A propulsive and daring new novel by the author of Very Nice about a woman on the run from catastrophe, searching for love, home, a swimming pool, and for someone who can perhaps stop the bleeding from her head. "Marcy Dermansky is one of the most wildly original writers that I've ever read, and Hurricane Girl showcases what makes her so amazing. In tracking the unpredictable movements of a strange and hypnotic journey in the aftermath of a natural disaster, Dermansky nails the sensation of being alive, of navigating a world so strange that it’s almost a dream, of trying, again and again, to anchor yourself to a moment, to assure yourself that you exist, to withstand anything and somehow keep living." —Kevin Wilson, New York Times bestselling author of Nothing to See Here Allison Brody is thirty-two and newly arrived on the East Coast after just managing to flee her movie producer boyfriend. She has some money, saved up from years of writing and waitressing, and so she spends it, buying a small house on the beach. But then a Category 3 hurricane makes landfall and scatters her home up and down the shore, leaving Allison adrift. Should she go home from the bar with the strange cameraman and stay in his guest room? Is that a glass vase he smashed on her skull? Can she wipe the blood from her eyes, get in her car, and drive to her mother’s? Does she really love the brain surgeon who saved her, or is she just using him for his swimming pool? And is it possible to ever truly heal without seeking some measure of revenge? A gripping, provocative novel that walks a knife’s edge between comedy and horror, Hurricane Girl is the work of a singular talent, a novelist unafraid to explore the intersection of love, sex, violence, and freedom—while celebrating the true joy that can be found in a great swim and a good turkey sandwich.

★ "The girls’ slowly deepening understanding of themselves gives this book its heart. Like their rebuilt city, this friendship cannot reconstitute as an exact replica of what they had before…. [an] appealing and sensitive novel." —The Horn Book, starred review A coming-of-age middle grade novel about three best friends born in the wake of Hurricane Katrina who must confront storms of their own 12 years later, from a National Book Award winning author. Born in the wake of Hurricane Katrina, Greer, Joya Mia, and Kiki are seventh graders and the best of friends. After an accident leaves Greer's little sister paralyzed, Greer is forever changed by the experience and blames herself. Kiki and Joya Mia will do anything to help Greer let go of this emotional burden, and a plan is hatched to compete in a triathlon. Each girl will participate: Kiki will swim, Joya Mia will cycle, and Greer, if they can persuade her, will run—something she once loved to do. Set on the Westbank of New Orleans, this contemporary coming-of-age novel is a journey of growth, healing, and difficult transitions as the girls navigate their many life challenges: family trauma, body insecurity, and the conflict between ambition and responsibility. It's a powerful and enlightening exploration of how to surmount personal tragedy through friendship and forgiveness. "A tender and triumphant story about friendship and family, in a proud and resilient city."―Deborah Wiles, author of the National Book Award finalists Each Little Bird That Sings and Revolution

Celebrating the lives of the magnificent women, the ATA girls, who courageously flew Spitfires, Tiger Moths, Lancaster Bombers and many other aircraft during World War Two. These extraordinary women, Mary Ellis, Jackie Moggridge and Pauline Gower are just a few of the remarkable stories inside . . . Since the invention of aeroplanes, women have taken to the skies. They have broken records, performed daredevil stunts and faced such sexism and prejudice that they were effectively barred from working as pilots. That changed in the Second World War. Led by firebrand Pauline Gower, an elite group of British women were selected as ferry pilots to fly for the Air Transport Auxiliary. They risked their lives flying munitions and equipment for the boys on the front line. Flying day and night without radio; dodging storms, barrage balloons and anti-aircraft fire; and with only a map, compass and their eyesight to guide them, they navigated the treacherous wartime skies. ____________ The Hurricane Girls is the thrilling, moving and inspirational story of the female air force who once ruled our skies.

At the heart of some of the most beloved children’s novels is a passionate discussion about discipline, love, and the changing role of girls in the twentieth century. Joe Sutliff Sanders traces this debate as it began in the sentimental tales of the mid-nineteenth century and continued in the classic orphan girl novels of Louisa May Alcott, Frances Hodgson Burnett, L. M. Montgomery, and other writers still popular today. Domestic novels published between 1850 and 1880 argued that a discipline that emphasized love was the most effective and moral form. These were the first best sellers in American fiction, and by reimagining discipline as a technique of the heart—rather than of the whip—they ensured their protagonists a secure, if limited, claim on power. This same ideal was adapted by women authors in the early twentieth century, who transformed the sentimental motifs of domestic novels into the orphan girl story made popular in such novels as Anne of Green Gables and Pollyanna. Through close readings of nine of the most influential orphan girl novels, Sanders provides a seamless historical narrative of American children’s literature and gender from 1850 until 1923. He follows his insightful literary analysis with chapters on sympathy and motherhood, two themes central to both American and children’s literature, and concludes with a discussion of contemporary ideas about discipline, abuse, and gender. Disciplining Girls writes an important chapter in the history of American, women’s, and children’s literature, enriching previous work about the history of discipline in America.

Disasters happen! These are the stories of love and loss. Many victims died in disasters. These are the stories of how survivors lived to strike back. Survivors were trapped, but then set free when they were rescued!

An Encyclopedic Dictionary of Women in Early American Films: 1895-1930 is an A-to-Z reference guide (illustrated with over 150 hard-to-find photographs!) that dispels the myth that men dominated the film industry during its formative years. Denise Lowe, author of Women and American Television: An Encyclopedia, presents a rich collection that profiles many of the women who were crucial to the development of cinema as an industryand as an art form. Whether working behind the scenes as producers or publicists, behind the cameras as writers, directors, or editors, or in front of the lens as flappers, vamps, or serial queens, hundreds of women made profound and lasting contributions to the evolution of the motion picture production.