Joseph Rudyard Kipling was the greatest writer in a Britain that ruled the largest empire the world has known, yet he was always a controversial figure, as deeply hated as he was loved. This accessible biography aims at an understanding of the man behind the image and gives an explanation of his enduring popularity

Kipling's letters, never before collected and edited and largely unpublished, are now presented in an annotated edition based on the more than 6,000 letters preserved in public and private collections all over the world. Planned in an edition of four volumes, the Letters reveal Kipling with a fullness and immediacy of detail unmatched by any other source. The first two volumes present the first half of Kipling's life, down to the end of the nineteenth century. They show the remarkable transformation of the young schoolboy into the seasoned Indian journalist, and the even more remarkable transformation of the Indian journalist into the famous writer, the most dazzling literary success of the 1890s. Kipling's hard years of apprenticeship, his restless travels and eager encounters with cities and men, his triumphant struggles in the literary wars, are all vividly set forth. The Letters also take Kipling through his marriage and the births of his children, through the mingled happiness and distress of his American years, to the tragedy of his daughter's death at the very highest moment of his literary fame.

This is a study of the forces and influences that shaped Kipling's work, including his unusual family background, his role as the laureate of empire and the deaths of two of his children, and of his complex relations with a literary world that first embraced and then rejected him.

The most popular author of his day and a paradox who was both an assertive British imperialist and a man of sensitivity and wide reading, Rudyard Kipling is best remembered now as the author of The Jungle Book, the Just-So Stories, and Kim. Fully annotated, volumes 5 and 6 conclude the publication of Kipling's letters, a heroic effort that began with the publication of volume 1 in 1990.

Rudyard Kipling was a Victorian and an early modernist, a disciplinarian imperialist who sympathized with children and outlaws, a globe-trotter who mythologized 'Old England', and a world-famous author whom intellectuals despised. The central theme of this book is the way his work and its reception are both fissured and energized by these contradictions. This thorough study initially discusses Kipling's ambivalent knowing attitude to unknowable otherness, his rhetorical imitations of Indian and demotic vernaculars, his work ethic and ideal of imperialist masculinity, thus contextualizing the central discussion of his masterpiece Kim which, almost uniquely, takes Indian otherness as a source of pleasure, not anxiety. Jan Montefiore describes Kipling as a writer on the cusp of modernity, examining how his fiction and poetry engaged with radio, cinema and air travel, how his poetry anticipated and influenced the subversive uncertainties of modernism, and how his post-war contributions to the literature of mourning undermined their own overt traditionalism.

VictorianStudies on theWebCritics Choice!Rudyard Kipling: Hell and Heroism is an exploration of two fundamental yet greatly neglected aspects of the author's life and writings: his deep-seated pessimism and his complex creed of heroism. The method of the book is both biographical and critical. Biographically, it traces the roots of Kipling's dark worldview and his search for something to believe in, a way of thinking and acting in defiance of life's hellishness. There matters were more basic to him than any of his social or political opinions, but this the first full-length study devoted to them. Critically, the book takes a fresh and close look at some of Kipling's most important works. The result challenges long established assumptions and amounts to a major reconsideration of novels like Kim and stories like "Mary Postgate" and "The Gardener." Central in these discussions of individual writings is Kipling's concern with the heroic life, but of equal importance is the analysis and evaluation of them as works of art. Avoiding the tangled and special language of some recent literary theory, this will appeal to a wide audience of those interested in Kipling's mind and art.

Being Kipling exposes Rudyard Kipling s identity as he himself perceived it through the lens of a collection of works composed over a period of years and brought together in the volume Land and Sea Tales for Scouts and Guides. Dillingham uses this extraordinary collection, ostensibly put together for the inspiration of Boy Scouts and Girl Guides and frequently ignored by critics and biographers, to offer rare insight into formative events from Kipling s youth that shaped his personality and made him the man and writer that he became. The eight stories, eight poems, and three essays of Land and Sea Tales for Scouts and Guides are all examined closely both for what they reveal about Kipling s life and worldview and for their rarely perceived, but considerable literary merit.