The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.

Examines the first generation of artists in Britain to define themselves as history painters, attempting what then was considered to be art's most exalted category. This book features more than 120 black-and-white illustrations.

Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.

Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker against the background of his life.

With an introduction to the oral tradition which lay at the source of the Homeric epics and a discussion on the reception of the Homeric poems in Antiquity, this volume explores the mysterious figure of Homer, an author about whom little is known. Ruth Webb's translation is a revised and much expanded version of the original French text.