Age 3+. A small bear who hates the cold at the North Pole stows away on Santas annual journey until he gets to Hawaii, where the climate and the way of life seem like just what he wants.

Hawaii is without parallel as a crossroads where languages of East and West have met and interacted. The varieties of English (including neo-pidgin) heard in the Islands today attest to this linguistic and cultural encounter. "Da kine talk" is the Island term for the most popular of the colorful dialectal forms--speech that captures the flavor of Hawaii's multiracial community and reflects the successes (and failures) of immigrants from both East and West in learning to communicate in English.

How many place names are there in the Hawaiian Islands? Even a rough estimate is impossible. Hawaiians named taro patches, rocks, trees, canoe landings, resting places in the forests, and the tiniest spots where miraculous events are believed to have taken place. And place names are far from static--names are constantly being given to new houses and buildings, streets and towns, and old names are replaced by new ones. It is essential, then, to record the names and the lore associated with them now, while Hawaiians are here to lend us their knowledge. And, whatever the fate of the Hawaiian language, the place names will endure. The first edition of Place Names of Hawaii contained only 1,125 entries. The coverage is expanded in the present edition to include about 4,000 entries, including names in English. Also, approximately 800 more names are included in this volume than appear in the second edition of the Atlas of Hawaii.

As in many other traditional cultures, Hawaiian art, dance, music and poetry were highly integrated into every aspect of life, to a degree far beyond that of industrial society. The poetry at the core of the Hula is extremely sophisticated. Typically a Hula song has several dimensions: mythological aspects, cultural implications, an ecological setting, and in many cases, (although Emerson is reluctant to acknowledge this) frank erotic imagery. The extensive footnotes and background information allow us an unprecedented look into these deeper layers. While Emerson's translations are not great poetry, they do serve as a literal English guide to the amazing Hawaiian lyrics.

Baby Honu, a tiny sea turtle, helps a dolphin named Mama Nai'a find her lost keiki, and gains self-confidence in the process.

Humu - his Hawaiian name is Humuhumunukunukuapuaa - is a beautiful but shy fish who wishes he was all one color, like his two best friends. Unhappy with the way he looks, Humu swims far, far from home, and asks a wise, magical whale to take his colors away. He would rather be able to blend into the sand. But when Humu returns, his friends help him realize how beautiful his true appearance really is. Can Humu find the wise whale in time to get his colors back?

The setting for this story is Hawai'i also knows as "The Big Island." The villain is Mo'o, a mythical lizard found in Hawaiian folklore. He is magical and has the ability to change himself into different forms.

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Drawing on a number of case studies from around the world, this publication considers how the local knowledge and practices of indigenous fishing communities are being used in collaboration with scientists, government managers and non-governmental organisations to establish effective frameworks for sustainable fisheries science and management. It seeks to contribute towards achieving the goal of establishing international responsibility for the ethical collection, preservation, dissemination and application of fishers' knowledge.