“Just try to resist.... A Continental Downton Abbey plus sex, with a dash of Dangerous Liaisons tossed in.” —Seattle Times Piet Barol has an instinctive appreciation for pleasure and a gift for finding it. When his mother dies, Piet applies for a job as tutor to the troubled son of Europe's leading hotelier—a child who refuses to leave his family’s mansion on one of Amsterdam’s grandest canals. As Piet enters this glittering world, he learns its secrets and finds his life transformed. A brilliantly written portrait of the senses, History of a Pleasure Seeker is an opulent, romantic coming-of-age drama set at the height of Europe’s Belle Époque, written with a lightness of touch that is wholly modern and original.

'An enthralling, perfectly paced romp that breathes new life into the picaresque genre' Observer 'Rich in period detail and with requisite glittering trappings' Daily Mail 'A Continental Downton Abbey plus sex, with a dash of Dangerous Liaisons tossed in' Seattle Times 1907, Amsterdam. The belle époque is in full swing and Piet Barol has secured a job as tutor to the troubled son of Europe's leading hotelier - a child who refuses to leave his family's mansion on one of the city's grandest canals. As Piet is swept into the glittering society, he begins to uncover its secrets and finds his life transformed. With nothing but his looks, charm and youth to rely on, he is determined to make a fortune of his own. But in the heady exhilaration of this opulent new world, amid romance, delights and temptations he has only dreamed of, Piet discovers that some of the liaisons he has cultivated are dangerous indeed . . .

August, 1968: Babo Patel arrives in London from Madras, with curly hair, jhill mill teeth and dreams of becoming a success. When he meets the beautiful, auburn-haired Siân Jones, he falls in love instantly. She, like him, is in search of something bigger than what the home she left behind can offer.But when Babo's parents learn of his intention to marry 'some girl from God knows where' he is given an ultimatum: he can only marry Siân if they agree to live in Madras for two years before returning to London. As the years pass by, the calamities, quirks and heartaches of first love, lost innocence, and old age unfold across cultures and generations of this mixed-up family in a topsy-turvy world.

A haunting, gloriously imagined novel by the acclaimed author of History of a Pleasure Seeker (“a classic” —The Washington Post), set in early twentieth-century colonial Cape Town, and a forest full of witch doctors, stingless bees, and hungry leopards. It is 1914. Germany has just declared war on France. Piet Barol was a tutor before he came to South Africa, his wife, Stacey, an opera singer. In Cape Town they are living the high life, impersonating French aristocrats—but their lies are catching up with them. The Barols’ furniture business is on the verge of collapse. They need top-quality wood, and they need it cheap. Piet enlists two Xhosa [pron. KO-sa] men to lead him into a vast forest, in search of a fabled tree. The Natives Land Act has just abolished property rights for the majority of black South Africans, and whole families have been ripped apart. Piet’s guides have their own reasons to lead him through the trees, and to keep him alive while he’s useful to them. Far from the comforting certainties of his privileged existence, Piet finds the prospect of riches beyond measure—and the chance to make great art. He is sure he’ll be able to buy what he needs for a few glass trinkets. But he’s underestimating the Xhosa, who believe the spirits of their ancestors live in this sacred forest. Battle lines are drawn. When Piet’s powers of persuasion fail him, he resorts to darker, more dangerous talents to get what he is determined to have. As the story moves to its devastating conclusion, every character becomes a suspect, and Piet’s arrogance and guile put him on a collision course with forces he cannot understand and that threaten his seemingly enchanted existence.

A truly thrilling murder mystery set partly in Cornwall, in the tradition of Du Maurier's REBECCA: dark, English and very much a classic. At 21, James Farrell has the world at his feet. A gifted violinist, his successful career seems assured. Until a chance encounter with Ella changes everything. Ella, bewitching, irresistible, haunted by the ghosts of her family's past - James cannot help falling in love with her, and she with him. But as the power and dangerous fragility of their relationship overwhelm them, James can only watch helplessly as the most beautiful thing in his life is strangled by deception, betrayal and ultimately murder ...

Showcasing the first Ferris wheel, dazzling and unprece­dented electrification, and exhibits from around the world, the World’s Columbian Exposition of 1893 was Chicago’s chance to demonstrate that it had risen from the ashes of the Great Fire and was about to take its place as one of the world’s great cities. Millions would flock to the fair, and many of them were looking for a good time before and after their visits to the Midway and the White City. But what was the bedazzled visitor to do in Chicago? Chicago by Day and Night: The Pleasure Seeker’s Guide to the Paris of America, a very unofficial guide to the world be­yond the fair, slaked the thirst of such curious folk. The plea­sures it details range from the respectable (theater, architec­ture, parks, churches and synagogues) to the illicit—drink, gambling, and sex. With a wink and a nod, the book decries vice while offering precise directions for the indulgence of any desire. In this newly annotated edition, Chicagoans Paul Durica and Bill Savage—who, if born earlier, might have written chapters in the original—provide colorful context and an informative introduction to a wildly entertaining journey through the Chicago of 120 years ago.

A bloody murder. An open and shut case? In Oliver Cromwell's London, nothing is as it seems - Captain Damian Seeker must battle to find justice, when an innocent man's life hangs in the balance. 'Challenges CJ Sansom for dominion of historical crime' Sunday Times 'The best historical crime novel of the year' Sunday Express London, 1654. Oliver Cromwell is at the height of his power and has declared himself Lord Protector. Yet he has many enemies, at home and abroad. London is a complex web of spies and merchants, priests and soldiers, exiles and assassins. One of the web's most fearsome spiders is Damian Seeker, agent of the Lord Protector. No one knows where Seeker comes from, who his family is, or even his real name. All that is known of him for certain is that he is utterly loyal to Cromwell, and that nothing can be long hidden from him. In the city, coffee houses are springing up, fashionable places where men may meet to plot and gossip. Suddenly they are ringing with news of a murder. John Winter, hero of Cromwell's all-powerful army, is dead, and the lawyer, Elias Ellingworth, found standing over the bleeding body, clutching a knife. Yet despite the damning evidence, Seeker is not convinced of Ellingworth's guilt. He will stop at nothing to bring the killer to justice: and Seeker knows better than any man where to search.

In this moving, layered novel of memory and family, celebrated author Richard Mason tells the story of a mother and daughter, one caught in the past, one racing toward the future. Joan is eighty years old, a gifted amateur pianist who can no longer play because of her arthritic hands. Joan’s daughter, Eloise, is an ambitious hedge fund manager who has decided to move her mother to an assisted-living facility. As a last hurrah, Eloise plans a trip to Joan’s childhood home in South Africa. What Joan discovers there summons long-buried secrets and opens up an entirely new world. Natural Elements is a dazzling tale of history and longing, and the high-stakes, full-tilt embrace of life.

“[Makes] the very convincing case that, until and unless there is a full accounting for what happened with Donald Trump, 2020 is not over and never will be.” —The New Yorker “Riveting…we can never be reminded too often to never forget.” —The Wall Street Journal Journalist Géraldine Schwarz’s astonishing memoir of her German and French grandparents’ lives during World War II “also serves as a perceptive look at the current rise of far-right nationalism throughout Europe and the US” (Publishers Weekly). During World War II, Géraldine Schwarz’s German grandparents were neither heroes nor villains; they were merely Mitlaüfer—those who followed the current. Once the war ended, they wanted to bury the past under the wreckage of the Third Reich. Decades later, while delving through filing cabinets in the basement of their apartment building in Mannheim, Schwarz discovers that in 1938, her paternal grandfather Karl took advantage of Nazi policies to buy a business from a Jewish family for a low price. She finds letters from the only survivor of this family (all the others perished in Auschwitz), demanding reparations. But Karl Schwarz refused to acknowledge his responsibility. Géraldine starts to question the past: How guilty were her grandparents? What makes us complicit? On her mother’s side, she investigates the role of her French grandfather, a policeman in Vichy. Weaving together the threads of three generations of her family story with Europe’s process of post-war reckoning, Schwarz explores how millions were seduced by ideology, overcome by a fog of denial after the war, and, in Germany at least, eventually managed to transform collective guilt into democratic responsibility. She asks: How can nations learn from history? And she observes that countries that avoid confronting the past are especially vulnerable to extremism. Searing and unforgettable, Those Who Forget “deserves to be read and discussed widely...this is Schwarz’s invaluable warning” (The Washington Post Book Review).

James Baldwin’s final novel is “the work of a born storyteller at the height of his powers” (The New York Times Book Review). “Not everything is lost. Responsibility cannot be lost, it can only be abdicated. If one refuses abdication, one begins again.” The stark grief of a brother mourning a brother opens this stunning, unforgettable novel. Here, in a monumental saga of love and rage, James Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the forbidden passion of Giovanni’s Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses—and a living contemporary history of black struggle in this land.