Howard Frank Mosher has spent the greater part of his career depicting a relatively isolated section of Vermont known as the Northeast Kingdom. Yet, even as he writes about that particular area in the Green Mountain State, he is investigating age-old themes from among the best English and American literary works. His first novel, Disappearances (1977), signaled the arrival of a master craftsman harkening us back to Melville's Billy Budd and Moby-Dick, in terms of humankind's struggle against an ever present evil. A full 33 years after the publication of his first novel, the Vermont author, in Walking to Gatlinburg (2010), examined the polarity between cowardice and honor. In the intervening years, between Disappearances and Gatlinburg, Mosher explored crucial matters such as the disappearing wilderness, industrialization, black male/white female encounters, the necessity of humor, the quest for salvation, and the immortality of romantic love, all issues that he delved into as he staked out a unique terrain within the pantheon of Bunyan, Shakespeare, Dreiser, Twain, Faulkner, Steinbeck, Harper Lee, and others.

A New York Times Notable Book: A novel about growing up in a remote corner of Vermont, from the author Richard Russo calls “one of our very best writers.” When six-year-old Austen Kittredge was sent up north to live on his grandparents’ farm in 1948, he didn’t know that he would spend the next twelve years of his life there—or that his remarkable stay would never leave him, no matter how far he traveled. The farm in Lost Nation Hollow would become a magical place for Austen, full of eccentric people—like his stubborn but loving grandparents, whose marriage was known as the Forty Years War—wild adventures, and festering family secrets. An enchanting, startling coming-of-age novel, Northern Borders evokes a world of county fairs, heirloom quilts, and timber forests, in “a touching and unforgettable portrait of a people and time that are past” (Fannie Flagg, The New York Times Book Review). “A contemporary classic . . . A complex, yet idyllic, story of childhood in Vermont.” —Los Angeles Times

This novel of murder and its aftermath in a small Vermont town in the 1950s is “reminiscent of To Kill a Mockingbird . . . Absorbing” (The New York Times). In Kingdom County, Vermont, the town’s new Presbyterian minister is a black man, an unsettling fact for some of the locals. When a French-Canadian woman takes refuge in his parsonage—and is subsequently murdered—suspicion immediately falls on the clergyman. While his thirteen-year-old son struggles in the shadow of the town’s accusations, and his older son, a lawyer, fights to defend him, a father finds himself on trial more for who he is than for what he might have done. “Set in northern Vermont in 1952, Mosher’s tale of racism and murder is powerful, viscerally affecting and totally contemporary in its exposure of deep-seated prejudice and intolerance . . . [A] big, old-fashioned novel.” —Publishers Weekly “A real mystery in the best and truest sense.”—Lee Smith, The New York Times Book Review A Winner of the New England Book Award

"Orignially published in 1978 by The Viking Press"--Copyright page.

On the eighth birthday of Ethan "E.A". Allen, who lives with his mother and Gran in a Vermont town decades behind the rest of New England, a drifter named Teddy comes into their world, teaching E.A. how to play ball and the secrets of baseball.

Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

In celebration of his first half century of life, Mosher set off on a journey, following America's northern border from coast to coast, to discover a harsh and beautiful region populated by some of the continent's most self-sufficient, independent-minded men and women.

This marvelous collection features stories from some of America’s finest and most respected writers about one of the world’s most solitary and satisfying sports: fly fishing. For the first time, the stories of thirty-one acclaimed writers including Kim Barnes, Walter Bennett, Russell Chatham, Guy de la Valdène, Robert DeMott, Chris Dombrowski, Ron Ellis, Jim Fergus, Kate Fox, Charles Gaines, Bruce Guernsey, Jim Harrison, Pam Houston, Michael Keaton, Greg Keeler, Sydney Lea, Ted Leeson, Nick Lyons, Craig Mathews, Thomas McGuane, Joseph Monninger, Howard Frank Mosher, Jake Mosher, Craig Nova, Margot Page, Datus Proper, Le Anne Schreiber, Paul Schullery, W. D. Wetherell, and Robert Wrigley come together in one collection. Fly fishers and non-fly fishers alike will recognize in these poignant tales the universal aspects of the appreciation of nature, the necessity of conservation, and the joy and knowledge that come from time spent on fresh and salt water. This is a delightful, handsome volume that captures the allure and spirit of fly fishing and those that love it.

Winner of the New England Book Award. In this coming-of-age story, Wild Bill Bonhomme, and his larger-than-life father, Quebec Bill, encounter a cast of wild characters--and live out magical escapades as they carve their way into legend with their whiskey-smuggling exploits along the Vermont-Canada border in 1932.

Called the best essayist of his time by luminaries like Philip Roth, John Updike, and Edward Abbey, Edward Hoagland brings readers his ultimate collection. In Sex and the River Styx, the author's sharp eye and intense curiosity shine through in essays that span his childhood exploring the woods in his rural Connecticut, his days as a circus worker, and his travels the world over in his later years. Here, we meet Hoagland at his best: traveling to Kampala, Uganda, to meet a family he'd been helping support only to find a divide far greater than he could have ever imagined; reflecting on aging, love, and sex in a deeply personal, often surprising way; and bringing us the wonder of wild places, alongside the disparity of losing them, and always with a twist that brings the genre of nature writing to vastly new heights. His keen dissection of social realities and the human spirit will both startle and lure readers as they meet African matriarchs, Tibetan yak herders, circus aerialists, and the strippers who entertained college boys in 1950s Boston. Says Howard Frank Mosher in his foreword, the self-described rhapsodist "could fairly be considered our last, great transcendentalist."