Quebrado has been traded from pirate ship to ship in the Caribbean Sea for as long as he can remember. The sailors he toils under call him el quebrado-half islander, half outsider, a broken one. Now the pirate captain Bernardino de Talavera uses Quebrado as a translator to help navigate the worlds and words between his mother's Taíno Indian language and his father's Spanish. But when a hurricane sinks the ship and most of its crew, it is Quebrado who escapes to safety. He learns how to live on land again, among people who treat him well. And it is he who must decide the fate of his former captors. Latino interest.

For a brief but brilliant season beginning in the late 1960s, American Indians seized national attention in a series of radical acts of resistance. Like a Hurricane is a gripping account of the dramatic, breathtaking events of this tumultuous period. Drawing on a wealth of archival materials, interviews, and the authors' own experiences of these events, Like a Hurricane offers a rare, unflinchingly honest assessment of the period's successes and failures.

Cuba has fought three wars for independence, and still she is not free. This history in verse creates a lyrical portrait of Cuba.

"This is an excellent examination of the ways wealth, gender, and color can shape and at times create mental and emotional fractures. Verdict: A great title for public and high school libraries looking for books that offer a nuanced look at patriarchy, wealth, and gender dynamics." —School Library Journal (starred review) "Bromfield may have made a name for herself for her role on Riverdale, but with this debut, about a volatile father-daughter relationship and discovering the ugly truths hidden beneath even the most beautiful facades, she is establishing herself as a promising writer...this is a must." —Booklist (starred review) In this sweeping debut, Asha Bromfield takes readers to the heart of Jamaica, and into the soul of a girl coming to terms with her family, and herself, set against the backdrop of a hurricane. Tilla has spent her entire life trying to make her father love her. But every six months, he leaves their family and returns to his true home: the island of Jamaica. When Tilla’s mother tells her she’ll be spending the summer on the island, Tilla dreads the idea of seeing him again, but longs to discover what life in Jamaica has always held for him. In an unexpected turn of events, Tilla is forced to face the storm that unravels in her own life as she learns about the dark secrets that lie beyond the veil of paradise—all in the midst of an impending hurricane. Hurricane Summer is a powerful coming of age story that deals with colorism, classism, young love, the father-daughter dynamic—and what it means to discover your own voice in the center of complete destruction.

One moment the sun is shining on the slopes of El Yunque, the largest mountain in eastern Puerto Rico. The next, everything has changed. The sky has turned deep purple, and you feel as if the air has been sucked from your lungs. That can mean only one thing: A hurricane is coming!

When Tony's mother is sent to jail, he is sent to stay with a great uncle he has never met in Sierra Nevada. It is a daunting move—Tony's new world bears no semblance to his previous one. But slowly, against a remote and remarkable backdrop, the scars from Tony's troubled past begin to heal. With his Tió and a search-and-rescue dog named Gabe by his side, he learns how to track wild animals, is welcomed to the Cowboy Church, and makes new friends at the Mountain School. Most importantly though, it is through Gabe that Tony discovers unconditional love for the first time, in Mountain Dog by Margarita Engle. A Kirkus Reviews Best Book of 2013

She could remember standing in a park near the falls, hypnotized by the sight and sound, and holding her father’s hand as they took a walk that would lead them closer. That’s what everyone wonders when they see Niagara . . . How close will their courage let them get to it? At the turn of the nineteenth century, a retired sixty-two-year-old charm school instructor named Annie Edson Taylor, seeking fame and fortune, decided to do something that no one in the world had ever done before—she would go over Niagara Falls in a wooden barrel. Come meet the Queen of the Falls and witness with your own eyes her daring ride!

In early 1940s Los Angeles, Mexican Americans Marisela and Lorena work in canneries all day then jitterbug with sailors all night with their zoot suit wearing younger brother Ray, as escort until the night racial violence leads to murder. Told in verse format.

ThereÕs no denying it, media culture has ushered in a new era of visibility for gays in America. Yet somehow the gay Latino doesnÕt fit into this sound-bite identity and usually isnÕt included in national media images. Rane Arroyo offers a corrective. Known primarily as a poet and playwright representing the gay Latino community, Arroyo has also been publishing prose throughout his career and now gathers into this book a storm of writing that has been gaining strength, drop by drop, for more than ten years. How to Name a Hurricane collects short stories and other fictions depicting Latino drag queens and leather men, religious sinners and happy atheists, working class heroes and cyberspace vaquerosÑa parade of characters that invites readers to consider whether one is more authentic a gay Latino than another. Whereas actual hurricanes are given names, the gays given voice in this collection must name themselvesÑand these narratives in turn reveal something of the "I" of Hurricane Rane. Whether portraying a family gathering as Brideshead Revisited with a mambo soundtrack, recounting the relationship of transvestite Louie/Lois and her bisexual Superman, or bemoaning "feeling as unsexy as an old bean burrito in a 7-11 microwave," Arroyo tracks the heartbeat of his characters through a shimmering palette of styles. Here are monologues, a story in verse, and other experimental forms appropriate to experimental livesÑall affirming the basic human rights to dignity, equality, love, and even silliness. When the AIDS epidemic first hit, many Latino families destroyed any remembrances of their gay and bisexual sons that might betray their pasts to la familia or el pueblo. ArroyoÕs writings return the ghosts of those sons to the families, bars, dance clubs, and neighborhoods where they belong. By penetrating to the IÕs of narrative hurricanes, these stories honor the survivors of our ongoing cultural storms.

The first book of poetry by Kayla Rodney focuses on her experiences with New Orleans, tragedy, and hurricanes, especially Katrina.