Sir Henry Rider Haggard was an English writer of adventure novels set mostly in Africa, and a founder of the Lost World literary genre. This volume contains two stories of Allan Quotermain’s series. In Heu-Heu, or the Monster Allan is confronted with the legend of the Heu-Heu, a monster who eats humans, while sheltering from a thunderstorm in the Drakensberg mountains. In The Treasure of the Lake Allan Quatermain finds a village in the middle of the Dark Continent ruled by a huge, pale man with a strange knowledge of future events.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

Various book reviews and essays on famous plays, novels from European authors. Themes: sci-fi, colonialism, WWI, history, WWII, love and relationships, satire, paranormal, adventure, foreign customs.

Across Ethiopia and beyond, Sherlock Holmes encounters both the hideous and the divine, ripping asunder the fragile veil separating us from worlds unknown-all while in the company of the renowned Allan Quatermain. The last of Allan Quatermain's true African adventures to appear, The Treasure of the Lake, was published nearly a century ago in 1926. Those who lusted to vicariously accompany Quatermain on new perilous treks into the vast reaches of the "Dark Continent" (as they had done to King Solomon's Mines) had no choice but to remain disappointed. UNTIL NOW! Recently found amongst some obscure papers at Brown University, this new manuscript chronicles a complex and inspired quest headed by Quatermain deep into the earthquake- and volcano-ripped Danakil Desert of Ethiopia in 1872 accompanied by his devoted aide-de-camp Hans and a host of the nineteenth century's most prodigious luminaries, including astronomer Maria Mitchell, volcanologist Axel Lindenbrock, and Gunnery Sergeants Daniel Dravot and Peachy Carnehan. Along the way, this ragtag troop is brutally attacked in the desert by its trophy-hunting denizens, and then they discover a 2,000-year-old lost city. Yet Holmes' and Quatermain’s quest is not merely one of surviving in Ethiopia’s beautiful yet tortuous landscapes; they must confront horror and overcome it. As the tale unfolds, readers will be swallowed by a maelstrom of concepts, relentlessly pulled headlong, descending into a scholarly labyrinth of interwoven writings. In point of fact, Quatermain encounters no less than the very essence of the meaning of life, which he then discounts as a wizard's trick!

Umberto Eco, author of The Name of the Rose and Foucault's Pendulum, said: It's only publishers and some journalists who believe that people want simple things. People are tired of simple things. They want to be challenged. SEE THE GREAT DETECTIVE MATCH WITS WITH THE SON OF GOD ON THE ROOF OF THE WORLD. SEE HIS COVER BLOWN BY THE MOTHER OF GOD AT THE CRUCIBLE OF LIFE. SEE HIM SOLVE THE MYSTERY OF GOD AT THE DAWN OF TIME. With this trilogy, Thomas Kent Miller is for the first time publishing in one volume the wide variety of millennia- and centuries-old lost manuscripts that he has serendipitously unearthed over 30 years. These writings are all linked by their featuring characters introduced by H. Rider Haggard, prime mover of the lost race literary genre, over the course of sixteen books written from 1885 through 1927 and, to a lesser extent, indeed, only referenced obliquely, The Great Detective, over three decades!

Now when I grow old it becomes every day more clear to me, Allan Quatermain, that each of us is a mystery living in the midst of mysteries, bringing these with us when we are born and taking them away with us when we die; doubtless into a land of other and yet deeper mysteries. At first, while we are quite young, everything seems very clear and simple. There is a male individual called Father and a female called Mother who, between them, have made us a present to the world, or of the world to us, whichever way you like to put it, apparently by arrangement with the kingdom of heaven; at least that is what we are taught. There are the sun, the moon, and the stars above us and the solid earth beneath, there are lessons and dinner and a time to get up and a time to go to bed--in short there are a multitude of things, all quite obvious and commonplace, which may be summed up in three words, the established order, in which, by the decree of Papa and Mamma and the heavens above, we live and move and have our being.Then the years go by, the terrible, remorseless years that bear us as steadily from the cradle to the grave as a creeping glacier bears a stone. With every one of them, after the first fifteen or so when we become adult, or in some instances earlier if we chance to be what is called "rather unusual", a little piece of the curtain is rolled up or a little hole is widened in the veil, and beneath that curtain, or through that enlarging hole, we see the mysteries moving in the dusk beyond. So swiftly do they come and go, and so dark is the background, that we never discern them clearly. There, if time is given to us to fix them in our minds, they appear; for a moment they are seen, then they are gone, to be succeeded by others even yet more wondrous, or perhaps more awful.

imperial history and politics, as well as to readers of Haggard. --Book Jacket.