An internationally respected biblical scholar investigates the origins of the Christian canon. John Barton explores the reasons behind the development of the New Testament and pursues the historical factors involved in combining these books with the Hebrew Scriptures.

Lost for centuries, the Kebra Nagast (The Glory of Kings) is a truly majestic unveiling of ancient secrets. These pages were excised by royal decree from the authorized 1611 King James version of the Bible. Originally recorded in the ancient Ethiopian language (Ge'ez) by anonymous scribes, The Red Sea Press, Inc. and Kingston Publishers now bring you a complete, accurate modern English translation of this long suppressed account. Here is the most startling and fascinating revelation of hidden truths; not only revealing the present location of the Ark of the Covenant, but also explaining fully many of the puzzling questions on Biblical topics which have remained unanswered up to today.

A POST-FALL FANTASY TABLETOP ROLEPLAYING GAME SET IN A RAMPANT OCEAN OF VERDANT GREEN. Some three hundred years ago the empires of the world were toppled by a wave of fast growing greenery, a tide of rampant growth spilling from the West known as the Verdancy. Now chainsaw-driven ships cut their way across dense treetop waves, their engines powered by oilfruit, rope-golems, honey and pride.You play a wildsailor, part of a motley crew consisting of humanity's weathered descendants, cactoid gunslingers, centipedal fungi, silk-clothed spiderfolk, and other, stranger things. With your fellow crewmembers, you'll journey across the lingin' tide discovering charts, pursuing drives, and avoiding mires of the deep.The Wildsea hungers and grows, roots sinking deep into the forest floor as the waves above ripple with life. What will you discover in its depths?The Wildsea is a tabletop roleplaying game from Quillhound Studios for 2-6 players inspired by stories like Sunless Sea, Bastion, and the Bas-Lag Trilogy. The Wildsea uses a narrative, fiction-first d6 dicepool system that draws inspiration from games like Belly of the Beast, Blades in the Dark, and 13th Age.

The American colonists who took up arms against the British fought in defense of the ''sacred cause of liberty.'' But it was not merely their cause but warfare itself that they believed was sacred. In Sacred Scripture, Sacred War, James P. Byrd shows that the Bible was a key text of the American Revolution.

Winner NATIONAL JEWISH BOOK AWARDS in Contemporary Jewish Life & Practice Myra H. Kraft Memorial Award A crucial new lens on repentance, atonement, forgiveness, and repair from harm—from personal transgressions to our culture’s most painful and unresolved issues American culture focuses on letting go of grudges and redemption narratives instead of the perpetrator’s obligations or recompense for harmed parties. As survivor communities have pointed out, these emphases have too often only caused more harm. But Danya Ruttenberg knew there was a better model, rooted in the work of the medieval philosopher Maimonides. For Maimonides, upon whose work Ruttenberg elaborates, forgiveness is much less important than the repair work to which the person who caused harm is obligated. The word traditionally translated as repentance really means something more like return, and in this book, returning is a restoration, as much as is possible, to the victim, and, for the perpetrator of harm, a coming back, in humility and intentionality, to behaving as the person we might like to believe we are. Maimonides laid out 5 steps: naming and owning harm; starting to change/transformation; restitution and accepting consequences; apology; and making different choices. Applying this lens to both our personal relationships and some of the most significant and painful issues of our day, including systemic racism and the legacy of enslavement, sexual violence and harassment in the wake of #MeToo, and Native American land rights, On Repentance and Repair helps us envision a way forward. Rooted in traditional Jewish concepts while doggedly accessible and available to people from any, or no, religious background, On Repentance and Repair is a book for anyone who cares about creating a country and culture that is more whole than the one in which we live, and for anyone who has been hurt or who is struggling to take responsibility for their mistakes.

The Sacred Texts, a set of books created by the archangels of Heaven, have been kept locked away by the Creator since the early times of human history: the Book of Water crafted by Gabriel/Gabrielle, the Book of Fire forged by Michael, the Book of Earth made by Uriel, and the Book of Language created by Azrael. It is said that the last of those books, the one created by the very hands of Death Himself, is one of two keys to deciphering the language of the angels and with it the ability to control God and all in known existence. For the past two hundred years, the Fallen Angel Lucifer has waited for the proper moment to strike, the proper moment to invade Avalon and take control of the Book of Azrael in hopes of defeating the Creator once and for all. Aware of the imminent danger, Azrael tasks a single magic wielding mortal with entering Hell itself and destroying his Sacred Text. After becoming weakened in his determination to complete the task given to him by the Archangel of Death, Raven the Archmage finds that he must pass on the responsibilities of destroying The Book of Azrael to his insecure and often difficult apprentice, Jaguar. Follow Jaguar's arduous journey alongside his best friend Lion, and a mysterious earth wielding mage and his werewolf sister, as they travel through the halls of Perdition in hopes of keeping evil from gaining victory and throwing off the balance of all of Creation.The Sacred Text Series is a coming of age story that seamlessly weaves many ancient archetypes into a cohesive whole. Enter a world where vampires, angels, demons, werewolves, magic, and human myths from a myriad of cultures collide.

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

In this sweeping narrative, Michael Satlow tells the fascinating story of how an ancient collection of obscure Israelite writings became the founding texts of both Judaism and Christianity, considered holy by followers of each faith. Drawing on cutting-edge historical and archeological research, he traces the story of how, when, and why Jews and Christians gradually granted authority to texts that had long lay dormant in a dusty temple archive. The Bible, Satlow maintains, was not the consecrated book it is now until quite late in its history. He describes how elite scribes in the eighth and seventh centuries B.C.E. began the process that led to the creation of several of our biblical texts. It was not until these were translated into Greek in Egypt in the second century B.C.E., however, that some Jews began to see them as culturally authoritative, comparable to Homer’s works in contemporary Greek society. Then, in the first century B.C.E. in Israel, political machinations resulted in the Sadducees assigning legal power to the writings. We see how the world Jesus was born into was largely biblically illiterate and how he knew very little about the texts upon which his apostles would base his spiritual leadership. Synthesizing an enormous body of scholarly work, Satlow’s groundbreaking study offers provocative new assertions about commonly accepted interpretations of biblical history as well as a unique window into how two of the world’s great faiths came into being.

Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.

In this volume an international team of scholars address the theme of books as sacred beings from an impressively diverse range of primary material and perspectives. Yet, as a group, they meld to engage and advance previous research to solidify the conclusion that human cultures, especially religious groups, often ritualize bodies as sacred books and books as divine beings. The studies collected here not only increase the range of examples of this phenomenon. They also show the wide variety of ways in which the identity of books, bodies and beings gets both ritualized and theorized. The articles are bracketed by an introduction to the collection, and then by a concluding essay that extrapolates the theme of books as sacred beings on a more general level.