This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

One of the great epics of Hawaiian mythology is the story of Pele, goddess of Hawai'i's volcanoes, and her youngest sister, Hi'iakaikapoliopele. Pele was driven out of her homeland after a quarrel with her older sister Namakaokaha'i, a sea goddess. She readied her great double-hulled voyaging canoe and left Kahiki, sailing to Hawai'i. She was accompanied by a number of relatives, including her youngest sister, Hi'iaka, the heroine of our story. None of the islands seemed to suit Pele until she reached Hawai'i, the largest island. In the upland region, Pele settled into the fiery lava pit of Kilauea, and our story begins there. While in a dream state, Pele followed the sounds of hula pahu drums and traveled to Kaua'i, meeting the handsome young chief, Lohi'au. Pele asked her youngest sister, Hi'iaka, to undertake a journey to fetch her new lover. Hi'iaka, with her companions, encountered many adventures on her journey; battling reptilian mo¿o, healing people in need, making new friends and traveling throughout the islands. This is a passionate story of love, healing, betrayal, and reconciliation, culminating in the reunion of parted lovers, lavishly illustrated by one of Hawai'i¿s most celebrated artists, Dietrich Varez.

This ancient saga begins with the goddess Pele's migration to Kīlauea and her spirit's search for a lover. The story then details the quest of Pele's younger sister, Hi'iakaikapoliopele, to find the handsome Lohi'auipo, and bring him back to their crater home. It is a very human account of love and lust, jealousy and justice, peopled with deities, demons, chiefs and commoners. This version by Ho'oulumāhie-hie ran from 1905 to 1906 as a daily series in the Hawaiian-language newspaper Ka Na'i Aupuni. It is the most extensive form of the story ever documented, offering a wealth of detail and insights about social and religious practices, poetry and hula, healing arts, and many other Hawaiian customs.

The first part of this book focuses on the legends of Hawaii and its volcanoes. The second part considers the geology of the region and discusses the crack in the floor of the Pacific, Hawaiian volcanoes, volcanic activity and the changes in the Kilauea crater. It also looks at the foundation of the observatory.

When the first Europeans arrived in the Hawaiian Islands in 1778, the volcano goddess Pele was the central deity of a complex religion in the volcano districts of Hawai'i Island. While native Hawaiians were quickly converted to Christianity, Pele remained remarkably relevant as a deity. This book is a critical biography of the volcano goddess, as well as a history of her religion. Topics covered include the ongoing belief in Pele, her popular manifestations, her ceremonies, her new cultural roles and her current status in Hawai'i.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Part of a new series called Hawaiian Legends for Little Ones, Hiiaka Battles the Wind introduces kids ages 2-5 to one of Hawaii's legends about Hiiaka, Pele's sister. In simple, poetic language, this origin story gives small kids a taste of Hawaii's rich history of storytelling. Three other titles in the series are: Hina, Pele Finds a Home, Maui Slows the Sun, Maui Hooks the Islands, and Naupaka--all legends that will give kids a wider view of Hawaiian culture, history, and its natural world.

Reproduction of the original.

Pele and Hiiaka: A Myth from Hawaii by Nathaniel Bright Emerson, first published in 1915, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Stories of the volcano goddess Pele and her youngest sister Hi'iaka, patron of hula, are most familiar as a form of literary colonialism--first translated by missionary descendants and others, then co-opted by Hollywood and the tourist industry. But far from quaint tales for amusement, the Pele and Hi'iaka literature published between the 1860s and 1930 carried coded political meaning for the Hawaiian people at a time of great upheaval. Voices of Fire recovers the lost and often-suppressed significance of this literature, restoring it to its primary place in Hawaiian culture. Ku'ualoha ho'omanawanui takes up mo'olelo (histories, stories, narratives), mele (poetry, songs), oli (chants), and hula (dances) as they were conveyed by dozens of authors over a tumultuous sixty-eight-year period characterized by population collapse, land alienation, economic exploitation, and military occupation. Her examination shows how the Pele and Hi'iaka legends acted as a framework for a Native sense of community. Freeing the mo'olelo and mele from colonial stereotypes and misappropriations, Voices of Fire establishes a literary mo'okū'auhau, or genealogy, that provides a view of the ancestral literature in its indigenous contexts. The first book-length analysis of Pele and Hi'iaka literature written by a Native Hawaiian scholar, Voices of Fire compellingly lays the groundwork for a larger conversation of Native American literary nationalism.