This theoretical book is meant to improve contemporary jazz styles techniques for all musician players of modern jazz. These exercises were made as an extension of my book "240 Chromatic Exercises + 1165 Jazz Lines Phrases For The Modern Improviser".

The Blue Note Years presents for the first time many of Francis Wolff's previously unpublished photographs, capturing such jazz legends as John Coltrane, Freddie Hubbard, Joe Henderson, Miles Davis, Donald Byrd, Clifford Brown, and Ornette Coleman, among others. 195 duotone photos.

The long-awaited memoir by one of the most influential and beloved musicians of our time In Herbie Hancock the legendary jazz musician and composer reflects on a life and a thriving career that has spanned seven decades. A true innovator, Hancock has had an enormous influence on both acoustic and electric jazz, R&B and hip-hop, with his ongoing exploration of different musical genres, winning fourteen Grammy awards along the way. From his beginnings as a child prodigy to his work in Miles Davis’s second great quintet; from his innovations as the leader of his own groundbreaking sextet to his collaborations with everyone from Wayne Shorter to Joni Mitchell and Stevie Wonder; Herbie Hancock reveals the method behind Hancock’s undeniable musical genius. Hancock shares his musical influences, colorful behind-the-scenes stories, his long and happy marriage, and how Buddhism inspires him creatively and personally. Honest, enlightening, and as electrifyingly vital as the man who wrote it, Herbie Hancock promises to be an invaluable contribution to jazz literature and a must-read for fans and music lovers.

Music lovers have been attracted to the distinct style and sleek sound of jazz since its birth at the turn of the century. The album covers collected in this comprehensive volume under the well-known Blue Note record label embody classic design and pioneering typography. Two hundred color photographs of the album sleeves, an informative history of the Blue Note record company, and a portrait of Reid Miles, who designed nearly 500 album covers, capture the integrity of this distinctive record label. Sophisticated jazz connoisseurs and young listeners alike, as well as those with an interest in style and graphic design, will enjoy this exciting book of jazz memorabilia.

As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.

My 3rd book on music, post bop jazz improvisation for all instruments by Olegario Diaz.

The official illustrated history of Blue Note, the most influential and important brand in jazz. Tracing the evolution of jazz from the boogie-woogie and swing of the 1930s, through bebop, funk, and fusion, to the eclectic mix Blue Note releases today, this landmark publication tells the story of an influential jazz institution and commemorates Blue Note’s momentous contribution to modern music and style. Practically all of the jazz greats passed through Blue Note’s doors, including Miles Davis, Sidney Bechet, Art Blakey, Thelonious Monk, Bud Powell, Ornette Coleman, Donald Byrd, and Jimmy Smith. Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The photography of cofounder Francis Wolff and the cover designs of Reid Miles helped create a look that was an integral part of the label’s genius. A highly illustrated volume, Blue Note features the very best photographs, covers, and ephemera from the archives, including never-before-published material, and and documents a groundbreaking era in American culture.

This book is a summary of exercises and jazz improvisation lines designed to improve contemporary jazz style techniques. The book is divided in scale, arpeggios, chromatic exercises and jazz lines phrases from Chris Potter. These exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, so all these exercises will be worked accidentally. This project is an extension of my last three methods of improvisation: * Improvise Now *220 Chromatic Exercises + 1165 Jazz lines phrases *Herbie Hancock lines voicings and rhythms from transcriptions. *John Coltrane & Michael Brecker Legacy

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

Provides a complete discography of all recordings made or issued on the Blue Note label from 1939 through 1999.