“[Makes] the very convincing case that, until and unless there is a full accounting for what happened with Donald Trump, 2020 is not over and never will be.” —The New Yorker “Riveting…we can never be reminded too often to never forget.” —The Wall Street Journal Journalist Géraldine Schwarz’s astonishing memoir of her German and French grandparents’ lives during World War II “also serves as a perceptive look at the current rise of far-right nationalism throughout Europe and the US” (Publishers Weekly). During World War II, Géraldine Schwarz’s German grandparents were neither heroes nor villains; they were merely Mitlaüfer—those who followed the current. Once the war ended, they wanted to bury the past under the wreckage of the Third Reich. Decades later, while delving through filing cabinets in the basement of their apartment building in Mannheim, Schwarz discovers that in 1938, her paternal grandfather Karl took advantage of Nazi policies to buy a business from a Jewish family for a low price. She finds letters from the only survivor of this family (all the others perished in Auschwitz), demanding reparations. But Karl Schwarz refused to acknowledge his responsibility. Géraldine starts to question the past: How guilty were her grandparents? What makes us complicit? On her mother’s side, she investigates the role of her French grandfather, a policeman in Vichy. Weaving together the threads of three generations of her family story with Europe’s process of post-war reckoning, Schwarz explores how millions were seduced by ideology, overcome by a fog of denial after the war, and, in Germany at least, eventually managed to transform collective guilt into democratic responsibility. She asks: How can nations learn from history? And she observes that countries that avoid confronting the past are especially vulnerable to extremism. Searing and unforgettable, Those Who Forget “deserves to be read and discussed widely...this is Schwarz’s invaluable warning” (The Washington Post Book Review).

A memoir of the past and a warning for today: the urgent account of a woman delving into her family's complicity with the Nazis during World War Two "An utterly original memoir for our times, elegant, courageous and deeply affecting" Philippe Sands, author of East West Street During the war, Géraldine Schwarz's grandparents were neither heroes nor villains – they just followed the current. Afterwards they wanted to forget, to bury it all under the wreckage of the Third Reich. But decades later, delving through the basement of their apartment building, Géraldine discovers that her grandfather Karl profited from the forced 'Aryanisation' of Jewish businesses – and so she is compelled to investigate her ancestors' past. On her mother's side, she delves into the role of her French grandfather, a policeman during the Vichy regime. How guilty were they? Combining generations of family stories with the history of Europe's post-war reckoning, Géraldine asks: how did Germans transform their collective guilt into democratic responsibility? And, given rising populism in Europe today, how can we ensure we learn from history? Géraldine Schwarz is a German-French journalist, author and documentary filmmaker based in Berlin. Those Who Forget, an account of her family's complicity with fascism, is her first book. It has been translated into eight languages and won the European Book Prize 2018, the German Winfried Preis and the Italian Nord-Sud Prize.

Sibert Honor author Deborah Hopkinson unearths the heroic stories of Jewish survivors from different countries so that we may never forget the past. Scholastic Focus is the premier home of thoroughly researched, beautifully written, and thoughtfully designed works of narrative nonfiction aimed at middle-grade and young adult readers. These books help readers learn about the world in which they live and develop their critical thinking skills so that they may become dynamic citizens who are able to analyze and understand our past, participate in essential discussions about our present, and work to grow and build our future. As World War II raged, millions of young Jewish people were caught up in the horrors of the Nazis' Final Solution. Many readers know of Adolf Hitler and the Nazi state's genocidal campaign against European Jews and others of so-called "inferior" races. Yet so many of the individual stories remain buried in time. Of those who endured the Holocaust, some were caught by the Nazis and sent to concentration camps, some hid right under Hitler's nose, some were separated from their parents, some chose to fight back. Against all odds, some survived. They all have stories that must be told. They all have stories we must keep safe in our collective memory. In this thoroughly researched and passionately written narrative nonfiction for upper middle-grade readers, critically acclaimed author Deborah Hopkinson allows the voices of Holocaust survivors to live on the page, recalling their persecution, survival, and resistance. Focusing on testimonies from across Germany, the Netherlands, France, and Poland, Hopkinson paints a moving and diverse portrait of the Jewish youth experience in Europe under the shadow of the Third Reich. With archival images and myriad interviews, this compelling and beautifully told addition to Holocaust history not only honors the courage of the victims, but calls young readers to action -- by reminding them that heroism begins with the ordinary, everyday feat of showing compassion toward our fellow citizens.

A clear-eyed look at the history of American ideas about motherhood, how those ideas have impacted all women (whether they have kids or not), and how to fix the inequality that exists as a result. After filing a story only two hours after giving birth, and then getting straight back to full-time work the next morning, journalist Amy Westervelt had a revelation: America might claim to revere motherhood, but it treats women who have children like crap. From inadequate maternity leave to gender-based double standards, emotional labor to the "motherhood penalty" wage gap, racist devaluing of some mothers and overvaluing of others, and our tendency to consider women's value only in terms of their reproductive capacity, Westervelt became determined to understand how we got here and how the promise of "having it all" ever even became a thing when it was so far from reality for American women. In Forget "Having It All," Westervelt traces the roots of our modern expectations of mothers and motherhood back to extremist ideas held by the first Puritans who attempted to colonize America and examines how those ideals shifted -- or didn't -- through every generation since. Using this historical backdrop, Westervelt draws out what we should replicate from our past (bringing back home economics, for example, this time with an emphasis on gender-balanced labor in the home), and what we must begin anew as we overhaul American motherhood (including taking a more intersectional view of motherhood, thinking deeply about the ways in which capitalism influences our views on reproduction, and incorporating working fathers into discussions about work-life balance). In looking for inspiration elsewhere in the world, Westervelt turned not to Scandinavia, where every work-life balance story inevitably ends up, but to Japan where politicians, in an increasingly desperate effort to increase the country's birth rates (sound familiar?), tried to apply Scandinavian-style policies atop a capitalist democracy not unlike America's, only to find that policy can't do much in the absence of cultural shift. Ultimately, Westervelt presents a measured, historically rooted and research-backed call for workplace policies, cultural norms, and personal attitudes about motherhood that will radically improve the lives of not just working moms but all Americans.

Six million-- a number impossible to visualize. Six million Jews were killed in Europe between the years 1933 and 1945. What can that number mean to us today? We can that number mean to us today? We are told never to forget the Holocaust, but how can we remember something so incomprehensible? We can think, not of the numbers, the statistics, but of the people. For the families torn apart, watching mothers, fathers, children disappear or be slaughtered, the numbers were agonizingly comprehensible. One. Two. Three. Often more. Here are the stories of thode people, recorded in letters and diaries, and in the memories of those who survived. Seen through their eyes, the horror becomes real. We cannot deny it--and we can never forget. ‘Based on diaries, letters, songs, and history books, a moving account of Jewish suffering in Nazi Germany before and during World War II.’ —Best Books for Young Adults Committee (ALA). ‘A noted historian writes on a subject ignored or glossed over in most texts. . . . Now that youngsters are acquainted with the horrors of slavery, they are more prepared to consider the questions the Holocaust raises for us today.’ —Language Arts. ‘[An] extraordinarily fine and moving book.’ —NYT. Notable Children's Books of 1976 (ALA) Best of the Best Books (YA) 1970–1983 (ALA) 1976 Boston Globe–Horn Book Award for Nonfiction Best Books of 1976 (SLJ) Outstanding Children's Books of 1976 (NYT) Notable 1976 Children's Trade Books in Social Studies (NCSS/CBC) 1977 Jane Addams Award Nominee, 1977 National Book Award for Children's Literature IBBY International Year of the Child Special Hans Christian Andersen Honors List Children's Books of 1976 (Library of Congress) 1976 Sidney Taylor Book Award (Association of Jewish Libraries)

In this unflinchingly honest and hilarious memoir, a woman discovers that her best life is a sober one. For Sarah Hepola, drinking felt like freedom; part of her birthright as a twenty-first-century woman. But there was a price–she often blacked out, having no memory of the lost hours. On the outside, her career was flourishing, but inside, her spirit was diminishing. She could no longer avoid the truth–she needed help. Blackout is the story of a woman stumbling into a new kind of adventure–sobriety. Sarah Hepola's tale will resonate with anyone who has had to face the reality of addiction and the struggle to put down the bottle. At first it seemed like a sacrifice–but in the end, it was all worth it to get her life back.

Meet Ruth Goldschmiedova Sax. She is standing next to the dress that my grandmother wore during the time she was in Oederan. She never took it off, and every week she would bend over and the Nazis would paint an X and stripe down her backside. The dress was initially given to her in Auschwitz. Ruth Goldschmiedova Saxs life story begins in Moravia in 1928, where she lived comfortably as an only child with her parents. At the age of eleven, the Nazis invaded Czechoslovakia, and life changed for everyone. By 1941, the family found themselves getting off a transport train in Theresienstadt, where Ruth was forced to grow up quickly. She was shaved to prevent lice infestation, her feet were wrapped in paper to keep them warm in the winter, and she witnessed the deaths of many. Separated from her father, she survived awful circumstances, only to be sent to Auschwitz in 1944, where she faced Dr. Mengele half a dozen times. Finally, with G-ds help and liberation, she was reunited in 1945 with her mother and father, a miracle within itself. Ruth later immigrated to America, where she married Kurt Sax, whom she had met at age seven. This memoir narrates the dramatic life circumstances that led her from her birthplace in central Czechoslovakia to three concentration camps and finally to her home in America. Future plans are to find a museum for this dress so that it can be displayed accordingly for all to see and to remind us to never forget.

Jill Price has the first diagnosed case of a memory condition called "hyperthymestic syndrome" -- the continuous, automatic, autobiographical recall of every day of her life since she was fourteen. Give her any date from that year on, and she can almost instantly tell you what day of the week it was, what she did on that day, and any major world event or cultural happening that took place, as long as she heard about it that day. Her memories are like scenes from home movies, constantly playing in her head, backward and forward, through the years; not only does she make no effort to call her memories to mind, she cannot stop them. The Woman Who Can't Forgetis the beautifully written and moving story of Jill's quest to come to terms with her extraordinary memory, living with a condition that no one understood, including her, until the scientific team who studied her finally charted the extraordinary terrain of her abilities. As we learn of Jill's struggles first to realize how unusual her memory is and then to contend, as she grows up, with the unique challenges of not being able to forget -- remembering both the good times and the bad, the joyous and the devastating, in such vivid and insistent detail -- the way her memory works is contrasted to a wealth of discoveries about the workings of normal human memory and normal human forgetting. Intriguing light is shed on the vital role of what's called "motivated forgetting"; as well as theories about childhood amnesia, the loss of memory for the first two to three years of our lives; the emotional content of memories; and the way in which autobiographical memories are normally crafted into an ever-evolving and empowering life story.

Memory loss can be one of the most terrifying aspects of a diagnosis of dementia. Yet the fear and dread of losing our memory make the experience of the disease worse than it needs to be, according to cultural critic and playwright Anne Davis Basting. She says, Forget memory. Basting emphasizes the importance of activities that focus on the present to improve the lives of persons with Alzheimer's disease and other dementias. Based on ten years of practice and research in the field, Basting’s study includes specific examples of innovative programs that stimulate growth, humor, and emotional connection; translates into accessible language a wide range of provocative academic works on memory; and addresses how advances in medical research and clinical practice are already pushing radical changes in care for persons with dementia. Bold, optimistic, and innovative, Basting's cultural critique of dementia care offers a vision for how we can change the way we think about and care for people with memory loss.

Sometimes there's a town called Indianola. And sometimes there isn't. A New York Public Library Best Book of the Year June, 1993. Claire has been dumped in rural Indianola, Texas, to spend her whole vacation taking care of mean, sickly Grammy. There's nothing too remarkable about Indianola: it's run-down, shabby, and sweltering, a pin-dot on the Gulf Coast. Except there is something remarkable. Memories shimmer and change. Lizards whisper riddles under the pecan trees. People disappear as if they never existed. Yesterday keeps coming unspooled, like a video tape. And worst of all, a red-lightning storm from beyond our world may just wipe the whole town off the map, if Claire and her maybe-girlfriend Julie can't stop it. Because reality doesn't apply in Indianola. Indianola is not supposed to exist. Surprising, brilliant, and, like, totally tight, Forget This Ever Happened is speculative horror at its finest, featuring a queer romance from a Pushcart Prize-nominated queer author and dark, dazzling world-building.