Harry the hippo continues to play his favorite game—but luckily for his friends, it’s hard to hide a hippo! At the playground, Harry’s friends search high and low. Whether he’s under the seesaw, behind the park bench, or hanging precariously from the swing set, it’s hard not to find Harry. But the fun is in the searching, and the friends are always up for another round!

Harry the hippo continues to play his favorite game—but luckily for his friends, it’s hard to hide a hippo! Harry and friends are at the farm, which offers Harry a plethora of new places to hide. Who’s that behind the barn? Or poking out of the haystack? Could that be a hippo hiding in the mud with the pigs? Once Harry is found, it’s time to start the game again!

Harry likes to play hide-and-seek, but it’s hard to hide a hippo! Little readers will love being in on the joke as they spot the formidable Harry. When Harry and his friends are at the beach, they always play their favorite game, hide-and-seek. In a hammock, under a sand castle, or behind a palm tree — there are so many places for Harry to hide. Or try to, at least!

Going into the playground can be like setting off on an adventure in the jungle – exciting, a little bit wild and filled with lots of different creatures. You’ll meet lots of people having their own adventures in the playground, and sometimes you might want to play together. There’s a lot to learn, but there’s also lots of fun to be had. This series deals with emotive issues that children face in direct and gentle terms, allowing children’s feelings and problems to be more easily shared and discussed with family and friends. Author Shona Innes is a qualified clinical and forensic psychologist with many years of experience assisting children.

Awash with humor, insight, love, and the heartbreaks of life, An Orchid for a Silver Lining: If the Kitchen Table Could Talk is a full-length memoir beginning with the author’s parents’ emigration from Newfoundland to New York in 1922. Written in a whimsical, observational style and pace, the author details coming of age in Albany, New York, the military service of her father and brothers in WWI and WWII, alcoholism, Alzheimer’s, and parenthood. The orchid is a gift from her first love; the silver lining is a reward of recovery from alcoholism; and the kitchen table is the author’s voice. About the Author Eileen O’Dea Roach is the youngest of nine, lost in the shuffle of siblings, ages spread over twenty-four years. Her story is for those afraid to speak their truth. She earned an AD at Hudson Valley Community College, then a Bachelor of Arts in English from the College of Saint Rose while assistant to the college grant writer during her last year of study. Professionally, she spent years as a legal secretary, legislative assistant for NYS labor union, and is a member of United Steelworkers Staff Union.

A captivating history of folk traditions, beliefs, and culturally diverse customs in the early homesteading era on the Canadian Prairies. The homesteading era on the Canadian Prairies (1867–1914) was a dynamic period of history, when hundreds of thousands of men, women, and children, migrating primarily from northwestern and eastern Europe, descended nascent provinces of Alberta, Saskatchewan, and Manitoba. Some were lured by the promise of prosperity and land ownership, while others were fleeing war, famine, and persecution. Homesteaders have been studied and written about extensively, often within the context of “settling” the Canadian West and the displacement of Indigenous populations. These narratives, while crucial to our understanding of Canada’s national identity and colonial past, tend to obscure the personal stories, beliefs, and mindsets of those individuals who came to this part of the world and made a life there. Drawing on a treasure trove of archival sources, historian Sandra Rollings-Magnusson presents a vivid and deeply personal collection of Prairie folklife, revealing stories full of humour, superstition, fear, and hope. She gives insight into homesteaders’ daily lives, including instances of water-witching, signs of good and bad luck, neighbourly practical jokes, and popular pastimes. Through adaptation, hardship, homesickness, and a sense of adventure, they built communities with others from different backgrounds, creating a unique culture that blended the old with the new. "

From conkers to marbles, from British Bulldog to tag, not forgetting 'one potato, two potato' and 'eeny, meeny, miny, mo', The Lore of the Playground looks at the games children have enjoyed, the rhymes they have chanted and the rituals and traditions they have observed over the past hundred years and more. Each generation, it emerges, has had its own favourites - hoops and tops in the 1930s, clapping games more recently. Some pastimes, such as skipping, have proved remarkably resilient, their complicated rules carefully handed down from one class to the next. Many are now the stuff of distant memory. And some traditions have proved to be strongly regional, loved by children in one part of the country, unknown to those elsewhere. All are brilliantly and meticulously recorded by Steve Roud, who has drawn on interviews with hundreds of people aged from 8 to 80 to create a fascinating picture of all our childhoods.

An invaluable guide to small-cast, one-act plays, describing more than 2,200 plays.

Finn Gramaraye was framed for the crime of dark necromancy and exiled out of the mortal world. Twenty-five years later, he's back only to be framed again for murder. Now, he must battle magical creatures, family drama, and the challenges of his love life as he races to solve the mystery of who wants him returned to exile and why.

The endangered and dangerous female figures of "Rebecca", of "Jagged Edge" and "What Lies Beneath" have a deserved and endures fascination. Helen Hanson re-examines these gothic heroines of Hollywood and their meanings, in two of Hollywood's key generic cycles, film noir and the female gothic film. Starting at the beginning, with the origin of these cycles and the ways in which they represented women in the American film industry and culture of the 1940s, she traces their revival in neo-noir and neo-gothic films from the 1980s to the present. She also places the female figures of the femme fatale, female investigator and gothic heroine within the shifting contexts of the film industry and debates in feminist film criticism. Hanson examines a wide range of films from both periods, including 'Suspicion', 'Gaslight' and 'Pacific Heights', and gives particular attention to their presentation of female stories, actions and perspectives. She reveals a diversity of female figures, representations and actions in film noir and the female gothic film, and argues that these women are part of a negotiation of female identities, desires and roles across a long historical period. "Hollywood Heroines" therefore offers us new ways of thinking about classic and contemporary Hollywood heroines, and about the interrelationships of gender and genre.