Kao’s feelings for Nagisa grow deeper at the culture festival. When Kiryu-kun sees Kao like that, he declares war on Kuze-kun! As the day of the match approaches, Nagisa also makes a resolution… Will a big change come to this heart-throbbing love triangle? And has a new rival for Kao made an entrance?! Both love and club activities are heating up!! Volume 6, where everybody is serious!

Asahi tells Kao about his true feelings. On the other hand, Nagisa, who’s become aware of his feelings for Kao, suddenly surprises Kao with a confession at the end of the tournament? And what about Asahi, who lost out…? Young love filled with sparkling moments, a full volume of emotions!

During a camping trip held to send off Shuugo's brother, Tougo, who finished his student teacher practicum, Shin makes the bold move to kiss Mizuho! Having decided not to keep his feelings under wraps any longer, Shin declares himself to be Kizuki's rival in love. How will Mizuho handle Shin's earnest advances when she never had an inkling he liked her that way before?!

Kao has no interests, no hobbies, and no friends ... so when she's pushed by her brother to become the manager for the boys' volleyball team, she reluctantly accepts. But her future as manager is contingent on roping in the equally reluctant Kuze-kun, who, despite his passion and talent, seems intent on leaving volleyball behind ...

During summer vacation, Kao is touched for the first time by Kuze-kun at their part-time cafe job. The two become closer and closer, but when summer’s over, there’s more happiness to come!! The school festival and club activities take place during the second semester… and Kuze-kun wants to do his best to…? Watching the two of them, it seems as if Kiryu-kun also goes into serious mode?!

A collection of essays extended from The New York Times' most-read article of 2016. Anyone we might marry could, of course, be a little bit wrong for us. We don’t expect bliss every day. The fault isn’t entirely our own; it has to do with the devilish truth that anyone we’re liable to meet is going to be rather wrong, in some fascinating way or another, because this is simply what all humans happen to be – including, sadly, ourselves. This collection of essays proposes that we don’t need perfection to be happy. So long as we enter our relationships in the right spirit, we have every chance of coping well enough with, and even delighting in, the inevitable and distinctive wrongness that lies in ourselves and our beloveds.

Sprouted Kitchen food blogger Sara Forte showcases 100 tempting recipes that take advantage of fresh produce, whole grains, lean proteins, and natural sweeteners—with vivid flavors and seasonal simplicity at the forefront. Sara Forte is a food-loving, wellness-craving veggie enthusiast who relishes sharing a wholesome meal with friends and family. The Sprouted Kitchen features 100 of her most mouthwatering recipes. Richly illustrated by her photographer husband, Hugh Forte, this bright, vivid book celebrates the simple beauty of seasonal foods with original recipes—plus a few favorites from her popular Sprouted Kitchen food blog tossed in for good measure. The collection features tasty snacks on the go like Granola Protein Bars, gluten-free brunch options like Cornmeal Cakes with Cherry Compote, dinner party dishes like Seared Scallops on Black Quinoa with Pomegranate Gastrique, “meaty” vegetarian meals like Beer Bean– and Cotija-Stuffed Poblanos, and sweet treats like Cocoa Hazelnut Cupcakes. From breakfast to dinner, snack time to happy hour, The Sprouted Kitchen will help you sneak a bit of delicious indulgence in among the vegetables.

“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).

Where intervention programs such as D.A.R.E. and "Scared Straight" have failed to adequately address the problems of at-risk teenagers, inexpensive and easily-implemented after school theatre programs may offer promising new possibilities. This book suggests that low-cost, non-coercive theatre programs can demonstrably lower the incidence of youth violence, drug use, teen pregnancy, truancy, and gang membership. The author considers the problems facing today's teenagers, discusses the history of using theatre for social change in the United States and Britain, and takes an in-depth look at three U.S. theatre programs. An appendix provides an alphabetical directory of 106 after school theatre programs in the U.S., including contact information and a brief description of each program.

This is a reproducible intermediate level ESL reader for high school and adult students. The book features sixteen original, illustrated stories set in cultural and geographical contexts from around the world. This revised and enlarged edition builds on the very features that made students, teachers and reviewers so enthusiastic about the first edition. It provides carefully designed activities in purposeful, confident reading for teenaged and adult readers at an intermediate level. Includes: Full support for thoughtful and contextualised intensive reading: jigsaw reading/discussion materials as advance organisers before each set of four stories; extension activities and non-fiction readings to follow up; forty-eight attractive illustrations. Development of inter-textual reading skills, through repeated opportunities to compare and contrast a number of fiction and non-fiction passages on related personal and cultural themes. Central focus on narrative, a familiar genre through which intermediate readers can most readily approach quite challenging tasks... leading toward additional non-fiction readings for expanded critical skills and confidence. Wide range of integrated activities, from vocabulary study and sentence-building all the way up to interpretation, personal response, and out-of-class application; and including a large number of tables, charts, puzzles and discussion questions. Full, clear instructions on all questions and exercises, and an extensive answer key. Informative introduction with practical advice on how the text works, and on how to adapt the materials to the needs of particular groups.