"Historic Houses of Philadelphia" brings the region's most impressive museum homes to life with maps, touring information, and historical notes on 50 distinctive homes. 160 photos, 150 in color.

West of the Schuylkill River, what was once Blockley and Kingsessing Townships is now West Philadelphia. Here is a comprehensive look at the rich architectural history of neighborhoods in and around University City and biographies of the architects who made it possible. In more than 500 images, see this area of the "City of Brotherly Love" transition from humble beginnings as a collection of sprawling farms and dusty hamlets to a streetcar suburb for upwardly mobile types looking to escape the old city and a haven for esteemed educational institutions. Packed with archival images, maps, and color photos, the book covers Cedar Park to Powelton Village, chronicling the charm and elegance found in West Philadelphia's architecture, much of which is still on public display. Examples include Second Empire, Victorian, Queen Anne, Collegiate Gothic, and Italianate styles. This is a global and historic review ideal for architects, urban planners, historians, and of course residents of Blockley and Kingsessing.

In these days of an aging traditional audience, shrinking attendance, tightened budgets, increased competition, and exponential growth in new types of communication methods, America’s house museums need to take bold steps and expand their overall purpose beyond those of the traditional museum. They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book is a groundbreaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation. It draws inspiration from film, theater, public art, and urban design to transform historic house museums while providing a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity. Anarchist's Guide to Historic House Museums offers a wry, but informed, rule-breaking perspective from authors with years of experience and gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

Officially known as Washington Square Park, Philadelphia’s Society Hill district contains an impressive number of eighteenth- and early nineteenth-century houses—perhaps as many as any other comparable area in the United States. This book presents, in text and pictures, the stories of its outstanding Colonial and Early American mansions and dwellings and simple row houses; its churches and other exceptional historic buildings. Old Philadelphia Houseson Society Hill contains both notes and illustrations on the design and architectural details of early Philadelphia row houses. There are also enlightening chapters devoted to such famous places as Bell’s Court, the Drinker House and Drinker’s Court, the Head House and Old Market, the Hill-Physick-Keith House and the Latta House, Old Pine Street Church and the Pennsylvania Hospital, the Man Full of Trouble Inn and many others, all complemented by photos. Featured are the uses of brick and the traditional design and decoration of the period’s interiors, showing antique furniture and prevailing modes of interior decoration. The 150 photographs strike a nice balance of exteriors and interiors, showing characteristic basics and details of structure and charming furniture pieces and accessories of old-time daily living. Tidbits of information concerning such personages as George Washington, Benjamin Franklin, Dr. Benjamin Rush and other eminent Americans are scattered throughout the book.

The Main Line is the suburban region northwest of Philadelphia synonomous with quiet wealth & exclusivity. This book records the efforts to establish the region as the paradigm of aristocratic country life in America & documents the evolution of the American country dwelling from Victorian gargoyle to domestic ideal.

Cedar Grove, The Cliffs, Grumblethorpe, Mount Airy, Bartram's House and Garden: Accommodation of the Vernacular

A generational shift is occurring at historic house museums as board members and volunteers retire while few young people step forward to take their place. These landmarks are also plagued by serious deferred maintenance, and many have no endowment funds. What will happen to these sites in the next ten years, and what can be done to assure their continued preservation for generations to come? In New Solutions for House Museums Harris examines possible options and provides a decision-making methodology as well as a dozen case studies of house museums that have made a successful transition to a new owner or user.

Independence Hall and the Liberty Bell, two of America's most revered symbols of freedom, date back to the British rule of the American colonies. The main structure of Independence Hall was completed in 1732, and the final casting of the Liberty Bell was completed in 1753. Visited by over two million people yearly, these historic icons have been used as backdrops for many political and social demonstrations and speeches. Filled with images from the archives of Independence National Historical Park, Philadelphia Department of Records, and collections from around the country, Independence Hall and the Liberty Bell illustrates how these two historic relics generate a sense of pride and patriotism set forth by the signing of the Declaration of Independence on July 4, 1776.

The Philadelphia Inquirer's Walking Tours of Historic Philadelphia takes history buffs on twelve walking tours through different city neighborhoods, visiting buildings, streets, gardens, and parks that remain testaments to Philadelphia's historic past. Arranged to help readers follow a logical path from site to site, the book includes maps, information about which sites can be toured, and tips on parking, public transportation, and nearby restaurants.

Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.