Introduction by Terry Tempest Williams Afterword by T. H. Watkins Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

Literary agent Joe Allston, the central character of Stegner's novel All the Little Live Things, is now retired and, in his own words, 'just killing time until time gets around to killing me.' His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. A postcard from an old friend causes Allston to return to the journals of a trip he and his wife had taken years before, a journey to his mother's birthplace, where he'd sought a link with the past. The memories of that trip, both grotesque and poignant, move through layers of time and meaning, and reveal that Joe Allston isn't quite spectator enough. Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); The Big Rock Candy Mountain (1943); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); Angle of Repose (1971, Pulitzer Prize); Recapitulation (1979); Crossing to Safety (1987); and Collected Stories (1990). His nonfiction includes Beyond the Hundredth Meridian (1954); Wolf Willow (1963); The Sound of Mountain Water (essays, 1969); The Uneasy Chair: A Biography of Bernard deVoto (1964); American Places (with Page Stegner, 1981); and Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992). Three short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch Award from the Los Angeles Times for his lifetime literary achievements.

Stegner’s Pulitzer Prize-winning novel of personal, historical, and geographic discovery Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family. "Cause for celebration . . . A superb novel with an amplitude of scale and richness of detail altogether uncommon in contemporary fiction." —The Atlantic Monthly "Brilliant . . . Two stories, past and present, merge to produce what important fiction must: a sense of the enchantment of life." —Los Angeles Times This Penguin Classics edition features an introduction by Jackson J. Benson. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Joe Allston, the retired literary agent of Stegner's National Book Award-winning novel, The Spectator Bird, returns in this disquieting and keenly observed novel. Scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s, Allston and his wife, Ruth, have left the coast for a California retreat. And although their new home looks like Eden, it also has serpents: Jim Peck, a messianic exponent of drugs, yoga, and sex; and Marian Catlin, an attractive young woman whose otherworldly innocence is far more appealing—and far more dangerous.

A classic novel from the Pulitzer Prize-winning author of Angle of Repose and Crossing to Safety. Here is the incredible, moving sequel to the bestselling Big Rock Candy Mountain by the "dean of Western writers" (The New York Times). Bruce Mason returns to Salt Lake City not for his aunt’s funeral, but to encounter the place he fled in bitterness forty-five years ago. A successful statesman and diplomat, Mason had buried his awkward childhood and sealed himself off from the thrills and torments of adolescence to become a figure who commanded international respect. Both the realities of the present recede in the face of ghosts of his past. As he makes the perfunctory arrangements for the funeral, we enter with him on an intensely personal and painful inner pilgrimage: we meet the father who darkened his childhood , the mother whose support was both redeeming and embarrassing, the friend who drew him into the respectable world of which he so craved to be a part, and the woman he nearly married. In this profound book, the sequel to the bestselling The Big Rock Candy Mountain, Wallace Stegner has drawn an intimate portrait of a man understanding how his life has been shaped by experiences seemingly remote and inconsequential.

At fifteen, Iris is a hobo of sorts—no home, no family, no plan. Her mother died when she was six, and her selfish father hires her out as a companion to a country doctor’s elderly mother. Iris, stuck in the middle of 1920s rural Missouri, discovers that "hobo" is short for "homeward bound," and cultivates an eccentric cast of folks into family, creating the home she never had. But when she learns that a neighboring tenant farmer may have had more than his hands on his pregnant daughter, Iris must intervene to save the girl and her unborn baby. The many facets of what makes a family are illuminated with warmth and charm in this beautifully crafted tale.

Describes the rules for staying safe near roads, presenting what not to do as well as what the correct behavior is, such as "never cross by parked cars" and "always cross at a crosswalk."

A book of timeless importance about the American West by a National Book Award– and Pulitzer Prize–winning author. The essays collected in this volume encompass memoir, nature conservation, history, geography, and literature. Delving into the post-World War II boom that brought the Rocky Mountain West—from Montana and Idaho to Utah and Nevada—into the modern age, Stegner's essays explore the essence of the American soul. Writtten over a period of thirty-five years by a writer and thinker who will always hold a unique position in modern American letters, The Sound of Mountain Water is a modern American classic.

Bo Mason, his wife, Elsa, and their two boys live a transient life of poverty and despair. Drifting from town to town and from state to state, the violent, ruthless Bo seeks out his fortune - in the hotel business, in new farmland and eventually, in illegal rum-running through the treacherous back roads of the American Northwest. In this affecting narrative, Wallace Stegner portrays more than thirty years in the life of the Mason family as they struggle to survive during the lean years of the early twentieth century. Wallace Stegner was the author of, among other works of fiction, Remembering Laughter (1973); Joe Hill (1950); All the Little Live Things (1967, Commonwealth Club Gold Medal); A Shooting Star (1961); Angle of Repose (1971, Pulitzer Prize); The Spectator Bird (1976, National Book Award); Recapitulation (1979); Crossing to Safety (1987); and Collected Stories (1990). His nonfiction includes Beyond the Hundredth Meridian (1954); Wolf Willow (1963); The Sound of Mountain Water (essays, 1969); The Uneasy Chair: A Biography of Bernard deVoto (1964); American Places (with Page Stegner, 1981); and Where the Bluebird Sings to the Lemonade Springs: Living and Writing in the West (1992). Three short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch Award from the Los Angeles Times for his lifetime literary achievements.