Hieronymus Bosch's Garden of Earthly Delights takes a special place in European art history, partly because of the special late-medieval imagery. The meaning of the painting, however, differs according to every expert. After extensive research, Reindert

The Art & Ideas series offers introductory books on all aspects of the history of art. Written by an outstanding expert in the field, this volume explores the life and times of Hieronymus Bosch, one of the major artists of the Northern Renaissance. 200 illustrations, 180 in full color.

The paintings of Hieronymus Bosch (1450–1516) have captivated and confounded observers for centuries, leading to wildly varying conclusions on the artist’s spirituality. Kurt Falk presents the first analysis of Bosch’s inner life in light of a hitherto unknown—and now lost—version of one of his seminal works, The Last Judgment, found by the author in Cairo in the mid-1930s. With an introduction by spiritual psychologist Robert Sardello, The Unknown Hieronymus Bosch presents an entirely new way of looking at this art—not through the framework of art history or the notion of a school of painting, but through the spirit. Falk’s analysis reveals the ways in which Bosch addresses creation, including the exalted and fallen spiritual worlds so prevalent in his work. The author’s conclusions are startling but persuasive: that Bosch had strong links to Rosicrucianism, that many of the paintings feature a curious onlooker figure we now understand as a spirit-witness, and that Bosch had in fact developed the capacity to clairvoyantly know the extraordinary worlds he portrays in such exacting detail. The book’s high-quality reproductions, carefully rendered in the paintings’ true colors, offer powerful visual support for the author’s theories.

These richly illustrated articles cover the representation of alchemy in art from the late Middle Ages to the 20th century. The authors, who are artists, curators and art historians from the US and Europe, address such topics as alchemical gender symbolism in Renaissance, Mannerist and modernist art; Netherlandish 17th-century portrayals of alchemists; and alchemy as the forerunner of photography. Distributed in the US by ISBS. Annotation ©2006 Book News, Inc., Portland, OR.

Examines the life and art of Hieronymus Bosch, a Netherlandish painter from the fifteenth and sixteenth centuries, and includes reproductions of representative works.

Will you dare to immerse yourself in the troubling universe of Bersek in order to discover the themes, the depth and the genius of this artistic, philosophical and symbolic work? Anyone who dares to analyze Berserk embarks on a quest that is almost as painful as that of Guts. And those who read Berserk will sink down in the same way, alone and incessantly, into Kentaro Miura’s troubling universe. For 30 years, this unique author has been developing a story whose every page has its readers trembling with fear and pleasure, given its themes, depth and genius. Berserk is not just a story of adventure, it is an artistic, philosophical, symbolic work that is an ode to the dark side of human nature, a declaration of love for the imaginary. For you, Quentin Boëton has braved the borders of Midland to analyze every aspect of the work: its characters, its story, its themes and its secrets. Discover a detailed analysis of all aspects of Bersek's complex universe, including its characters, its story, its themes and its secrets. ABOUT THE AUTHOR Better known under the alias of “ALT 236”, Quentin Boëton is a video maker who passionately explores the dark corners of human imagination.

A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.

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