• Explains in detail how the demotion or proved nonexistence of a planet marks the beginning of a roughly 30-year period in which that planet’s influence wanes • Explores Pluto’s arc of influence on individual and collective life in depth, from its discovery in 1930 to the end of its influence in 2036 • Offers examples from other demoted planets, such as Ceres, whose fifty-year reign as a planet corresponds very closely to the Romantic Era of history Recent research in astrology has shown that the discovery of a new planet correlates with the emergence of a new set of influences in individual and collective life. As John Michael Greer reveals, the opposite is also true: the demotion of a planet correlates with the decline of a set of influences into the background. Exploring the waxing and waning of planetary influences in astrology, Greer explains in detail how the demotion or proved nonexistence of a planet marks the beginning of a roughly 30-year period in which that planet’s influence fades out. He examines several examples of planet demotion, including Ceres, whose influence began to take shape some 30 years before its discovery in 1801 and gradually faded over the three decades following its demotion in the 1850s. Examining Pluto’s astrological influence in depth, from the beginning of the search for “Planet X” in 1900 to the end of its influence in 2036, the author shows how during the Plutonian era the concept of cosmos--from the ancient Greek meaning “that which is beautifully ordered”--was in eclipse. Pluto’s influence led to the rejection of unity, beauty, and order, exemplified through the splitting of the atom by physicists, the splitting of the individual into conscious and subconscious halves by psychoanalysts, and the splitting of the world into warring camps by politicians. Offering an essential guide not only to the astrology of the future but also to the twilight of the Plutonian era, Greer shows how as Pluto’s influence fades out in the years ahead, a great many disruptive phenomena of the recent past will fade with it.

The first-ever comprehensive and integral treatment of Mercury's retrogrades, with a one hundred and twenty-five year ephemeris to track the sequential pattern of the planet Mercury's backward trickster medicine dance.

Here, Elkins argues that alchemists and painters have similar relationships to the substances they work with. Both try to transform the substance, while seeking to transform their own experience.

This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.

Offering a complete system of tracking with and understanding the cycle of Venus in the skies, this edition demonstrates how to embrace more of the inner feminine nature in order to better contribute to an improved world.

From the award-winning author of Augury, a poetry collection that examines the power of great works of art. “What is a song but a snare to capture the moment?” This central question drives Crow-Work, Eric Pankey’s ekphrastic exploration of the moment where emotion and energy flood a work of art. Through subjects as diverse as Bruegel’s Procession to Calvary, Anish Kapoor’s Healing of Saint Thomas, Caravaggio’s series of severed heads, and James Turrell’s experimentation with light and color, the author travels to an impossible past, despite being firmly rooted in the present, to seek out “the songbird in every thorn thicket” of the artist’s work. Short bursts of lyrical beauty burn away “like coils of incense ash”; bodies in the light of a cave flicker, coalesce, and disappear. By capturing the ephemeral beauty of life in these poems, Crow-Work seeks not only to explain great art, but also to embody it. Praise for Crow-Work “Eric Pankey’s sensibility is an unerringly generous one: he is always willing to step first onto unsteady ground, to test it for those who might follow. The poems of Crow-Work, like good gleaners, seek out possibility and sustenance. They are skilled, deft, and dazzlingly alert. Just when I think they have brought me as close as possible to the dark and unknowable things that make awe possible, they bring me closer. The journey is unnerving, intimate, and thrilling.” —Mary Szybist “The delicacy and accuracy we have come to expect from Eric Pankey are here on display and as deftly deployed as ever. Pankey remains one of our leading practitioners of the metaphysical poem.” —C. Dale Young “[A] wonderful exploration of the emotional power of art.” —Publishers Weekly (Starred Review, PW Picks)

This volume establishes the discipline of medical ethnomusicology and expresses its broad potential. It also is an expression of a wider paradigm shift of innovative thinking and collaboration that fully embraces both the health sciences and the healing arts.

Medieval alchemists, forerunners of today's chemists, sought to transmute base metals into gold. This lively illustrated history explores intriguing aspects of this mix of science, philosophy, art, religion, and magic, whose roots go back to ancient Egypt. 158 illustrations, 109 in color.