Series statement taken from publisher's website.

“One of the top standalone Westerns in 2022.” —True West magazine Arizona Territory, 1899. Ruby Fortune faces an untenable choice: murder her abusive husband or continue to live with bruises that never heal. One bullet is all it takes. Once known as “Girl Wonder” on the Wild West circuit, Ruby is now a single mother of four boys in her hometown of Jericho, an end-of-the-world mining town north of Tucson. Here, Ruby opens a roadside inn to make ends meet. Drifters, grifters, con men, and prostitutes plow through the hotel’s doors, and their escapades pepper the local newspaper like buckshot. An affair with an African American miner puts Ruby’s life and livelihood at risk, but she can’t let him go. Not until a trio of disparate characters—her dead husband’s sister, a vindictive shopkeeper, and the local mine owner she once swindled—threaten to ruin her does Ruby face the consequences of her choices; but as usual, she does what she needs to in order to provide for herself and her sons. Set against the breathtaking beauty of Arizona’s Sonoran Desert and bursting with Wild West imagery, history, suspense, and adventure, Hardland serves up a tough, fast-talking, shoot-from-the-hip heroine who goes to every length to survive and carve out a life for herself and her sons in one of the harshest places in the American West.

Tucson is a history of time and a river. The roots of prehistoric habitation run deep along the Santa Cruz River, reaching back thousands of years. Later the river attracted 17th-century Spanish explorers, who brought military government, the church, and colonists to establish the northern outpost of their New World empire. Later still, American westward expansion drew new settlers to the place called Tucson. Today Tucson is a bustling multicultural community of more than one million residents. These images from the photographic archives of the Arizona Historical Society tell the stories of individuals and cultures that transformed a 19th-century frontier village into a 20th-century desert city.

Originally a presidio on the frontier of New Spain, Tucson was a Mexican community before the arrival of Anglo settlers. Unlike most cities in California and Texas, Tucson was not initially overwhelmed by Anglo immigrants, so that even until the early 1900s Mexicans made up a majority of the town's population. Indeed, it was through the efforts of Mexican businessmen and politicians that Tucson became a commercial center of the Southwest. Los Tucsonenses celebrates the efforts of these early entrepreneurs as it traces the Mexican community's gradual loss of economic and political power. Drawing on both statistical archives and pioneer reminiscences, Thomas Sheridan has written a history of Tucson's Mexican community that is both rigorous in its factual analysis and passionate in its portrayal of historic personages.

Once considered the "Metropolis of Arizona," Tucson is in many respects a college town with a major military base onto which a retirement community has been grafted. A sprawling city of one million in the Sonoran Desert, Tucson was developed during and especially for the second half of the 20th century, a reality which has left it possibly unprepared for the challenges of the 21st century. Tracing the remarkable history of Tucson since 1854, this book describes many aspects of the community--its ceremonies and customs, its early bitter battle to secure the University of Arizona, its multitude of problems, its noteworthy successes and its racial divides. The recollections of those who have made Tucson such a memorable place are included, from political leaders to celebrities to ordinary residents.

This account of the drama in time that is Tucson begins not with the founding of the Presidio San Agustín on August 20, 1775, but with the emergence of Sentinel Peak in geologic deep time. It ends -- "To be continued"-- in 2014. It spans the periods of precontact with Europeans, Spanish colonization, Mexican nationhood, the territorial West, early and Depression era statehood, and the development of metropolitan Tucson after World War II. It offers not one definitive historical account but a collection of stories in which threads appear that may disappear beneath the surface for a while and reappear later, like some desert streams. It leaves spaces for, and invites the stories of, its readers. About the Author John Warnock was born in Tucson and graduated from Tucson High when it was one of the largest high schools in the nation. He attended Amherst College in Massachusetts, Oxford University in England, and the New York University School of Law. After teaching at the University of Wyoming in Laramie, he returned to Tucson in 1990 to join the English Department at the University of Arizona. He is now Professor Emeritus at UA and resides in Tucson.

The remarkable photography collection of the University of New Mexico Art Museum owes its unique character and quality to the directors, curators, scholars, and artists who have taught, worked, and studied at the museum and in the university’s Department of Art and Art History. In this indispensable book, these distinguished scholars and artists reflect on the pictures from the collection that hold significance to them. Through their own professional and artistic practice, they represent different generations of aesthetic voices and intellectual directions. As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography’s 175-year history. In addition to iconic works by famous photographers, this book also features less familiar but equally masterful pictures. Together, these essays represent a unique history of photography and this renowned museum.

A history of the Four Corners states during their formative territorial years. Newly revised edition.

A history of Tucson, Arizona, traces the development of this great southwestern city from its beginning as a mud village in northern Mexico two centuries ago to its emergence as an American metropolis.