the lead piece, followed by 12 research papers, one review essay, and seven book reviews. This volume represents the latest research in the fields of comparative drama, performance, and dramatic textual analysis.