Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim—melodramas, big-budget action blockbusters, and youth films—the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities. Committed to approaching Korean cinema within its cultural contexts, the contributors analyze feature-length films and documentaries as well as industry structures and governmental policies in relation to transnational reception, marketing, modes of production, aesthetics, and other forms of popular culture. An interdisciplinary text, Seoul Searching provides an original contribution to film studies and expands the developing area of Korean studies.

Amos Lee and family were off on their first family holiday ever, to Seoul, South Korea! But everyone was caught up in their own thing: Dad kept checking his work emails. Mum and Grandma were chasing down K-pop stars. Whoopie only cared about growing long eyelashes. And Everest was set to win a Choco Pie eating contest. As for Amos, he just wanted to win the Instagram Prize for Popular Youth! But when Grandpa went missing, the family holiday became a living nightmare. Grandpa was lost in a city of TEN MILLION people—how were they going to find him?

"In 1981, a 31-year-old single Christian woman moves to Seoul, South Korea, to teach first grade in a foreign school. While teaching overseas has long been on her "life list," her adjustment to a new culture and language is overwhelming, but exciting and rewarding. Develop a love for Korea along with her. Her adventures include getting a master's degree in a foreign country, and in the sequel Re-Searching Seoul, writing English textbooks for Korean middle schools, and enjoying the 1988 Seoul Olympics. She is also intent on pursuing another "life list" goal-to become a mother, but finds it illegal. Does she have the fortitude necessary to take on the Korean government in a long, impossible, exhausting battle to build a family? Journey with her in both books (Seoul Searching and Re-Searching Seoul) through monthly newsletters and private diary entries as she not only adjusts to the culture around her but fights the Korean government to achieve her heart's desire-motherhood."--Back cover.

"Girl meets boy. Boy falls for girl. Girl discovers boy is a runaway K-pop idol in hiding." "Faced with the prospect of even more heartbreak and caught up in an international whirlwind that has a life of its own, Merri realizes that she must find a way to mend herself, gain control of her life, and pursue her dreams--her heart and soul depend on it."--Back cover

Seoul is a colossus both in its physical presence and the demand it places on any intellectual effort to understand it. How did it come to be? How can a city this immense work? Underlying its spectacle and incongruities is a city that might be described as ill at ease with its own past. The bitter rifts of Japanese colonization persist, as does the troubled aftermath of the Korean War and its divisions; the economic “Miracle on the Han” that followed is crosscut by memories of the violent dictatorship that drove it. In Seoul, author Ross King interrogates this contested history and its physical remnants, tacking between the city’s historiography and architecture, with attention to monuments, streets, and other urban spaces. The book’s structuring device is the dichotomy of erasure and memory as necessary preconditions for reinvention. King traces this phenomenon from the old dynasties to the Japanese regime and wartime destruction; he then follows the equally destructive reinvention of Korea under dictatorship to the brilliant city of the present with its extraordinary explosion of creativity and ideas—the post-1991 Hallyu, the Korean Wave. The final chapter returns to questions of forgetting and memory, but now as “conditions of possibility” for what would seem to underlie the present trajectory of this extraordinary city and culture. Seoul can be read, King suggests, in the context of the hybrid ideas that have characterized Korean cultural history. It may be their present eruption that accounts for the city of contradictions that confronts the contemporary observer and that most extraordinary of Korean phenomena: the rise of an alternative, virtual world, eclipsing both city and nation. Has the very idea of Korea been reinvented even as the weakly defined nation-state slips away?

It's not every day you get an inside peek at the world of a famous artist. So when bookseller Delhi Laine gets the opportunity to appraise the late Nate Erikson's library, she jumps at the chance, despite the mysterious circumstances surrounding the illustrator's death. But as she spends more time with the eccentric Erikson clan at the family compound in the Hamptons, Delhi can't help but wonder what really happened to the lost patriarch. When death visits the family once more and another Erikson is found murdered, dark secrets come to light. Left coping with a charmed family not quite as idyllic as she first believed, Delhi is determined to solve the murders once and for all. But digging up truths can get you dirty . . . and Delhi is about to discover just how far some will go to keep them buried.

The global consensus in academic, specialist and public realms is that North Korea is a problem: its nuclear ambitions pose a threat to international security, its levels of poverty indicate a humanitarian crisis and its political repression signals a failed state. This book examines the cultural dimensions of the international problem of North Korea through contemporary South Korean and Western popular imagination’s engagement with North Korea. Building on works by feminist-postcolonial thinkers, in particular Trinh Minh-ha, Rey Chow and Gayatri Spivak, it examines novels, films, photography and memoirs for how they engage with issues of security, human rights, humanitarianism and political agency from an intercultural perspective. By doing so the author challenges the key assumptions that underpin the prevailing realist and liberal approaches to North Korea. This research attends not only to alternative framings, narratives and images of North Korea but also to alternative modes of knowing, loving and responding and will be of interest to students of critical international relations, Korean studies, cultural studies and Asian studies.

In the process, this book focuses on the great complexity involved when deciding to enter a conflict; the almost universal circumvention of congressional authority; the ineffectualness of "pinprick" air strikes; and the essentially ad hoc nature of military deployment since the cold war."--BOOK JACKET.

This book examines the changes in politics, economics, society, and foreign policy in South Korea since 1980. Starting with a brief description of its history leading up to 1980, this book deals with South Korea's transition to democracy, the stunning economic development achieved since the 1960s, the 1997 financial crisis, and the economic reforms that followed and concludes with the North Korean nuclear crisis and foreign relations with regional powers. The theoretical framework of this book addresses how democratization affected all of these dimensions of South Korea. For instance, democratization allowed for the more frequent alternation of political elites from conservative to liberal and back to conservative. These elites initiated different policies for dealing with North Korea and held different views on South Korea's role in its alliance with the United States. Consequently, ideological divides in South Korean politics became more stark and the political process more combative.

South Korean cinema is a striking example of non-Western contemporary cinematic success. Thanks to the increasing numbers of moviegoers and domestic films produced, South Korea has become one of the world’s major film markets. In 2001, the South Korean film industry became the first in recent history to reclaim its domestic market from Hollywood and continues to maintain around a 50 percent market share today. High-quality South Korean films are increasingly entering global film markets and connecting with international audiences in commercial cinemas and art theatres, and at major international film festivals. Despite this growing recognition of the films themselves, Korean cinema’s rich heritage has not heretofore received significant scholarly attention in English-language publications. This groundbreaking collection of thirty-five essays by a wide range of academic specialists situates current scholarship on Korean cinema within the ongoing theoretical debates in contemporary global film studies. Chapters explore key films of Korean cinema, from Sweet Dream, Madame Freedom, The Housemaid, and The March of Fools to Oldboy, The Host, and Train to Busan, as well as major directors such as Shin Sang-ok, Kim Ki-young, Im Kwon-taek, Bong Joon-ho, Hong Sang-soo, Park Chan-wook, and Lee Chang-dong. While the chapters provide in-depth analyses of particular films, together they cohere into a detailed and multidimensional presentation of Korean cinema’s cumulative history and broader significance. With its historical and critical scope, abundance of new research, and detailed discussion of important individual films, Rediscovering Korean Cinema is at once an accessible classroom text and a deeply informative compendium for scholars of Korean and East Asian studies, cinema and media studies, and communications. It will also be an essential resource for film industry professionals and anyone interested in international cinema.