On March 1, 1966, the voters of Tucson approved the Pueblo Center Redevelopment Project—Arizona’s first major urban renewal project—which targeted the most densely populated eighty acres in the state. For close to one hundred years, tucsonenses had created their own spatial reality in the historical, predominantly Mexican American heart of the city, an area most called “la calle.” Here, amid small retail and service shops, restaurants, and entertainment venues, they openly lived and celebrated their culture. To make way for the Pueblo Center’s new buildings, city officials proceeded to displace la calle’s residents and to demolish their ethnically diverse neighborhoods, which, contends Lydia Otero, challenged the spatial and cultural assumptions of postwar modernity, suburbia, and urban planning. Otero examines conflicting claims to urban space, place, and history as advanced by two opposing historic preservationist groups: the La Placita Committee and the Tucson Heritage Foundation. She gives voice to those who lived in, experienced, or remembered this contested area, and analyzes the historical narratives promoted by Anglo American elites in the service of tourism and cultural dominance. La Calle explores the forces behind the mass displacement: an unrelenting desire for order, a local economy increasingly dependent on tourism, and the pivotal power of federal housing policies. To understand how urban renewal resulted in the spatial reconfiguration of downtown Tucson, Otero draws on scholarship from a wide range of disciplines: Chicana/o, ethnic, and cultural studies; urban history, sociology, and anthropology; city planning; and cultural and feminist geography.

A comprehensive illustrated guide to Tucson's historical and contemporary architectural resources covers all facets of the city's architecture, from one-of-a-kind homes on Main Avenue and historic downtown buildings to destination resorts in the Catalina Foothills and other modern structures. Included are walking and driving tours of fourteen areas, along with maps, and annotated descriptions of individual structures--residences, schools, churches, government buildings, offices, commercial establishments, and others--accompanied by more than 140 photographs.

When the Zoot Suit Riots ignited in Los Angeles in 1943, they quickly became headline news across the country. At their center was a series of attacks by U.S. Marines and sailors on young Mexican American men who dressed in distinctive suits and called themselves pachucos. The media of the day portrayed these youths as miscreants and hoodlums. Even though the outspoken First Lady, Eleanor Roosevelt, quickly labeled them victims of race riots, the initial portrayal has distorted images ever since. A surprising amount of scholarship has reinforced those images, writes Laura Cummings, proceeding from what she calls “the deviance school of thought.” This innovative study examines the pachuco phenomenon in a new way. Exploring its growth in Tucson, Arizona, the book combines ethnography, history, and sociolinguistics to contextualize the early years of the phenomenon, its diverse cultural roots, and its language development in Tucson. Unlike other studies, it features first-person research with men and women who—despite a wide span of ages—self-identify as pachucos and pachucas. Through these interviews and her archival research, the author finds that pachuco culture has deep roots in Tucson and the Southwest. And she discovers the importance of the pachuco/caló language variety to a shared sense of pachuquismo. Further, she identifies previously neglected pachuco ties to indigenous Indian languages and cultures in Mexico and the United States. Cummings stresses that the great majority of people conversant with the culture and language do not subscribe to the dynamics of contemporary hardcore gangs, but while zoot suits are no longer the rage today, the pachuco language and sensibilities do live on in Mexican American communities across the Southwest and throughout the United States.

Tucson is a history of time and a river. The roots of prehistoric habitation run deep along the Santa Cruz River, reaching back thousands of years. Later the river attracted 17th-century Spanish explorers, who brought military government, the church, and colonists to establish the northern outpost of their New World empire. Later still, American westward expansion drew new settlers to the place called Tucson. Today Tucson is a bustling multicultural community of more than one million residents. These images from the photographic archives of the Arizona Historical Society tell the stories of individuals and cultures that transformed a 19th-century frontier village into a 20th-century desert city.

"[Dobyns] has written a fascinating account of the ethnic development of early Tucson. Using a variety of methods and sources, he reveals how Spaniards, mestizos from New Spain, and Native Americans from many tribes laid the ethnic foundations for the modern city. The book also provides much insight into the general history of Spanish colonial society as it evolved in the Tucson area to 1821. . . . Dobyns, utilizing previously unpublished primary sources, allows the early inhabitants of the Tucson area to speak for themselves, and their comments add much to a very colorful and exciting but often grim story. . . . And his penetrating look at the ethnic development of early Tucson should attract attention from anyone interested in a better understanding of how the nation as a whole achieved its multi-cultural character." --The Journal of American History

In 1939, Columbia Pictures based a film on Clarence Kelland's book Arizona, set during the Civil War in Arizona Territory. To accurately portray the novel's landscape, Columbia selected a spot about 10 miles from what is now downtown Tucson in the middle of a large Pima County park for the filming. In 1959, Bob Shelton, a Kansas City developer, purchased the lot, determined to build an active movie studio and tourist attraction. His vision was successful, and Old Tucson Studios has set the stage for over 200 movies and television shows. As Western movies regain their popularity in the box office, the future looks bright for Old Tucson Studios to become a premier filming site in Arizona.

A coming-of-age story with true love at its core, Greetings from Tucson tells the story of four sisters' lives through the lens of handwritten letters. These long lost letters, found decades after they were penned, once formed a lifeline that held them together when their worlds were otherwise falling apart. In June of 1945, tragedy struck, and Cookie, Frankie, Dottie, and Connie were torn from everything they knew-their parents, their home, and, most importantly, each other. Forced to live thousands of miles apart, they feared their bond would be broken. The sisters began writing letters to each other to celebrate their milestones and mourn every heartbreak. Through those letters, they found a way to strengthen their sisterhood when the odds were so stacked against them. The letters were like prisms, reflecting their lives from childhood into adulthood, as they fell in love or fulfilled their lifelong dreams. That is, until one sister's secret from the past changed everything. Would she break the fragile bond they worked so hard to nurture after their fateful split so many years ago?

A history of Tucson, Arizona, traces the development of this great southwestern city from its beginning as a mud village in northern Mexico two centuries ago to its emergence as an American metropolis.

What onetime New York crime boss spent his last decades in Tucson? Which cutting-edge scientific lab is hidden below a football stadium here? Why does the Beatles' classic song "Get Back" include a nod to Tucson? And what on earth is a "stravenue?" To find the answers to some of the most intriguing and entertaining questions about Tucson, look no further than Secret Tucson: A Guide to the Weird, Wonderful, and Obscure. You'll learn all about the lesser- known sides to southern Arizona's most dynamic city. After all, Tucson has been proclaimed "the world capital of weird""¬‚¬"and Tucsonans take that as a compliment. So if you've ever found yourself wondering where Bill Clinton wolfed down a five-combo plate of Mexican food, where Hollywood stars go to seek secluded rehab in the desert, or even where you might stumble upon a fabulously rich lost gold mine in the Catalina Mountains, let local author Clark Norton answer these and many other questions about Tucson you never thought to ask. After writing more than a dozen travel guidebooks, he knows how to peek into the unexplored corners of the Old Pueblo to help you uncover the best of Secret Tucson.